Emma (2009 TV serial)
2009 British television drama series From Wikipedia, the free encyclopedia
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Emma is a four-part BBC television drama serial adaptation of Jane Austen's 1815 novel Emma. The episodes were written by Sandy Welch, writer of previous BBC costume dramas Jane Eyre and North & South, and directed by Jim O'Hanlon. The serial stars Romola Garai as the titular heroine Emma Woodhouse, Jonny Lee Miller as her loyal lifelong friend Mr. Knightley, and Michael Gambon as Emma's father, Mr. Woodhouse. The serial originally ran weekly on Sunday nights on BBC One from 4 to 25 October 2009.[1]
| Emma | |
|---|---|
 | |
| Genre | Costume drama |
| Based on | Emma by Jane Austen |
| Written by | Sandy Welch |
| Directed by | Jim O'Hanlon |
| Starring | Romola Garai Jonny Lee Miller Michael Gambon Tamsin Greig Rupert Evans Robert Bathurst Jodhi May Louise Dylan Blake Ritson Christina Cole Laura Pyper |
| Composer | Samuel Sim |
| Country of origin | United Kingdom |
| No. of episodes | 4 |
| Production | |
| Executive producer | Phillippa Giles |
| Producer | George Ormond |
| Original release | |
| Network | BBC One |
| Release | 4 October – 25 October 2009 |
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For a detailed account of the plot, see main article: Emma (novel)
Austen's classic comic novel follows the story of the "handsome, clever and rich" Emma Woodhouse. Dominating the small provincial world of Highbury, Emma believes she is a skilled matchmaker and repeatedly attempts to pair off her friends and acquaintances. Nothing delights her more than meddling in the love lives of others. But when she takes protégée Harriet Smith under her wing, her interference has a detrimental effect.
Brought up sharply against the folly of her own immaturity, the consequent crisis and her bitter regrets are brought to a happy resolution in a comedy of self-deceit and self-discovery.
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Main
- Romola Garai as Emma Woodhouse: In Austen's opening lines of the novel: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." Emma has no need to marry, being financially independent, but delights in matchmaking those around her — and credits herself with being very good at it – despite Mr. Knightley's scepticism.
- Jonny Lee Miller as Mr. George Knightley: Mr. Knightley is Emma's only social and intellectual equal in Highbury, living at Donwell Abbey, a rambling country estate a short walk from Hartfield. His brother is married to Emma's older sister. He has known Emma since she was born, and there is an easy familiarity between them. He is an individualistic man, quick-witted, with a dry sense of humour — often used in sparring with Emma. But he also has a strong moral compass — and at times he strongly disagrees with Emma over her behaviour.
- Michael Gambon as Mr. Woodhouse: Mr. Woodhouse is described by Austen as a valetudinarian — someone who enjoys ill-health. He lost his wife when his two daughters were very young, and he has developed an extremely nervous disposition. He is a loving and kind father, but he worries constantly. He hardly ever leaves Hartfield, and he hates the thought of Emma ever leaving him. He sees the marriages of Isabella, Emma’s older sister, to Mr. John Knightley, and Miss Taylor, Emma’s beloved governess, to Mr. Weston, as disruptions to the life he has led with them.
- Louise Dylan as Harriet Smith: Harriet is a parlour boarder at Mrs. Goddard's School. She has been sent there by her anonymous father to be educated, because Harriet is his "natural" (illegitimate) daughter. Being a parlour boarder means that she has stayed on at the school to help with the younger girls. She is pretty but not very bright, and she has little prospect of marrying a gentleman. Emma, however, is sure that Harriet's father must be a gentleman and takes her under her wing.
- Jodhi May as Anne Taylor/Weston: Anne has been Emma's governess since her mother died when Emma was a baby. More like an older sister than a governess, Anne is wise and caring, but devoted to Emma and perhaps a little indulgent. When she marries Mr. Weston, she is worried about leaving Emma at Hartfield with only her father for company.
- Robert Bathurst as Mr. Weston: Mr. Weston is an eternal optimist, despite the fact that his life has not always run smoothly. He married young, to a woman who spent all his money, who was disowned by her family, and then died, leaving him with Frank, his two-year-old son. He agreed to Frank being adopted by his wife's estranged sister, who insisted that Frank change his name to Frank Churchill. Frank has lived in the lap of luxury ever since.
- Rupert Evans as Frank Churchill: Frank is a ball of energy, charming, mischievous, and spoilt. He has been kept at his manipulative aunt's beck and call for most of his life, and often seems to be called back to her bedside whenever he ventures away — although it is never entirely clear whether this is just a convenient excuse for not visiting Highbury and his father. At his worst, he could be a rogue — and he seems to delight in gossiping about Jane Fairfax.
- Laura Pyper as Jane Fairfax: Jane's parents died when she was a toddler. Her aunt, Miss Bates, and grandmother, Mrs. Bates, sent her from Highbury to live with the Campbells, who could offer greater advantages. Colonel Campbell knew she would be a good companion for his only daughter, Miss Campbell. Ever since, Jane has excelled at everything a girl should, and Miss Bates has bored and irritated Emma by recounting Jane's virtues at every opportunity. Now Jane has reached the age where she must leave the Campbells, return to Highbury, and find means to make a living, most likely as a governess — however, what is the real reason for her return?
