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Dimitrij is a Czech-language grand opera in four acts by Antonín Dvořák (B. 127, Op. 64), set to a libretto by Marie Červinková-Riegrová, with a plot derived from Ferdinand Mikovec's Dimitr Ivanovič, itself based upon Friedrich Schiller's incomplete Demetrius. The work was first performed in Prague in 1882.
 | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (March 2012) |
| Dimitrij | |
|---|---|
| Grand opera by Antonín Dvořák | |
 Scenes from Dimitrij by Emil Zillich for the Světozor journal, 1883 | |
| Librettist | Marie Červinková-Riegrová |
| Language | Czech |
| Based on | Ferdinand Mikovec's Dimitr Ivanovič |
| Premiere | 8 October 1882 New Czech Theatre, Prague |
The libretto was originally written for Karel Šebor to set, but he proved highly unwilling to do so, so Červinková-Riegrová offered her work to Dvořák, who proved much more enthusiastic, but requested many modifications to the libretto as it stood, including the introduction of more opportunities for ensembles. The form of the opera was largely in imitation of Eugène Scribe. Dvořák began composition during May 1881, with an interruption in October 1881 to write a string quartet for the Hellmesberger Quartet. After an initial failed attempt, the Quartet Movement in F major, the String Quartet No. 11 was completed in November 1881, allowing work on the opera to resume.[1]
The work was first performed in Prague, at the Nové české divadlo (New Czech Theatre) on October 8, 1882. The first performance in the United States was on March 24, 1984, in a concert format presented at Carnegie Hall in New York City by conductor Robert Bass and the Collegiate Chorale with Martina Arroyo as Marina.
With Dimitrij, Dvořák scored a great popular success, though he later persuaded his librettist to rework act 4, and this revised version was given in 1885. Later still, he heavily reworked the opera along Wagnerian lines, and this radical version was performed during 1892.
| Role | Voice type | Premiere cast, October 8, 1882 (Conductor: Mořic Anger) |
|---|---|---|
| Jov, the patriarch of Moscow | bass | Ferdinand Koubek |
| Prince Vasilij Šujský | baritone | Josef Lev |
| Petr Fedorovič Basmanov | bass | Frantisek Hynek |
| Xenie Borisovna | soprano | Irma Reichová |
| Dimitrij Ivanovič | tenor | Václav Soukup |
| Marfa Ivanovna | contralto | Eleonora Gayerová |
| Marina Mníškova, Dmitrij's wife | soprano | Marie Zofie Sittová |
| Něborský | baritone | J. Christl |
| Bučinský | baritone | Václav Mikoláš |
After the death of Boris, the Russian people are split between the followers of the Godunov family (led by Shuisky) whilst others (led by General Basmanov) support Dmitrij, assumed son of Ivan the Terrible and husband to the Polish Marina of the Sandomir family. If Marfa (widow of Ivan the Terrible) publicly recognises Dimitrij as her son, he will triumph. Despite knowing that this is not the case, she does this to use him as a pawn for her revenge on her old enemies.
In act 2, Dimitrij is seen breaking up altercations between Poles and Russians and rescuing Xenie, with whom he forms a relationship. He also breaks up a conspiracy led by Shuisky, who is to be executed.
In act 3, Xenie begs Dimitrij to have mercy on Shuisky. Marina realises the link between the two and reveals Dimitrij's humble origins, but he nevertheless intends to remain ruler.
Finally, in act 4, Xenie mourns her betrayed love. Marina, however, has Xenie killed and reveals Dimitrij's origins. Dimitrij is finally shot by Shuisky.
| Year | Cast
Dimitrij Ivanovič, Prince Vasilij Šujský, Pyotr Basmanov, Xenie Borisovna, Marfa Ivanovna |
Conductor,
Opera house and Orchestra |
Label |
|---|---|---|---|
| 1951 | Beno Blachut, Marta Krasova, Zdenka Hrncirova,
Karel Kalaz, Marie Budikova |
Karel Nedbar, | CD: Classical Moments |
| 1991 | Leo Marian Vodička,
Ivan Kusnjer, Lívia Ághová,Drahomíra Drobková |
Gerd Albrecht, Czech Philharmonic Orchestra,
Czech Philharmonic Chorus |
CD: Supraphon
Cat: 11 1259-2 |
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