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South Korean composer (born 1972) From Wikipedia, the free encyclopedia
Dae-Ho Eom (Korean: 엄대호; Hanja: 嚴大號;[1][2] born May 22, 1972, in the lunar calendar[cleanup needed]) is a South Korean musician, philosopher, and composer of contemporary classical music.
 | A major contributor to this article appears to have a close connection with its subject. (June 2024) |
Dae-Ho Eom | |
|---|---|
After the Geojedo Suite was released, composer Dae-Ho Eom | |
| Background information | |
| Born | May 22, 1972 Mungyeong, South Korea |
| Genres | Contemporary classical |
| Occupation(s) | Composer, Philosopher |
| Dae-Ho Eom | |
| Hangul | 엄대호 |
|---|---|
| Hanja | 嚴大號 |
| Revised Romanization | Eom Dae-Ho |
| McCune–Reischauer | Ŏm Dae-Ho |
Eom is a member of the Yeongwol Eom clan, and he was born in Gaeun, Mungyeong, North Gyeongsang Province, where he spent his early life.[3] He attended Gaeun Elementary School and Gaeun Middle School in Gaeun-eup, Mungyeong-gun, and then Munchang High School in Mungyeong-si. He graduated from Kyungil University in Gyeongsan with a degree in computer engineering, and then graduated from Daegu Institute of the Arts' Department of Piano. He then served as vice president of the Korean National Music Association,[4] a life-long member of the "Changakhoe",[5] a member of NACUSA (National Association of Composers/USA),[6] executive director of the Eom Dae-ho Foundation[7] since 2018, and director of the Korean Music Critics Association since 2022. It has been done.[2]
He founded the Fantaga[1] music format in 2008, and in 2022, he was selected as a "Korean classical music pioneer"[8] by the Westminster Conservatory of Music in the United States, and "Song of Waheon" from the chamber music suite <Geojedo suite> was performed at Rider University. There are four composers selected, including South and North Korea. These are the late Kim Seong-tae (professor emeritus at Seoul National University), the late) Kim Sun-nam (composer who defected to North Korea), the late) Isang Yun (contemporary musician), and Dae-Ho Eom (contemporary musician).[8]
He composed various classical music using modern music techniques, including the opera <Jesus Christ>,[2] released several piano albums and electric guitar albums, and published music papers.
"Composer Dae-Ho Eom's new attempt is giving great stimulation to the world music world. The new style he created, 'Fantaga[1]', is a groundbreaking style that every composer should try at least once. In particular, his deep faith and pious spirit are reflected in his music. "- Jeon In-pyeong (Professor Emeritus at Chung-Ang University, President of the Korean Music Critics Association)[9]
“Dae-Ho Eom’s unique creations led him to be selected as a contemporary musician by the Westminster Conservatory in the United States, following composer Isang Yun."[10]
"Dae-Ho Eom's genius in composition is well known in the United States and Sweden, but in Korea, he is just a trying composer. Dae-Ho Eom is Rilke's 'Autumn Day', which calls for bringing in a little more southern sunlight to fully ripen grapes, or Kim Kwang-gyun's 'Chuil Lyrics', which draws a lonely semicircle beyond the curtain of a slanted landscape and sinks into it. We have passed through the late autumn scenery where ‘(秋日抒情)’ endures. In the early winter, we live warmly in this world with a warm heart."- Genius composer Dae-Ho Eom's 'JESUS CHRIST' composition collection[11]
“His original compositions are extremely intimate, atonal music that excludes too slow or extreme modernity, but uses the theme of tonal music as it progresses." – Jang Seok-yong (Chairman of the Korean Association of Critics)[12]
“Dae-Ho Eom, a modern music composer, created the musical form “Fantaga[1]" and applied it to his own songs, creating a new wave in the modern music world, instilling aesthetic elements in difficult modern music and creating a gateway to spectacular music leading the 21st century. "- Jeong Soon-young (composer, music critic, winner of the 43rd ‘Best Artist of the Year Award’[13])[14]
“Composer Dae-Ho Eom, who has constantly thought about righteousness and is presenting and perfecting a new paradigm in the domestic composition world by developing a new world of works that reflects the deep inner self of the abyss" – Sunhwa Kim (『Review』 Editor-in-Chief)[2]
Other compositions
<Two Fantaga on the theme of Korean folk songs>, <Piano Quartet for those getting married>, <Six four-voice hymns without words>, string quartet <Seeing the Private Meeting with Christ>, <3 Violin Rhapsody>[2]
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