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Elaine Stritch at Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr, and produced by George C. Wolfe, which is composed of anecdotes from Stritch's life, as well as showtunes and Broadway standards that mirror Stritch’s rise and fall both on and off the stage.
| Elaine Stritch At Liberty | |
|---|---|
 Recording cover | |
| Music | Various |
| Lyrics | Various |
| Book | John Lahr and Elaine Stritch |
| Basis | Life and career of Elaine Stritch |
| Premiere | November 7, 2001: The Public Theater, New York |
| Productions | 2001 Off-Broadway 2002 Broadway |
| Awards | 2002 Tony Award for Best Special Theatrical Event 2002 Drama Desk Award for Outstanding Book of a Musical |
The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which complement her stories. Many of these songs had been previously sung by Stritch in major productions, such as "The Ladies Who Lunch" from Company and "Civilization" from Angel in the Wings which she originated on Broadway. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.[1]
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Originally directed and produced by George C. Wolfe at The Public Theater, the show premiered on November 7, 2001. After quickly selling out, the original engagement was extended twice: once until December 30 and then until January 6, 2002.[2] The show then transferred to Broadway, opening on February 21, 2002 in the Neil Simon Theatre, closing on May 26 of that year.
Stritch continued to perform the show at regional and international venues.[3][4][5]
The Broadway production was recognized with the 2002 Tony Award for Best Special Theatrical Event and the 2002 Drama Desk Award for Outstanding Book of a Musical.
Songs are listed alphabetically, as presented in the Broadway program, with the note "the following songs may or may not be performed."[6]
- "All in Fun" (from Very Warm for May) — Jerome Kern and Oscar Hammerstein II
- "Broadway Baby"§ (from Follies) — Stephen Sondheim
- "But Not For Me" — George Gershwin and Ira Gershwin
- "If Love Were All" (from Bitter Sweet) — Noël Coward
- "Can You Use Any Money Today?"§ (from Call Me Madam) — Irving Berlin
- "Civilization"§ (from Angel in the Wings) — Carl Sigman and Bob Hilliard
- "Hooray for Hollywood" (from Hollywood Hotel) — Richard A. Whiting and Johnny Mercer
- "I'm Still Here" (from Follies) — Stephen Sondheim
- "I've Been to a Marvelous Party" — Noël Coward
- "I Want a Long Time Daddy" — Porter Grainger
- "The Little Things You Do Together"§ (from Company) — Stephen Sondheim
- "Something Good" (from The Sound of Music) — Richard Rodgers
- "The Ladies Who Lunch"§ (from Company) — Stephen Sondheim
- "The Party's Over" (from Bells Are Ringing — Styne, Comden, and Green
- "There Never Was a Baby Like My Baby" (from Two on the Aisle) — Styne, Comden, and Green
- "There's No Business Like Show Business" (from Annie Get Your Gun) — Irving Berlin
- "This Is All Very New to Me" (from Plain and Fancy) — Albert Hague and Arnold Horwitt
- "Why Do The Wrong People Travel?"§ (from Sail Away) — Noël Coward
- "Zip"§ (from Pal Joey) — Rodgers and Hart
Notes §: numbers previously performed by Stritch in professional productions
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A recording of the original off-Broadway production was released April 9, 2002 by DRG Records, containing both the musical numbers and selected spoken material from the show.[7]
The documentary adaptation directed by D. A. Pennebaker and Andy Picheta aired in 2004 on HBO, later winning two Emmy awards: Outstanding Variety Special and Individual Performance in a Variety or Music Program for Stritch. Stritch's exuberant acceptance speech—during which she danced up to the stage, uttered profanities, expressed gladness that her fellow nominees lost, reeled off a long list of comedic dedications, and declared that she would not leave until forcibly removed—has been described in retrospect as "something of an Emmy legend."[8]
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