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2020 film by Jeff Baena From Wikipedia, the free encyclopedia
Horse Girl is a 2020 American psychological drama film directed and produced by Jeff Baena, from a screenplay written by Baena and Alison Brie. It stars Brie, Debby Ryan, John Reynolds, Molly Shannon, John Ortiz, and Paul Reiser.
| Horse Girl | |
|---|---|
Official release poster | |
| Directed by | Jeff Baena |
| Written by |
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| Produced by |
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| Starring | |
| Cinematography | Sean McElwee |
| Edited by | Ryan Brown |
| Music by | |
Production company | |
| Distributed by | Netflix |
Release dates |
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Running time | 103 minutes[1] |
| Country | United States |
| Language | English |
The film had its world premiere at the Sundance Film Festival on January 27, 2020. It was released on February 7, 2020, by Netflix.
Sarah, an introverted young woman, regularly visits the grave of her mother, who committed suicide. She also frequents the horse stable where her former horse Willow is boarded, and where she rode in her childhood.
After finding Sarah home alone on her birthday, Sarah's roommate Nikki invites her boyfriend Brian and his roommate, Darren, over for a double date. The four smoke marijuana and have drinks. The date is interrupted by Sarah's nose bleeding. After Darren leaves, Sarah has a dream in which she lays face up in a white room. A man and woman also lay down some distance away from her, unaware of their surroundings.
The following morning, Nikki awakens to find Sarah sleeping on the living room floor and large scratch marks running across the wall. Darren returns to the apartment to retrieve his car and asks Sarah on a date. At work, she has another nose bleed. While recovering, she recognizes Ron, a man walking outside who resembles the one from her dream. Later, Sarah spends an afternoon with her childhood friend Heather who suffered a traumatic brain injury in a riding accident. Heather has recurrent seizures and short-term memory loss.
While driving home, Sarah stops at a red light near a water facility. She then finds herself in her kitchen with the tap running, unable to account for the elapsed time. She later hears a woman talking indistinctly in another room when no one is home. She then finds that her car has been stolen from her garage.
Gary, Sarah's wealthy stepfather, learns that the car has appeared at a tow yard, as the registration is still in his name. He brings her to retrieve it, and the tow driver reveals that the car was abandoned near a water facility in the middle of the road.
Later, Sarah apparently sleepwalks out of her apartment and awakens standing outside by a telephone booth. At her apartment, she discovers that somehow only a couple minutes had passed. At work, her boss Joan suggests that she visit a doctor given her familial history of mental health problems.
Sarah becomes convinced that she is experiencing alien abductions. Due to her striking resemblance to her deceased grandmother, Sarah fears that she may be her clone. Meanwhile, she tracks Ron to a plumbing store that he owns. While on a date with Darren, Sarah manically confides her belief that she is a clone and has him drive her to her mother's grave to dig her up and retrieve her DNA. Sarah eventually accuses a disturbed Darren of plotting against her, and threatens him with scissors, forcing him to leave her there.
Sarah takes a shower at home, but soon finds herself walking through the back door to her work. Joan helps her and calls the police, after which Sarah is admitted to a psychiatric hospital. She awakens in the middle of the night to find the door to her room unlocked. Escaping from the hospital, she visits various places. At the crafts store she works at, Sarah steals fabric and crafts protective suits for herself and Willow, but is confronted by the stable owner when she goes to deliver Willow's suit. Fleeing, she visits a sympathetic Darren, and the two begin to have sex, after which he disappears.
She creates a doorway out of fabric and enters through it into the white room. There, she sees shadowy figures tending to unconscious people, including herself and the two other people from her dreams. She exits through a window into Heather's bedroom and joins her in bed, but awakens the next morning to find herself back in the hospital, implying that everything since her escape was part of a dream. She recognizes another patient in her room as the woman from her dream; when Sarah describes it, the woman reveals that they share elements in their dreams, such as an alien ramp in the middle of the ocean. Sarah takes this as confirmation of her belief that they are both alien abductees and joyfully tells her social worker that she is not delusional. Despite the social worker's reservations, Sarah is discharged after 72 hours.
At home, Sarah dresses in her grandmother's dress. She steals Willow from the stable and walks with her into the woods. In a clearing, Sarah stops and lies on the ground. A spaceship then appears; she levitates toward the sky and disappears.
In June 2019, it was announced Alison Brie would star in the film, with Jeff Baena directing from a screenplay he wrote with Brie. Jay Duplass and Mark Duplass serve as executive producers under their Duplass Brothers Productions banner, with Netflix distributing.[2]
The film had its world premiere at the Sundance Film Festival on January 27, 2020.[3] It was released on February 7, 2020, by Netflix.[4]
Horse Girl holds a 71% approval rating on review aggregator website Rotten Tomatoes based on 58 reviews, with an average score of 6.3/10. The site's critical consensus reads: "Horse Girl proves unwilling or unable to explore the deeper themes it addresses, but this unusual drama is anchored by Alison Brie's committed performance."[5] According to Metacritic, which sampled 17 critics and calculated a weighted average score of 61 out of 100, the film received "generally favorable reviews".[6]
Nick Allen of RogerEbert.com reviewed the film after its world premiere at the Sundance Film Festival. In a 3-star review: "The sincerity that Brie brings to her full-fledged embodiment of mental illness is major, and in turn helps Horse Girl overcome its tricky storytelling."[7]
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