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British composer, musician, band leader and educator (born 1960) From Wikipedia, the free encyclopedia
Django Bates (born Leon Bates, 2 October 1960)[1] is a British jazz musician, composer, multi-instrumentalist, band leader and educator. He plays the piano, keyboards and the tenor horn. Bates has been described as "one of the most talented musicians Britain has produced... his work covers the entire spectrum of jazz, from early jazz through to bebop and free jazz to jazz-rock fusion."[2]
Django Bates | |
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| Background information | |
| Birth name | Leon Bates |
| Born | 2 October 1960 Beckenham, Kent, England |
| Genres | Jazz, jazz fusion |
| Occupation(s) | Musician, composer, educator |
| Instrument(s) | Piano, keyboards, tenor horn |
| Years active | 1980s–present |
| Labels | EG, ECM, Lost Marble, Screwgun, JMT |
| Website | www |
In addition to his jazz work, he is also a classical composer (writing both large- and small-scale compositions on commission), theatre composer, and has taught as a professor at various European music schools. As a leader, his bands have included Human Chain, Delightful Precipice, Quiet Nights, Powder Room Collapse Orchestra and Belovèd, and he was also a leading figure in Loose Tubes and Bill Bruford's Earthworks.
Bates was born in Beckenham, Kent, England,[1] and attended Sedgehill School. While at this school, he also attended the Centre for Young Musicians in London (1971–77), where he learned trumpet, piano, and violin.[1] In 1977–78 he studied at Morley College.[1] In 1978, he enrolled at the Royal College of Music to study composition but left after two weeks.[1][2]
Bates founded Human Chain in 1979 and, in the 1980s, he rose to prominence in a jazz orchestra called Loose Tubes.[1] In 1991, he started the 19-piece jazz orchestra Delightful Precipice.[3] He also assembled the Powder Room Collapse Orchestra (which recorded Music for The Third Policeman)[1][4] and created Circus Umbilicus, a musical circus show.[5] Bates has appeared as a sideman or member of Dudu Pukwana's Zila,[6] Tim Whitehead's Borderline,[7] Ken Stubbs's First House,[8] Bill Bruford's Earthworks,[9] Sidsel Endresen,[1] and in the bands of George Russell[1] and George Gruntz. He has performed with Michael Brecker, Tim Berne, Christian Jarvi, Vince Mendoza, David Sanborn, Kate Rusby, and Don Alias.
Bates has concentrated on writing large-scale compositions on commission. These include:
Bates worked closely with director Lucy Bailey on several theatre projects, including Gobbledegook for the Gogmagogs, Baby Doll, (Birmingham Rep, National Theatre, Albery Theatre), Stairs to the Roof (Chichester Festival Theatre), The Postman Always Rings Twice (West Yorkshire Playhouse, Albery Theatre) and Titus Andronicus (Shakespeare's Globe). They also worked on a short film You Can Run. Other theatre work includes Gregory Doran's production of As You Like It (RSC), and Campbell Graham's Out There!.
He was the inaugural artistic director of the music festival FuseLeeds in 2004. He used this opportunity to initiate the first orchestral commission for Jonny Greenwood of Radiohead. Django also commissioned sixty composers including Laurie Anderson, Gavin Bryars, Patrick Moore, and John Zorn, to write one bar each. He then quilted these bars into the piece "Premature Celebration", which was performed by Evan Parker and the London Sinfonietta to celebrate Parker's 60th birthday.
In 2002, he was a tutor at the Banff Centre jazz program alongside Jim Black and Dave Douglas.[13] In July 2005 he was appointed Professor of Rhythmic Music at the Rhythmic Music Conservatory (RMC) in Copenhagen.[14] He was appointed visiting professor of jazz at the Royal Academy of Music in London in September 2010.[15] In September 2011 Django Bates was appointed Professor of Jazz at HKB Bern Switzerland.[16]
The Wire voted Bates Best UK Jazz Composer in 1987 and 1990.
