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1974 Sweden/Norway film From Wikipedia, the free encyclopedia
Edvard Munch (Norwegian pronunciation: [ˈɛ̀dvɑɖ ˈmʊŋk] ) is a 1974 biographical film about the Norwegian Expressionist painter Edvard Munch, written and directed by English filmmaker Peter Watkins. It was originally created as a three-part miniseries co-produced by the Norwegian and Swedish state television networks NRK and SVT, but subsequently gained an American theatrical release in a three-hour version in 1976. The film covers about thirty years of Munch's life, focusing on the influences that shaped his art, particularly the prevalence of disease and death in his family and his youthful affair with a married woman. The film was screened at the 1976 Cannes Film Festival, but wasn't entered into the main competition.[1]
 | This article needs additional citations for verification. (January 2016) |
| Edvard Munch | |
|---|---|
DVD cover | |
| Directed by | Peter Watkins |
| Written by | Peter Watkins |
| Starring |
|
| Narrated by | Peter Watkins |
| Cinematography | Odd Geir Sæther |
| Edited by | Peter Watkins |
Release date |
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Running time | 210 minutes/174 minutes (US) |
| Country | Sweden/Norway |
| Language | English/Norwegian |
Like Watkins' other films, Edvard Munch uses a docudrama approach; scenes from Munch's life are re-enacted by a large cast (mostly Norwegian non-professional actors), but there is also a voiceover narration by Watkins, and there are moments when the characters speak directly to camera, as if being interviewed about their own lives or their opinions of Munch. Some of the dialogue was improvised by the cast, especially in the interview segments. To convey the hostile response Munch's work often received during his lifetime, Watkins recruited Norwegians who genuinely disliked the paintings.[citation needed]
After its initial broadcast, the film was briefly an international success but was not widely available for many years afterward. Watkins has said that network officials tried to suppress its distribution, and tried to bar it from competition in the Cannes Film Festival, because they disapproved of its use of non-professional actors and anachronistic dialogue. After NRK relinquished rights to the film in 2002, it gained a wider international release.
Ingmar Bergman called the film a "work of genius".[2]
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