- Tamsin Greig as Miss Bates: Miss Bates is the daughter of the former vicar of Highbury, who died many years ago. She has never married, and now never will. Without a husband to provide an income, she faces ever-increasing poverty. Despite her woes, Miss Bates has a perennially cheerful disposition. She fills any silence with incessant talk.
- Valerie Lilley as Mrs. Bates: Whereas Miss Bates talks without ceasing, her aged mother, Mrs. Bates, never speaks. She sits quietly in the corner of the room, or is wheeled from place to place by Miss Bates, revealing very little of what she really thinks of their situation.
- Blake Ritson as Mr. Elton: Mr. Elton is the vicar of Highbury. In the early 19th century, the post of vicar could be given, inherited, or bought, and conferred a certain social status as well as an annual income. Mr. Elton is a dashing young man, aware of his status in the village and his eligibility. He is charming — perhaps, at times, a little too charming, aiming at an advantageous marriage.
- Christina Cole as Augusta Elton: Mrs. Elton is rich, and a good catch for Mr. Elton in many ways. However she is also vulgar and interfering, and one-upmanship is second nature to her. She arrives in Highbury keen to prove her social standing, and immediately puts Emma's nose out of joint.
Recurring
- Dan Fredenburgh as John Knightley
- Poppy Miller as Isabella Knightley
- Jefferson Hall as Robert Martin
- Veronica Roberts as Mrs. Goddard
- Liza Sadovy as Mrs. Cole
- Eileen O'Higgins as Miss Martin 1
- Sarah Ovens as Miss Martin 2
- Susie Trayling as Mrs. Churchill
- Frank Doody as Mr. Dixon
- Amy Loughton as Miss Campbell / Mrs. Dixon
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Principal photography commenced with a four-day shoot in the Kent village of Chilham from 14 to 18 April 2009. Production design staff covered several roads with gravel to disguise the 21st-century road markings, and erected a fountain in the village square.[2] Filming occurred from 8 a.m. to 7 p.m. every day and was scheduled to coincide with the Easter school holiday to minimise local disruption.[3]
Filming continued at the parish church of St. Mary the Virgin in Send, Surrey on 24 and 28 April, where scenes of a wedding and a Sunday service were completed.[4] Further filming took place at Squerryes Court, Westerham, Kent where many interior scenes were shot.[5]
The scene that shows Emma and Harriet Smith on their way to visit the poor was filmed in Hatfield, Hertfordshire, England. The church they pass along the wooded path is St Etheldreda's Church, Hatfield.
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| No. | Title | Directed by | Written by | Original air date | UK viewers (millions) | |
|---|---|---|---|---|---|---|
| 1 | "Episode One" | Jim O'Hanlon | Sandy Welch | 4 October 2009 | 4.84[6] | |
|
Rich, independent and kind-spirited, Emma Woodhouse has no need to marry, but nothing delights her more than matchmaking those around her. Once she has credited herself with marrying off her former governess, Anne Taylor, to Mr Weston, she alights upon the pretty Harriet Smith to fashion into her new playmate and ally. She persuades Harriet that she is too good for her suitor, the farmer Robert Martin, and encourages her to set her sights higher. But close family friend Mr Knightley warns Emma that her meddling will cause great pain – to both Robert and Harriet. Emma refuses to listen, and Mr Knightley is furious at Emma's stubbornness. | ||||||
| 2 | "Episode Two" | Jim O'Hanlon | Sandy Welch | 11 October 2009 | 4.12[6] | |
|
Emma continues her attempts to marry off Harriet and Mr Elton, vicar of Highbury. Although uninterested in marriage herself, she is intrigued by the mysterious and elusive Frank Churchill, whom she hopes to meet for the first time at the Westons' Christmas party. Frank does not arrive, and instead Emma becomes the subject of unwanted and embarrassing attention from Mr Elton. A few weeks later, after the arrival of Frank Churchill at last, village gossip and speculation focuses on the arrival of young Jane Fairfax and a large piano which she has been sent by a mystery admirer. Frank and Emma speculate about the piano's giver, but Emma refuses to believe that Mr Knightley could be the secret admirer. He couldn't be, could he? | ||||||
| 3 | "Episode Three" | Jim O'Hanlon | Sandy Welch | 18 October 2009 | 3.32[7] | |
|
Emma teases Mr Knightley about Jane, but he remains tight-lipped. Meanwhile, Frank and Emma plan a ball, and Emma wonders whether she might be in love with him. Despite having a wonderful time at a village ball, she decides not. With her matchmaking officially abandoned, Emma feels cooped up and bored, so Mr Knightley suggests a day trip to Box Hill for a change of scene and some temporary escape. He also tells Emma that he suspects Frank and Jane to be secretly in love. Emma rebuffs the suggestion – she can personally vouch for Frank's indifference to Jane – which leaves Knightley feeling hurt at Emma's indifference towards him. | ||||||
| 4 | "Episode Four" | Jim O'Hanlon | Sandy Welch | 25 October 2009 | 3.66[8] | |
