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Elsa Longhauser is the founding executive director of the Institute of Contemporary Art, Los Angeles (ICA LA), California, United States, formerly the Santa Monica Museum of Art (SMMoA),[1] where Longhauser served as director from 2000 until the museum ended operations in Bergamot Station in 2015.[2] From 1983 until 2000, Longhauser served as director of the gallery at the Moore College of Art and Design in Philadelphia, Pennsylvania.[3]
Elsa Longhauser | |
|---|---|
| Citizenship | American |
| Alma mater | Antioch College, University of Pennsylvania |
| Occupation | Museum director |
| Employer(s) | Institute of Contemporary Art, Los Angeles (ICA LA) |
| Organization | Santa Monica Museum of Art |
| Spouses |
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Longhauser is from Philadelphia, Pennsylvania. She attended Antioch College as a young woman. She married and had three children before completing her bachelor's degree in art history in 1971, from the University of Pennsylvania.[4]
Longhauser was director of several galleries in Philadelphia early in her career.[4] She organized an "important show" of outsider art at the Philadelphia College of Art in 1981.[5] In 1993, Longhauser continued her interest in the genre when she organized a touring show of Terry Fox's work.[6] In 1998, she was guest co-curator with Harald Szeemann at the Museum of American Folk Art for a "major traveling show" of works by self-taught American artists.[7][8]
Elsa Longhauser became gallery director at Moore College of Art and Design in 1983; during her tenure there, she was called an "unsung hero of the local cultural scene".[9] In 2000, Longhauser left Philadelphia and became director of the Santa Monica Museum of Art.[2]
Founded in 1984 as the Santa Monica Museum of Art (SMMoA) and reestablished in 2017 with a new identity and home in Downtown Los Angeles, ICA LA builds upon a distinguished history of bold curatorial vision and innovative programming to illuminate the important untold stories and emerging voices in contemporary art and culture. The museum's 12,700 square-foot renovated industrial building—designed by wHY Architecture under the leadership of Kulapat Yantrasast—features ample space for exhibitions, public programs, retail pop-ups, integrated offices, and special projects.[10]
Longhauser married Norman B. Weiner, a doctor, as her first husband; he died in 1977.[11] She remarried in 1983, to William Longhauser, a graphic artist and college professor.[4]
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