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American rock band From Wikipedia, the free encyclopedia
The Dwarves are an American punk rock band formed in Chicago, Illinois and based in San Francisco, California as of 2009.[2]
 | This article needs additional citations for verification. (December 2018) |
Dwarves | |
|---|---|
The Dwarves in 2017; left to right: Rex Everything, "Hunter Down" Martinez, Blag Dahlia, The Fresh Prince of Darkness, and HeWhoCannotBeNamed | |
| Background information | |
| Origin | Chicago, Illinois, U.S. |
| Genres | |
| Years active | 1985–present |
| Labels | |
| Members | Blag Dahlia HeWhoCannotBeNamed Rex Everything The Fresh Prince of Darkness Snupac |
| Past members | Salt Peter Thrusty Otis Wreck Tom Clint Torres Hunter Down Dutch Ovens Crash Landon Whölley Smökkes Vadge Moore Dylan Weed Gregory Pecker Eric Generic Marky DeSade Sigh Moan Tazzie Bushweed Chip Fracture Dark Shoulders Andy Christ Slambeau Randall Cyr |
| Website | www |
Formed as a garage punk band under the name Suburban Nightmare, their career subsequently saw them move in a hardcore direction before settling into an eclectic punk rock sound emphasizing intentionally shocking lyrics. They have been described as "one of the last true bastions of punk rock ideology in the contemporary musical age".[3]
The original members of the Dwarves began making music together in the mid-1980s as teenagers in the Chicago garage rock outfit, Suburban Nightmare, which was compared to The Sonics,[4][5] and which has been described as part of the Paisley Underground scene.[6] This era of the Dwarves is captured on Lick It (the psychedelic years 83-86) a 34 track collection put out by Recess records in 1999.
The band became notorious for self-mutilation, on-stage sex, and taking hard drugs. Their live shows would often only last around fifteen minutes, occasionally cut short due to injury caused by spectators.[4][7][8][9][10] The band's sound began to evolve beyond its early garage roots with their second (nine-minute long) LP,[11] Toolin' for a Warm Teabag, which saw the band drifting towards a more truculent punk rock sound, influenced by GG Allin.[12] Recess records issued Free Cocaine 86–88 in 1999, a 39-song collection that shows the band's transition to the nihilistic style that took them to the Sub Pop era. The band released Blood Guts & Pussy on Sub Pop in 1990. By this time the Dwarves had dropped their early psychedelic sensibilities and morphed into a hardcore punk band. The Blood Guts & Pussy LP was followed up by EP Lucifer's Crank released by No.6 Records, as well as another Sub Pop LP, the metal-punk Thank Heaven For Little Girls, both in 1991.[11]
In 1993 the band issued a press release stating their guitarist HeWhoCannotBeNamed had been stabbed to death in Philadelphia. Though this later turned out to be a hoax, the band even went as far as to attach a tribute to the "late" guitarist on their 1993 Sub Pop-released album Sugarfix.[4][8] Sub Pop did not respond well to the hoax and summarily dropped the band from its label.[8][11] The Dwarves reformed in 1997, releasing The Dwarves Are Young and Good Looking (described by Adam Bregman of AllMusic as "the beginning of a new Dwarves...one that plays real songs, had a set list, and left the club unbloodied"),[13] and its 2000 follow-up The Dwarves Come Clean.[4]
In 2004 the band released The Dwarves Must Die, its first LP for the indie label Sympathy for the Record Industry, which featured guest appearances from Dexter Holland (The Offspring), Nick Oliveri (Queens of the Stone Age), Nash Kato (Urge Overkill), and voice actor Gary Owens.[8] Dahlia was assaulted by Josh Homme of QOTSA before a Dwarves show in Los Angeles in 2004, which saw Homme placed on summary probation for thirty-six months.[14][15]
In 2000 film Me, Myself & Irene, Jim Carrey is seen singing along to Dwarves "Motherfucker", which Dahlia later said he got "tens of thousands of dollars" for.[7]
In 2000, the band offered the track "River City Rapist" to George W. Bush as his presidential campaign song. The Bush campaign did not use the song.[16]
The Dwarves' cover of the Norwegian rock band Turbonegro's song "Hobbit Motherfuckers" from the Turbonegro tribute album "Alpha Motherfuckers" can be heard playing in the comic book store scene in the 2000s indie film "Ghost World" albeit without Blag Dhalia's profanity laden vocals. This song does not appear on the soundtrack album for the film.
In 2009, Blag and HeWhoCannotBeNamed were immortalised as Bobbleheads by Aggronautix.[17]
Singer Blag Dahlia (a.k.a. Julius Seizure, born Paul Cafaro),[18] and guitarist HeWhoCannotBeNamed (a.k.a. Pete Vietnamcheque) have always been the two core members of the group.[4][7] The lineup has shifted around them, and currently consists of members "Rex Everything" on bass and vocals, "The Fresh Prince of Darkness" on guitar and "Snupac" on drums. Former members include "Dutch Ovens", "Gregory Pecker", "Chip Fracture", "Wholley Smokes", "Clint Torres", "Tazzie Bushweed", "Thrusty Otis", "Crash Landon", "Wreck Tom", "Hunter Down" and "Vadge Moore", among others.[4] Drummer Josh Freese appears on many Dwarves recordings.[19]
The Dwarves are known for their simple, loud, yet nuanced punk repertoire, and controversial lyrics. Since the garage punk sound of their early days, they developed a more direct hardcore punk sound, often identified as "scum punk" due to the intentional perversity of the lyrics. Around the turn of millennium, the Dwarves developed more of a manic pop punk influence. Bits of hardcore, surf rock, pop, hip-hop, and rock 'n' roll all factor into the band's current punk rock sound.
Their shows have been notable for some aggressive fights on stage (with the audience and even a cop), and because HeWhoCannotBeNamed performs either in nothing but a jockstrap or totally nude, apart from his trademark "Rey Mysterio" wrestling mask.[2]
Many of the band's album covers are controversial, often featuring dwarf actor Bobby Faust with an assortment of naked women, sometimes with sacrilegious themes such as re-enacting the Crucifixion. Faust posed sodomizing a rabbit covered in blood for their 1990 album Blood Guts & Pussy[11][20] - followed up a decade later, with a similar theme, this time covered in soap suds, for Come Clean.[4]
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