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El Santo de la Espada (in English, The Saint of the Sword) is a 1970 Argentine historical epic film directed by Leopoldo Torre Nilsson and starring Alfredo Alcón. It narrates the life of José de San Martín. It was written by Beatriz Guido and Luis Pico Estrada, based on the eponymous novel by Ricardo Rojas. The script was supervised by the Sanmartinian National Institute. It had a great success, and it is the most successful movie about "El Libertador" San Martín, although it received some negative reviews due to historical inaccuracies.[1]
| El Santo de la Espada | |
|---|---|
| English | The Saint of the Sword |
| Directed by | Leopoldo Torre Nilsson |
| Written by | Beatriz Guido Ulises Petit de Murat Luis Pico Estrada Ricardo Rojas Leopoldo Torre Nilsson |
| Produced by | Marcelo Simonetti Leopoldo Torre Nilsson |
| Cinematography | Aníbal Di Salvo |
| Edited by | Antonio Ripoll |
| Music by | Ariel Ramírez |
Production company | Producciones Maipú |
| Distributed by | Contracuadro |
Release date |
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Running time | 120 minutes |
| Country | Argentina |
| Language | Spanish |
The story relates the life and career of José de San Martín during the South American wars of independence. It starts with his return to Mendoza province, with the rest of the narration being told as a flashback.
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The role of San Martín was played by Alfredo Alcón. Evangelina Salazar represented Remedios de Escalada, San Martin's wife. Other important actors included were Lautaro Murúa, Héctor Alterio and Alfredo Iglesias; Leonor Benedetto, Rubén Green and Hugo Arana were novice actors by that time, and eventually developed notable careers afterwards.
Most of the film was made in the south of the province of Mendoza, starting by the end of 1968. Some relevant parts of San Martín's life were not covered: The battles of San Martín in Spain are not included, starting instead with his arrival to Buenos Aires and the First Triumvirate requesting him to create the Regiment of Mounted Grenadiers.
His relation with Remedios de Escalada receives an important coverage, but with an important fact left unattended: after the emancipation of Chile and Peru, San Martín resigns to his powers in Peru after his meeting with Simon Bolivar, in the Guayaquil conference; he returns to Mendoza, upon receiving a letter informing him of the grave illness of Remedios. When he returned to Mendoza, he found Remedios already dead.
It was premiered in Mendoza on March 25, 1970, and quickly became a blockbuster. A few months later, a group of revisionists created a documental movie about San Martín, in an effort to make clear some events the film narrated.
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