Austrian composer From Wikipedia, the free encyclopedia
Gerhard Schedl (5 August 1957 – 30 November 2000) was an Austriancomposer. His works included chamber works, operas, theater pieces, symphonies, concertos, and sonatas.[1]
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Schedl had early success with his music dramatic works including his oratorio Der Großinquisitor (The Grand Inquisitor) and his opera for children Der Schweinehirt (The Swineherd).
After a long period of severe depression, Schedl shot himself in the woods near his home in Eppstein.[2] He was buried in an honorary grave at the central cemetery of Vienna, group 40 No. 97.
In 2009 the Neue Oper Wien created a composition competition for a feature-length music-dramatic work.
Stage
Der Großinquisitor (The Grand Inquisitor), Scenic Oratorio for bass-baritone, cello, narrator, chorus, organ and orchestra (1979–1980)
Pierre et Luce, Lyric Chamber Opera in 7 Scenes with Introduction for soprano, tenor and chamber ensemble (1989); libretto by Attila Bőcs
Kontrabass, Chamber Opera in 1 act for soprano, tenor, baritone, 6 cellos, double bass and percussion (1982); libretto by Attila Bőcs after a story by Siegfried Pietschmann
S.C.H.A.S., Skurriles Musiktheater (Bizarre Musical Theater) (1986); libretto after Hans Carl Artmann
Schall und Rauch oder Das Leben ist hart genug, 3 Parodies for actor and chamber ensemble (clarinet, bassoon, trumpet, trombone, violin, double bass, piano) (1983)
Glaube Liebe Hoffnung, Oper (1991–1992); libretto based on templates provided by Ödön von Horváth
... fremd bin ich eingezogen ..., Dance and Musical Theatre Piece for dancers, singers, actors, electronic bands, chorus and orchestra (1995)
Der Ficus spricht, Minidrama (Farce) in 1 act (1998); libretto by Franzobel
Riesen, Zwerge, Menschenfresser, Youth Opera (1998); libretto by Herbert Vogg after Oscar Wilde's The Selfish Giant
Julie & Jean, Ein Match in zwölf Runden nach Motiven von August Strindbergs for soprano, baritone, chorus and orchestra (1999); libretto by Bernhard Glocksin after August Strindberg's Miss Julie
Orchestral
Drei Miniaturen (3 Miniatures) (1980)
Tango (1981)
Symphony No. 1 (1982)
Kontrapunkt IV (1984)
Symphony No. 2 "Fleurs du Mal" (1987)
Figures in the Dark for big band (1988)
Symphony No. 3 for baritone and orchestra (1990); words by Friedrich Hölderlin
Concerto da Camera for chamber ensemble (1991)
5 Intermezzi from the opera Glaube Liebe Hoffnung (1995)
Symphony No. 4 "Belfast" (2000); fragment
Concertante
Capriccio for piano and small orchestra (1977)
Concerto for violin and 9 stringed instruments (1979)
Concerto for guitar and jazz ensemble (tenor saxophone, trombone, double bass, drums, piano) (1983)
Double Concerto for violin, cello, 10 stringed instruments and harpsichord (1987); after Sinfonia 9 f-moll, BWV 795 by Johann Sebastian Bach
Concerto for viola and orchestra (1988)
Concerto for violin and orchestra (1995)
Slow, Music for cello and orchestra (1997)
short cuts, Concertino for clarinet and chamber ensemble (2000)
Chamber music
Sonata for cello solo, Op. 1 (1975)
Concertino for viola and piano (1976)
Fantasie über einen ostinaten Baß (Fantasie on an Ostinato Bass) for guitar solo, Op. 12 (1976)
Musik for clarinet, tuba (or double bass) and piano (1977)
Nächtliche Szenen (Nocturnal Scenes), Sketches for a string quartet (1977)
Rhythmen (Rhythms), Dances for guitar solo, Op. 7 (1980)
Der Totentanz von Anno Neun, Septet for flute, oboe, clarinet, bass clarinet, violin, cello and double bass, Op. 14 (1980); after painting by Albin Egger-Lienz
Sonata for flute solo (1981)
Nachtstück (Nocturne) for wind quintet (1982)
Gesänge über "Deh vieni alla finestra" for violin, cello and piano, Op. 4 (1983); after the canzonetta from the opera Don Giovanni by Wolfgang Amadeus Mozart
Rondeau for guitar solo (1983)
a tre, Variations for clarinet, violin and piano (1984)
Schattenbilder, 4 Movements for cello and piano (1985)
... so zu Licht und Lust geboren ..., Poetry for baritone and orchestra (1986)
Concerto da Camera II for high voice and chamber ensemble (1994); words by Verena Blecher
Choral
Zaubersprüche for mixed chorus, percussion and double bass, Op. 16 (1981)
Magnificat for mixed chorus a cappella (1982)
Pater noster – in der phrygischen Tonart for 16 voices a cappella (1983)
Te Deum for soprano, alto, tenor, bass, mixed chorus, organ and orchestra (1984–1985)
Böse Sprüche, Farce for chamber chorus, alto saxophone, trumpet and trombone (1988); libretto after "Trara Trara die Hochkultur" by Fritz Hermann
Students of Gerhard Schedl have included Klaus Wiede, Stefan Thomas, Dieter Hermsdorf and Daniel Hensel, who wrote the first musicological study and dissertation on the music of Gerhard Schedl.
Daniel Hensel: Von der Einheit in der Vielfalt oder der Lust am Subjektiven: Die Musik Gerhard Schedls, dargestellt an seiner Instrumentalmusik, Stuttgart: ibidem 2011, ISBN978-3-8382-0278-5