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1991 single by Prince and The New Power Generation From Wikipedia, the free encyclopedia
"Diamonds and Pearls" is the title track of American musician Prince and The New Power Generation's 1991 album and was released as a single in November 1991. The song is an upbeat ballad, given a rock edge with guitar and heavy drumming. It also features the vocals of NPG member Rosie Gaines. The ballad is an expression of love and not lust, as is the theme on some of the other singles from the album. It was a top 10 hit, reaching number three in the US and the top spot on the R&B chart. The pearls in the accompanying music video come from Connie Parente, a Los Angeles jewelry collector and designer.[5]
"Diamonds and Pearls" | ||||
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Single by Prince and The New Power Generation | ||||
from the album Diamonds and Pearls | ||||
B-side |
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Released | November 25, 1991[1] | |||
Recorded | November 19, 1990[2] | |||
Studio | Paisley Park (Chanhassen, Minnesota) | |||
Genre | ||||
Length |
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Label | ||||
Songwriter(s) | Prince | |||
Producer(s) | Prince | |||
Prince and The New Power Generation singles chronology | ||||
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Music video | ||||
"Diamonds and Pearls" on YouTube |
The B-side is a mix of excerpts of other Diamonds and Pearls tracks, which serves to promote the album. There was no extended version of the song released. The UK B-side included some of the mixes on the "Cream" maxi single.
The repeated lyric "If I gave you diamonds and pearls, would you be a happy boy or a girl?" echoes the lyrics "I'll buy you diamonds and pearls only if you're good girl" from Prince's 1982 song, "International Lover".
"Diamonds and Pearls" was very successful stateside, receiving massive airplay and peaking at number two on the US Billboard Hot 100 Airplay chart, and number 11 on the Billboard R&B/Hip-Hop Airplay chart (it was on the decline when the chart first appeared in April 1992). In Europe, it was a top 10 hit in Switzerland (7), while entering the top 20 in Austria (19), Belgium (12), France (20), the Netherlands (15), Sweden (12). It was a moderate hit in the UK, peaking at number 25 on the UK Singles Chart, while reaching number 29 on the Eurochart Hot 100. In Australia and New Zealand, the single peaked at number 13 and eight, respectively.
Larry Flick from Billboard wrote that it is a "soft and soulful lullaby that should keep momentum building at top 40. Once again, Rosie Gaines' vocal support is a true delight."[6] Clark and DeVaney from Cashbox said it is "actually a soulful R&B ballad-gone-mad with der-Prince's guitar work and production." They noted that Gaines is "sounding quite like she needs her own record, something she will no doubt get from her close-knit pals at Paisley."[7] Rufer and Fell from the Gavin Report stated that Gaines "absolutely nails her part."[8]
George Caplan from Melody Maker praised it as "a cluster of gems, a sacred, monumental ballad to counterweigh the delicious profanity elsewhere."[9] Pan-European magazine Music & Media commented, "The melody of this mellow ballad and title track of his new album rings a bell for soul fanatics. It recalls Bobby Goldsboro's famous tune "Summer (The First Time)", as recorded by Millie Jackson on her classic Caught Up album."[10] Gavin Martin from NME declared it as "pure pop schlock, a lushly layered but shallow ballad".[11] A reviewer from People Magazine called it a "mushy mess".[12] Tom Doyle from Smash Hits viewed it as "smaltzy over-the-top-balladeering".[13]
In a 2016 retrospective review, Patrick Corcoran from Albumism stated that the song's "fairy tale fanfares, sizeable doses of pomp and the delicious interplay between Gaines' and Prince's voices serve up an undeniably touching ballad that delicately and deftly walks the line between sweet and saccharine."[14] Stephen Thomas Erlewine from AllMusic called it a "drippy mainstream ballad" and a "terrific" pop single.[15] Mike Diver for the BBC in 2010 described it as a "brilliant ballad" in his 2010 review.[16] In 2016, Jeff Weiss from Pitchfork said it's a "twinkling locket-pop ballad", and "one of those songs they'll play at weddings until we stop using diamond engagement rings and the ocean runs out of pearls." He added, "It's Prince at his best".[17] In Rolling Stone's ranking of "25 Essential Prince Songs" in 2020, an editor described it as a "sultry ballad", that "intricately wedded the singer's love of glitz and glamour with a distinct, ever-evolving pop-R&B sensibility."[18]
Personnel are taken from Benoît Clerc and Guitarcloud[19][20]
Weekly charts
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Year-end charts
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