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Humanist sans-serif typeface From Wikipedia, the free encyclopedia
FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991[1] through his FontFont library.
| |
| Category | Sans-serif |
|---|---|
| Classification | Humanist sans-serif |
| Designer(s) | Erik Spiekermann |
| Foundry | FontFont |
According to Spiekermann, FF Meta was intended to be a "complete antithesis of Helvetica", which he found "boring and bland".[2] It originated from an unused commission for the Deutsche Bundespost (German Federal Post Office). Throughout the 1990s, FF Meta was embraced by the international design community[2] with Spiekermann E. M. Ginger writing that it had been dubiously praised as the Helvetica of the 1990s.[3]
FF Meta has been adopted by numerous corporations and other organizations as a corporate typeface, for signage or in their logo. These include Imperial College London, The Weather Channel, the television stations WSYR-TV, WIVT and WUTR in upstate New York, Herman Miller, Zimmer Holdings, Mozilla Corporation, Mozilla Foundation, Schaeffler Group, Endemol, Greggs, Digital UK (now Everyone TV), Liberal Democrats, Mumsnet and Fort Wayne International Airport.[4] The University of Hull uses FF Meta Serif alongside FF Meta.[5] The Government of Greece has used FF Meta Greek as the official government typeface since 2010.[6] New York Review Books uses FF Meta for their covers.[7]
Characteristics of this typeface are:
 | This section possibly contains original research. (March 2019) |
A general feature of FF Meta is relatively open apertures, in contrast to the more folded-up appearance of Helvetica. This is believed to promote legibility and make the letterforms more clearly different from one another.
Development began in February 1985[1] when Deutsche Bundespost approached Sedley Place Design, where Spiekermann was working at the time, and commissioned a comprehensive corporate design program. As the typeface would be used repeatedly in small sizes, for identification rather than body copy, and printed quickly on potentially poor-quality paper stock, the brief called for a legible, neutral, space-saving, and distinguishable (in terms of weight) typeface, with special attention to creating unmistakable characters.[8] Whereas traditionally, typefaces are designed to be viewed beautifully large, the goal with this particular typeface was to produce a typeface which worked well for its primary application.[9]
Taking into account, research done on six font families and the constraints of the brief, the characteristics of what would become FF Meta began to take shape. The typeface would have to be sans-serif, narrow, with strokes thick enough to withstand uneven printing, curves, indentations, and flares to prevent optical illusions, open joins to combat over-inking, and clearly distinguishable glyphs. Its capitals and figures had to be versatile and clear, but not obtrusive. In addition to these demands, to meet Bundespost's needs, the family would also contain three fonts: regular, regular italic, and bold.[9] The typeface is particularly similar to Syntax, one of Spiekermann's candidate typefaces.
After completing and digitizing the typesetting font, mockups were generated for Bundespost's new forms and publication. However, despite positive interest from the German Minister of Telecommunications among others,[10] Bundespost decided not to implement[1] the new exclusive typeface for fear it would "cause unrest".[10] Bundespost, despite funding the project, continued to use a variety of different versions of Helvetica (before changing them to Frutiger).[11] Spiekermann wrote an article on the abandoned design for Baseline magazine in 1986. At this time Meta was called PT55 (for the regular weight) and PT75 (bold).
Several years later, realizing that neither Bundespost nor Sedley Place Design would ever use the typeface, Spiekermann decided to continue working on it. He eventually published it, along with other abandoned typefaces, through his newly founded publishing label FontFont. The result was the release of FF Meta in 1991.[1] This version of FF Meta was created by re-digitizing the original outlines and digitizing them in Fontographer on a Macintosh. This work was done by Spiekermann's interns Just van Rossum and Erik van Blokland between 1988 and 1989.[10]
Writing in 1987, Spiekermann gave these credits for Meta as originally designed for the Bundespost.
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