Eldorado (Electric Light Orchestra album)

1974 studio album by Electric Light Orchestra From Wikipedia, the free encyclopedia

Eldorado (Electric Light Orchestra album)

Eldorado (subtitled A Symphony by the Electric Light Orchestra) is the fourth studio album by the Electric Light Orchestra (ELO). It was released in the United States in September 1974 by United Artists Records and in the United Kingdom in October 1974 by Warner Bros. Records.

Quick Facts Studio album by Electric Light Orchestra, Released ...
Eldorado
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Studio album by
ReleasedSeptember 1974
RecordedFebruary–August 1974
StudioDe Lane Lea Studios, London
Genre
Length38:42
LabelWarner Bros., United Artists
ProducerJeff Lynne
Electric Light Orchestra chronology
The Night the Light Went On in Long Beach
(1974)
Eldorado
(1974)
Showdown
(1974)
Electric Light Orchestra studio album chronology
On the Third Day
(1973)
Eldorado
(1974)
Face the Music
(1975)
Singles from Eldorado
  1. "Can't Get It Out of My Head"
    Released: November 1974
  2. "Boy Blue"
    Released: April 1975
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Concept

Eldorado is the first complete ELO concept album; bandleader Jeff Lynne conceived the storyline before he wrote any music.[2] The plot follows a Walter Mitty-like character who journeys into fantasy worlds via dreams, to escape the disillusionment of his mundane reality. Lynne began to write the album in response to criticisms from his father, a classical music lover, who said that Electric Light Orchestra's repertoire "had no tune".[3]

Recording

Eldorado marks the first album on which Jeff Lynne hired an orchestra; on previous albums band members would play strings using multitracked overdubbing.[2] Louis Clark co-arranged, with Lynne (and keyboardist Richard Tandy), and conducted the strings. The group's three resident string players continued to perform on recordings, however, and can be heard most prominently on the songs "Boy Blue" and "Laredo Tornado". Mike de Albuquerque departed early on in the recording process, as touring made him feel separated from his family. Lynne plays most of, if not all, the bass tracks and backing vocals for the album, but de Albuquerque still featured on the final release as well as getting credited. Kelly Groucutt replaced him for the subsequent tour, when cellist Melvyn Gale also joined (replacing the departing Mike Edwards). "Eldorado Finale" is heavily orchestrated, much like "Eldorado Overture". Jeff Lynne said of the song, "I like the heavy chords and the slightly daft ending, where you hear the double bass players packing up their basses, because they wouldn't play another millisecond past the allotted moment."[2][verification needed]

Cover design

The cover, designed by John Kehe, is a mirrored still frame of Dorothy's ruby slippers from the 1939 movie The Wizard of Oz.[4]

Release, reception and aftermath

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More information Review scores, Source ...
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Critical reception

Bruce Eder of AllMusic, giving a five-out-of-five-star retrospective rating, opined that "Eldorado was strongly reminiscent in some ways of Sgt. Pepper's Lonely Hearts Club Band. Not that it could ever have the same impact or be as distinctive, but it had its feet planted in so many richly melodic and varied musical traditions, yet made it all work in a rock context, that it did recall the Beatles classic."[5] Ken Barnes of Rolling Stone also noted that "The Electric Light Orchestra has sometimes swamped itself in grandiose conceptions, and Eldorado (A Symphony) sounds like a prime opportunity to do it again. But thanks to strong original songs, Eldorado emerges as something of a triumph for the group."[8] Chuck Hicks of PopMatters wrote in his retrospective review that "Eldorado (named for the mythical, gilded king of a golden kingdom) struck a responsive chord, breaking through like sunlight on the buried desires of the discouraged and disillusioned ’70s audience. Thankfully, Sony's Epic/Legacy label has reissued a gorgeous digital remaster of this album, which will carry its timeless message to another lost generation." He continued that "Eldorado was the first of many successful ELO albums that had in mind “the mission of the sacred heart”, a shimmering, purlined call to hold on tight to our dreams."[10]

Commercial reception

"Can't Get It Out of My Head" was released as a single (with "Illusions in G Major" as the B-side) and was a success in the US.[11] An edited version of "Boy Blue" was released as the album's second single, but failed to make any commercial impact. The album was certified Gold in the United States soon after its release. The album and singles, however, failed to find a wide audience in the band's native United Kingdom.[citation needed]

Accolades

In 1978, the filmmaker Kenneth Anger re-released his 1954 film Inauguration of the Pleasure Dome, using Eldorado as the soundtrack.[citation needed]

In July 2010, the album was named one of Classic Rock magazine's "50 Albums That Built Prog Rock".[12]

On 17 June 2015, the album was ranked No. 43 on Rolling Stone's "50 Greatest Prog Rock Albums of All Time" list.[13]

Track listing

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Side one
No.TitleLength
1."Eldorado Overture" (instrumental)2:12
2."Can't Get It Out of My Head"4:21
3."Boy Blue"5:18
4."Laredo Tornado"5:29
5."Poor Boy (The Greenwood)"2:57
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All tracks are written by Jeff Lynne

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Side two
No.TitleLength
6."Mister Kingdom"5:50
7."Nobody's Child"3:40
8."Illusions in G Major"2:36
9."Eldorado"5:20
10."Eldorado Finale"1:20
Total length:39:03
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More information No., Title ...
CD reissue bonus tracks
No.TitleLength
11."Eldorado Instrumental Medley"7:56
12."Dark City"0:46
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Personnel

Additional personnel
  • Peter Forbes-Robertson – spoken word
  • Louis Clark – orchestra and choral arrangements and conducting
  • Al Quaglieri – reissue producer (2001)

Charts

More information Chart (1974-1975), Peak position ...
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Certifications

More information Region, Certification ...
Region CertificationCertified units/sales
Canada (Music Canada)[23] Platinum 100,000^
United States (RIAA)[24] Gold 500,000^

^ Shipments figures based on certification alone.

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References

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