In 2008, he was nominated for the PRS New Music Award.[18] He was awarded a fellowship by the Leeds College of Music in 1995.[19]
An asterisk (*) indicates that the year is that of release.
| Year recorded | Title | Label | Personnel/Notes |
|---|---|---|---|
| 1986 | Human Chain | With Steve Argüelles (drums, percussion) | |
| 1987 | Cashin' In | EG | As Human Chain; most tracks trio, with Steve Argüelles (drums), Stuart Hall (strings, piccolo); one track quartet, with Steve Buckley (penny whistle) added |
| 1990 | Music for The Third Policeman | Ah Um | With Steve Buckley (tin whistle, alto sax, clarinet, bicycle bell), Steve Berry (cello, double bass), Martin France (drums, percussion), Stuart Hall (banjo, violin, guitar, mandolin), Sarah Harrison (violin, hooter), Robert Juritz (bassoon), Dai Pritchard (clarinet, bass clarinet); Eddie Parker (bass flute), Dave Pattman (bongos), Ashley Slater (bass trombone) are added on one or two tracks each. Live performance from 2000 on YouTube:[20] |
| 1993 | Summer Fruits (and Unrest) | JMT | With Eddie Parker (flute, bass flute), Sarah Homer (clarinet, bass clarinet), Iain Ballamy and Steve Buckley (soprano sax, alto sax), Mark Lockheart and Barak Schmool (tenor sax), Julian Argüelles (baritone sax), Sid Gauld (high trumpet), Chris Batchelor (soloing trumpet), David Laurence (French horn), Roland Bates (trombone), Richard Henry (bass trombone), Sarah Waterhouse (tuba), Steve Watts (acoustic bass), Mike Mondesir (electric bass), Stuart Hall (electric guitar, violin, lap steel, banjo), Martin France (drums), Thebe Lipare (percussion) |
| 1994 | Autumn Fires (and Green Shoots) | JMT | Solo piano |
| 1995 | Winter Truce (and Homes Blaze) | JMT | With Eddie Parker (flute, bass flute), Iain Ballamy (soprano sax, alto sax, tenor sax), Steve Buckley (soprano sax, alto sax, tin whistle), Mark Lockheart (tenor sax, clarinet), Barak Schmool (tenor sax, piccolo), Julian Argüelles (soprano sax, baritone sax), Sid Gauld and Chris Batchelor (trumpet), David Laurence (French horn), Roland Bates (trombone), Richard Henry (bass trombone), Sarah Waterhouse (tuba), Mike Mondesir (electric bass), Stuart Hall (guitar, violin, banjo), Martin France (drums, percussion), Christine Tobin (vocals) |
| 1995* | Good Evening...Here Is the News | Decca/Argo | |
| 1997 | Like Life | Storyville | With the Danish Radio Jazz Orchestra and others |
| 1998 | Quiet Nights | Screwgun | With Iain Ballamy (sax, harmonica), Josefine Cronholm (vocals, Tibetan bells), Mike Mondesir (bass), Martin France (drums, percussion) |
| 2003 | You Live and Learn...(Apparently) | Lost Marble | With Iain Ballamy (tenor sax), Chris Batchelor (trumpet), Josefine Lindstrand (bells, vocals), Deirdre Cooper (cello), Nic Pendlebury (viola), Charles Mutter and Ian Humphries (violin), Mike Mondesir (bass, vocals), Martin France (drums, percussion); David Sanborn (alto sax), Jim Mullen (guitar), Laurence Cottle (bass), Barak Schmool (percussion) added on one track each |
| 2008* | Spring Is Here (Shall We Dance?) | Lost Marble | With 19-piece band |
| 2008–09 | Beloved Bird | Lost Marble | Trio, with Petter Eldh (bass), Peter Bruun (drums) |
| 2011 | Confirmation | Lost Marble | Most tracks trio, with Petter Eldh (bass), Peter Bruun (drums); some tracks quartet, with Ashley Slater (vocals) added |
| 2016 | The Study of Touch | ECM | Trio, with Petter Eldh (bass), Peter Bruun (drums) |
| 2017 | Saluting Sgt. Pepper | Edition | With the Frankfurt Radio Big Band |
| 2020 | Tenacity | Lost Marble | Trio, with Petter Eldh (bass), Peter Bruun (drums) |
With Loose Tubes
With Billy Jenkins
With First House
With Bill Bruford's Earthworks
With Iain Ballamy
With Tim Berne's Caos Totale
With Anouar Brahem
With Sidsel Endresen
With Julian Argüelles
With others
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