Deborah Wong
American ethnomusicologist From Wikipedia, the free encyclopedia
Deborah Anne Wong (born 1959) is an American academic, educator, and ethnomusicologist. She is known for her studies of Asian-American and Thai music.
 | This article's lead section may be too short to adequately summarize the key points. (November 2021) |
Deborah Wong | |
|---|---|
| Born | 1959 (age 64–65) |
| Nationality | Chinese-American |
| Alma mater | University of Michigan (Ph.D., 1991), University of Pennsylvania (BA, 1982) |
| Known for | Study of music in Thailand, Asian American music, ethnomusicology and public musicology. |
| Scientific career | |
| Fields | Ethnomusicology, Southeast Asian studies, Asian American studies |
| Institutions | University of California, Riverside |
| Thesis | The Empowered Teacher: Ritual, Performance, and Epistemology in Contemporary Bangkok (1991) |
| Doctoral advisor | Judith Becker |
| Website | Faculty profile |
Wong was born on the east coast of the United States and now lives in California. She received a Bachelor of Arts in anthropology and music from the University of Pennsylvania in 1982. Wong later attended the University of Michigan, from which she earned her master's degree and then her PhD in 1991. She identifies as Chinese-American, Asian-American, and multi-ethnic.[1]
Wong has been a professor of music at the University of California, Riverside since 1996. She previously served as president of the Society for Ethnomusicology, and founded the Committee on the Status of Women with Elizabeth Tolbert in 1996. Wong is also the president of the Board of Directors for the Alliance for California Traditional Arts. She has served on the advisory council for the Smithsonian Center for Folklife and Cultural Heritage since 2011.[2] Wong was nominated to be a member of the National Council on the Humanities by President Barack Obama in December 2015.[3]
Wong focuses on Asian-American performance and the way it intersects with the racial imagination in America. She says, "race is very much a part of our lives, America has racist structures that drive it, and looking at race when studying music is a different approach".[4] She used a $10,000 grant from the California Council for the Humanities to help fund the research for the site, www.asianamericanriverside.ucr.edu.[5] She wanted to spread the word about the little-known story of the city's lively Asian community. "Asian American Riverside" is a resource for local schools and the community. The project will help support interethnic understanding and strengthen the community in Riverside.[6]
Wong has studied taiko and is part of Satori Daiko, a performing group in Los Angeles.[4]
- Wong, Deborah (2001). Sounding the Center: History and Aesthetics in Thai Buddhist Ritual. Chicago and London: Univ. of Chicago Press. ISBN 0226905853. Wong's first book is about ritual performance and its implications for the cultural politics of Thai court music and dance in Bangkok in the late twentieth-century.[1]
- Wong, Deborah (2004). Speak it Louder: Asian Americans Making Music. New York: Routledge. ISBN 0415970393. This book focuses on music and identity by looking at case studies.[1]
Wong has also published on Chinese-American and Japanese-American jazz, Asian-American hip-hop, and Southeast-Asian immigrant music.[1]
Wong has been a part of the oral history collective project Women Who Rock: Making Scenes, Building Communities.[7]
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