|
What was intended as a day of fun turns into a day of agony for everyone on the Box Hill excursion. Things come to a head when, egged on by Frank, Emma behaves badly, carelessly insulting Miss Bates. She is berated by Knightley and realises that her behaviour was shameful. She tries to repair things with Jane and Miss Bates, but Jane will not see her – although Miss Bates tells her that Jane has accepted a job as a governess, and cried all night. Meanwhile, Knightley goes to stay with his brother in London and will be away for a while. When Frank's controlling aunt dies, the Westons expect him to propose to Emma – but his actions set in motion a chain of events that both shock Emma and make her realise something that has been in plain sight all along. | ||||||
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Reviewing the first episode, Sam Wollaston of The Guardian called it "very good... even if it's not necessary", wishing the BBC would adapt some lesser-known novels rather than churning out the same adaptations again and again. He nevertheless praised the acting, suggesting Garai's "eyes alone deserve a BAFTA" and that Michael Gambon made "a splendid old Mr. Woodhouse".[9]
John Preston of The Telegraph also noted Romola Garai as "particularly good" in the titular role, and noted that while Jim O Hanlon's direction was perhaps a little too "steady and sure" there was still "plenty of sprightliness there too".[10] After the third episode of the series, however, he wrote that "[it] was a disaster, becoming ever more coarse and clumsy as it went on. The narration was obtrusive, the charm next to non-existent and the secondary characters insufficiently delineated." Emma he deemed "too bovine, too cocksure" in order for her to be truly in doubt. He did not find that Jonny Lee Miller, "who could have been a first-class Mr Knightley, was given enough screen time to make an impact". He concluded: "Contrivance ha[d] taken over. Sprightliness ha[d] disappeared. The soufflé ha[d] fallen."[11]
Tom Sutcliffe of The Independent wrote in a review that "the primary-colour brightness seems to have carried over into some the performances." He found that Garai "[did]n't capture the sense of frustrated intelligence that makes Emma bearable on the page", but blamed the script for it. He also saw a casting problem with Emma and Knightley in the sense that Miller "still carrie[d] too much of the seductive bad boy about him" so that he was not convincing as a "surprising love object", and "that threatens one of the novel's great achievements, which is to educate us alongside its heroine."[12]
Some critics also noted the dip in ratings following the first episode. In The Independent, Jonathon Brown observed that while "the critics have given it a qualified nod of approval" the second instalment of the serial "pulled in only 3.5 million viewers – down nearly 1 million on the opening episode the previous week – while the third episode saw another 200,000 switch off". He suggests this may be due to the "13 million-strong audience from ITV1's all-conquering X Factor" which had launched a Sunday night results show for the first time, or that "the days of bonnet and bustle are [simply] over".[13]
Accolades
| Award | Category | Recipients and nominees | Result |
|---|---|---|---|
| Golden Globes[14] | Best Performance by an Actress in a Mini-Series or a Motion Picture Made for Television | Romola Garai | Nominated |
| Primetime Emmy Awards | Outstanding Hairstyling for a Miniseries or a Movie | Anne Oldham[15] | Won |
| Outstanding Casting for a Miniseries, Movie or a Special | Gemma Hancock (casting director), Sam Stevenson (casting director) | Nominated | |
| Outstanding Costumes for a Miniseries, Movie or a Special | Rosalind Ebbutt (costume designer), Amanda Keable (costume supervisor) | Nominated | |
| Outstanding Supporting Actor in a Miniseries or a Movie | Michael Gambon | Nominated | |
| Royal Television Society | Best Music, Original Score | Samuel Sim | Nominated |
| Satellite Awards | Best Miniseries | Emma | Nominated |
| Shanghai Television Festival | Magnolia Award for Best Television Film or Miniseries | Emma | Nominated |
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The original soundtrack with music composed by Samuel Sim was released on 8 December 2009 and features numerous themes featured in the series, including music from the dance sequences during the ball at the Crown Inn. A track listing for the album is as follows:
- "Emma Main Titles"
- "Emma Woodhouse Was Borne"
- "Expansion Project"
- "Rescued from the Gypsies"
- "A Ball"
- "Knightley's Walk"
- "Dolls"
- "The World Has Left Us Behind"
- "Arrival of Little Knightley"
- "Donwell Dancing Again"
- "Superior Men"
- "Matchmaker"
- "Walk of Shame"
- "Playing Harriet"
- "Without Suspicion"
- "Frank Is Free"
- "Mr. Elton"
- "Blind Endeavours"
- "The Last Dance"
- "Lost and Found"
- "Only People We Like"
- "The Ship's Cook"
- "Cliff Tops"
- "Secrets"
- "It's Snowing and Heavily"
- "The Seaside"
- "Love Story"
- "Most Ardently In Love"
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