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Everyone Worth Knowing is Lauren Weisberger's second novel. Published in 2005, its plot surrounds lead character Bette Robinson, a single woman in New York City who is caught up in the city's party circuit through her new job in public relations.
Author | Lauren Weisberger |
---|---|
Cover artist | Evan Gaffney (design); Nick Dewar (illustration) |
Language | English |
Genre | Chick lit novel |
Publisher | Downtown Press |
Publication date | 2005 |
Publication place | United States |
Media type | Print (Hardback, Paperback) |
Pages | 367 pp |
ISBN | 0-7432-6233-6 |
OCLC | 69172493 |
The novel is similar in some ways to her bestselling debut, The Devil Wears Prada. Unlike The Devil Wears Prada, however, the novel was not commercially successful.
The story takes place in New York City with departures to Istanbul and Poughkeepsie, New York and is probably intended to be in the mid-2000s, probably in 2005; the Iraq War is referred to in passing and the 2004 U.S. presidential election is discussed as a recent event.
I have an office full of people whose job it is to know everyone worth knowing. Thirty-five thousand names, actually, and we can get in touch with any of them at any time. It's what we do.
Shaken by the news that her best friend Penelope has gotten engaged to Avery, who neither she nor Penelope's other friends think is right for her, Bette Robinson abruptly quits her job at UBS, the investment banking firm where she has worked in the five years since she and Penelope graduated from Emory University. She does little to find a new direction in life until her uncle Will, an aging nationally syndicated entertainment columnist, introduces her to event planner Kelly.
Bette finds herself working for Kelly & Co., where she is tasked with planning parties, eating and drinking at the city's most fashionable night spots, and becomes a regular subject of a popular online gossip column, whose anonymous author seems determined to link her romantically to wealthy playboy Philip Weston. While she finds Philip somewhat attractive and the association becomes of great benefit to her in her new job, she is later drawn to Sammy, a bouncer at Bungalow 8, a New York City nightclub, who is from her hometown of Poughkeepsie and harbors ambitions of being a chef.
The two connect on a trip to Istanbul, and Sammy's culinary skills impress Bette's parents, former 1960s radicals, on a Thanksgiving trip back to Poughkeepsie. Weston is tied to a wealthy socialite, and dreams of escaping the high life and opening a small restaurant. Bette, meanwhile, finds herself growing distant from Penelope and her other friends, and faces the choice of being the person she once was or the one she is becoming.
Since Kelly & Co.'s primary business is sponsoring parties to which many celebrities are invited, many real-life notables are depicted. Among the most prominent are Hugh Hefner, Jay-Z, James Gandolfini, Ashanti, and Jerry Seinfeld.
There is a reference in a nightclub to "that ugly little lesbian troll blogger who can't stop writing about how much blow she does every night", which is believed to be a reference to Elizabeth Spiers of Gawker Media, in retaliation for a disparaging remark she denies making about Weisberger.[2]
Like The Devil Wears Prada, Everyone Worth Knowing is essentially a morality play in which an unglamorous young single woman is suddenly thrust into a glamorous New York City industry and slowly becomes comfortable in it, despite keeping herself at a distance. Her career comes at the expense of her relationship with family and friends, and she ultimately chooses to decisively reject it and begin to get what she really needs. Unlike the novel's predecessor, however, it depicts far more decadent behavior from its wealthy elite, including casual sex, frequent illegal drug use, and women starving themselves to the point of passing out from sheer hunger.
Although in most countries the book has the same title, or a direct translation, the title in some European countries is Gossip and Gucci, but in Spain the book is called How to be the coolest in New York, in Finland VIP-ihmisiä (VIP-people), in Sweden Alla var där (Everyone was there) and in Italy is Al diavolo piace Dolce (The devil likes Dolce "& Gabbana"). This has to do with the success of The devil wears Prada. The cover art in the Netherlands is also very similar to the movie's poster. The Polish title is Butler Wears Gabbana Suit.
Bette's guilty pleasure leads to many romance novel titles, possibly fictional, being mentioned, such as The Very Bad Boy and Her Royal Bodyguard. On the plane to Istanbul, the characters watch Quentin Tarantino's Pulp Fiction.
Weisberger's second novel received generally unfavorable reviews. The New York Times Book Review described it as "fatuous, clunky."[3] USA Today called it "lackluster imitation," and Entertainment Weekly said it was "ho-hum rehash."[4]
Despite debuting on the New York Times Best Seller List at #10, it dropped off the list after two weeks and its sales were disappointing. Simon & Schuster, the novel's publisher, paid Weisberger $1 million for the novel.[4]
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