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1978 film by Rainer Werner Fassbinder From Wikipedia, the free encyclopedia
Despair is a 1978 film directed by Rainer Werner Fassbinder and starring Dirk Bogarde, based on the 1934 novel of the same name by Vladimir Nabokov. It was Fassbinder's first English-language film and was entered into the 1978 Cannes Film Festival.[4]
| Despair | |
|---|---|
 Theatrical release poster | |
| Directed by | Rainer Werner Fassbinder |
| Screenplay by | Tom Stoppard |
| Based on | Despair by Vladimir Nabokov |
| Starring | Dirk Bogarde Andréa Ferréol Klaus Löwitsch Volker Spengler |
| Cinematography | Michael Ballhaus |
| Edited by | Reginald Beck[1][2] Juliane Lorenz Franz Walsch |
| Music by | Peer Raben |
| Distributed by | Filmverlag der Autoren (West Germany) New Line Cinema (USA) |
Release dates |
|
Running time | 120 |
| Country | West Germany |
| Language | English |
| Budget | 6 million DM ($2.6 million[3]) |
Similarly to the novel, the tone of the film is ironic. The plot is mostly similar to the novel, although one of the key characters is significantly altered in the adaptation.
Hermann Hermann lives in Berlin during the Weimar Republic. A refugee from Soviet Russia, with a Baltic German father and a wealthy Jewish mother, he has inherited a business making chocolates. His Jewish wife Lydia, voluptuous but not intelligent, has an over-close relationship with her bachelor cousin, a painter called Ardalion. As the Great Depression bites and Nazi thugs start targeting Jewish businesses, with his firm becoming less profitable and Germany less hospitable, Hermann starts dreaming of escape. He already has moments of leaving his body, for example to watch himself making love to his wife, and consults a man he believes to be a Viennese psychiatrist but is in fact a life insurance salesman, who sells Hermann a policy.
After watching a film which features a doppelgänger, he sees an unemployed drifter called Felix, who he decides is his double. Felix, bemused as there is no resemblance between them, goes along with the idea when Hermann promises him a job. The work, it emerges, is to act as Hermann's double for a substantial lump sum.
Hermann is now able to finalize his plan, which is to erase all traces of his unwelcome existence. After getting Ardalion to write a letter that demands money to leave Lydia and go painting in Switzerland, he shows the letter to the insurance salesman as evidence that he is being blackmailed. Then he tells Lydia that he has a troubled twin brother who is contemplating suicide. He will change clothes with his brother, so that the corpse is taken as his, and lie low in Switzerland. When Lydia has been paid the insurance money, she is to join him there.
Having lured Felix to a secluded place in the woods, Hermann dresses Felix up in his own clothes, shaves his facial hair, adjusts his hairstyle and files his nails. Hermann then shoots him dead. Dressed as Felix and with Felix's passport, he goes to a Swiss hotel, where he learns from newspapers that Berlin police are seeking the murderer and suspect it is him. Moving in increasing desperation from village to village, in the end he is spotted by Ardalion and armed police close in. He explains that he is an actor making a film and they must stand aside to let him go on.[5]
The film was Fassbinder's first English language film and his most expensive to date, with a cost of $2.6 million, compared to his earlier films which had budgets below $300,000.[3]
Despair was released to region 1 DVD and Blu-Ray in 2011.[6][7]
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