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2018 television miniseries From Wikipedia, the free encyclopedia
Death and Nightingales (also written Death & Nightingales) is a 2018 television historical drama miniseries, based on the 1992 novel of the same name by author Eugene McCabe. The series stars Ann Skelly, Jamie Dornan and Matthew Rhys. It started broadcast on RTÉ One in Republic of Ireland on 26 November 2018, and two days later in the UK on BBC Two.[1][2]
Death and Nightingales | |
---|---|
Genre | Historical period drama |
Created by | Allan Cubitt |
Based on | Death and Nightingales by Eugene McCabe |
Written by | Allan Cubitt |
Directed by | Allan Cubitt |
Starring | Ann Skelly Matthew Rhys Jamie Dornan |
Composers | Gerry Diver David Holmes |
Country of origin | United Kingdom |
Original language | English |
No. of series | 1 |
No. of episodes | 3 |
Production | |
Executive producers | James Mitchell Tommy Bulfin |
Producer | Jonathan Cavendish |
Cinematography | Stephen Murphy |
Editor | Steve Singleton |
Camera setup | Multi-camera |
Running time | 58 minutes |
Production companies | Imaginarium Productions (The Imaginarium) Soho Moon BBC Two Films |
Original release | |
Network | RTÉ One, BBC Two |
Release | 26 November – 12 December 2018 |
Jamie Dornan and writer Allan Cubitt, the writer of the series, had previously collaborated on The Fall.[3] The show was filmed in County Fermanagh[4] and at Springhill House, near Moneymore in County Londonderry in Northern Ireland [5] Cubbit revealed that the series was a "Brexit warning", saying "we can't afford to go back" to how things were before the Northern Irish peace process.[6]
Red Arrow Studios distributed the series, and the first episode premiered on BBC Two on 28 November 2018.[2] In the United States, the series will begin airing on Starz on 16 May 2021.[10]
The series was met with lukewarm reviews from critics. On the review aggregation website Rotten Tomatoes, the series holds a 60% approval rating with an average rating of 6.0 out of 10 based on 15 reviews.[11] Gerard O'Donovan of The Daily Telegraph gave show four stars out of five, calling it "the rarest of dramatic gems - one that pushes and challenges understanding - and it's impossible not to be drawn in."[12] The Times' Carol Midgley was slightly more critical, deeming it "a heavy drama with lean dialogue and precious little mirth, but I'm being seduced."[13] Ed Cumming, writing for The Independent, gave the show three stars out of five, writing "The desired tone, I think, is a kind of Ulster version of Deadwood, a creation parable for the problems of the 20th century, but there is a fine line between powerful and self-parodic."[14]
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