Deconstruction (Deconstruction album)

1994 studio album by Deconstruction From Wikipedia, the free encyclopedia

Deconstruction (Deconstruction album)

Deconstruction is the only album by the band of the same name, released in 1994.[3] It was released by Rick Rubin's label American Recordings and charted at number 31 on the Billboard Heatseekers album chart.[4] Deconstruction disbanded shortly after the release of the album, with Eric Avery forming the band Polar Bear and Dave Navarro joining Red Hot Chili Peppers.[5][6] The pair would later reunite as bandmates in Jane's Addiction in 2008.[7]

Quick Facts Studio album by, Released ...
Deconstruction
Studio album by
ReleasedJuly 12, 1994
Recorded1993–1994
GenreAlternative rock, experimental rock
Length71:13
LabelAmerican Recordings[1]
ProducerDeconstruction, Ron Champagne
Close
More information Review scores, Source ...
Professional ratings
Review scores
SourceRating
AllMusic[2]
Close

Background

Deconstruction was formed following the breakup of Jane's Addiction in 1991 by bassist Eric Avery and guitarist Dave Navarro, along with drummer Michael Murphy.[8] In his biography, Navarro described the band as "more of an artistic experiment than anything else."[9] Every track on Deconstruction with the exception of "L.A. Song" and "Dirge" were written by Avery, Navarro and Murphy, while all lyrics were written by Avery. The band produced the album along with Ron Champagne and executive producer Rick Rubin.

Critical reception

Critics gave the album largely mixed reviews, often while comparing Deconstruction to its predecessor Jane's Addiction. Trouser Press wrote that "while Deconstruction can claim a few decent songs and Dave Navarro’s dazzling guitar work, the album is ruined by utterly toneless vocals — both Navarro and bassist Eric Avery are credited, but whomever is doing the singing makes former bandmate Perry Farrell sound like Pavarotti."[10] Exclaim! wrote: "Deconstruction is an ethereal and evolving affair, containing both Eric and Dave's stringed histrionics and ever-morphing jams, yet again lacks the edge of Jane's Addiction, and meanders when it should rock, almost to the point of being lackadaisical."[1]

AllMusic considered the album to be an experiment bridging Jane's Addiction and whatever Avery and Navarro might do next, and concluded that the album is a "springboard for more, certainly, but not a final product."[2] The most positive review came from PopMatters, which called the album "terribly underrated."[11]

Track listing

More information No., Title ...
No.TitleMusicLength
1."L.A. Song"Bob Spickard, Brian Carman, Navarro, Avery and Murphy6:02
2."Single" 6:45
3."Get at 'Em" 4:29
4."Iris" 4:40
5."Dirge"Navarro, Avery, Murphy and Ron Champagne5:53
6."Fire in the Hole" 5:52
7."Son" 3:07
8."Big Sur" 5:41
9."Hope" 3:49
10."One" 5:32
11."America" 7:02
12."Sleepyhead" 3:09
13."Wait for History" 6:03
14."That Is All" 1:10
15."Kilo" 2:09
Total length:71:13
Close

All tracks are written by Dave Navarro, Eric Avery and Michael Murphy, except where noted..

Personnel

  • Eric Avery – bass, vocals, lyrics
  • Dave Navarro – guitars, vocals
  • Michael Murphy – drums
  • Gibby Haynes – vocals on "Get at 'Em" and "Fire in the Hole"
  • Ron Champagne – producer, mixer, mastering
  • Matthew Ellard – engineer
  • Eddie Schreyer – mastering
  • Kristina Champagne – coordinator
  • Rick Rubin – executive producer
  • Martin Atkyns – art direction, design
  • Dirk Walter – design
  • Amadeo – photographer

References

Loading related searches...

Wikiwand - on

Seamless Wikipedia browsing. On steroids.