Claude Lanzmann
French documentary filmmaker (1925–2018) From Wikipedia, the free encyclopedia
French documentary filmmaker (1925–2018) From Wikipedia, the free encyclopedia
Claude Lanzmann (French: [lanzman]; 27 November 1925 – 5 July 2018) was a French filmmaker, best known for the Holocaust documentary film Shoah (1985), which consists of nine and a half hours of oral testimony from Holocaust survivors, without historical footage. He is also known for his 2017 documentary film Napalm, about a love affair he had with a North Korean nurse whilst visiting North Korea in 1958, several years after the Korean War.
Claude Lanzmann | |
---|---|
Born | Bois-Colombes, France | 27 November 1925
Died | 5 July 2018 92) Paris, France | (aged
Occupation | Filmmaker |
Years active | 1970–2018 |
Known for | Shoah (1985) |
Spouses | Dominique Petithory (m. 1995) |
Partner | Simone de Beauvoir (1952–1959) |
Children | 2 |
In addition to filmmaking, Lanzmann had also been the chief editor of Les Temps Modernes, a French literary magazine.
Lanzmann was born on 27 November 1925 in Bois-Colombes, France, the son of Paulette (née Grobermann) and Armand Lanzmann.[1] His family was Jewish, and had immigrated to France from The Russian Empire.[2] He was the brother of writer Jacques Lanzmann. Lanzmann attended the Lycée Blaise-Pascal in Clermont-Ferrand.[3] While his family disguised their identity and went into hiding during World War II,[4] he joined the French resistance at the age of 17, along with his father and brother, and fought in Auvergne.[3] Lanzmann opposed the French war in Algeria and signed the 1960 antiwar petition Manifesto of the 121.[5]
Lanzmann was the chief editor of the journal Les Temps Modernes, founded by Jean-Paul Sartre and Simone de Beauvoir, and lecturer at the European Graduate School in Saas-Fee, Switzerland.[6] In 2009 he published his memoirs under the title Le lièvre de Patagonie ("The Patagonian Hare").[7]
Lanzmann's most renowned work, Shoah (1985), is a nine-and-a-half-hour oral history of the Holocaust. Shoah is made without the use of any historical footage, and uses only first-person testimony from perpetrators and victims, and contemporary footage of Holocaust-related sites. Interviewees include the Polish resistance fighter Jan Karski and the American Holocaust historian Raul Hilberg. When the film was released, the director also published the complete text, including in English translation, with introductions by Lanzmann and Simone de Beauvoir.
Lanzmann disagreed, sometimes angrily, with attempts to understand the why of Hitler, stating that the evil of Hitler cannot or should not be explained and that to do so is immoral and an obscenity.[8]
Lanzmann also oftentimes pushed his subjects to extreme emotional limits to bring out the most authentic reactions for his audience. The interview with barber Abraham Bomba is an epitome of a Claude Lanzmann interview.[9]
A compilation of "Shoah: Unseen Interviews" was released in 2012 that included interviews filmed at the time of the original production but never made it into the film.[10]
On 4 July 2018, his last work, Les Quatre Soeurs (Shoah: Four Sisters) was released, featuring testimonials from four Holocaust survivors not included in his Shoah. Lanzmann died the following day.[11][12]
Lanzmann was part of a leftist delegation which visited North Korea in 1958. Toward the end of the visit, he fell in love with a local nurse and had an illicit love affair, which was discovered by the authorities. Never forgetting the romance, he made a 2017 documentary entitled Napalm, as the nurse bore scars from American bombings during the Korean War.
From 1952 to 1959, he lived with Simone de Beauvoir.[13] In 1963 he married French actress Judith Magre.[14] They divorced in 1971,[citation needed] and he later married Angelika Schrobsdorff, a German-Jewish writer.[14] He divorced a second time, and was the father of Angélique Lanzmann and Félix Lanzmann.[15][16] Claude Lanzmann died on 5 July 2018 at his Paris home, after having been ill for several days. He was 92.[11][12]
Filmography
As subject
Books
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