Clapstick

For other uses, see Clapstick (disambiguation).

Clapsticks, also spelt clap sticks and also known as bilma, bimli, clappers, musicstick or just stick, are a traditional Australian Aboriginal instrument. They serve to maintain rhythm in voice chants, often as part of an Aboriginal ceremony.^[1]

Two pairs of Australian Aboriginal clapsticks

Didgeridoo and clapstick players performing at Nightcliff, Northern Territory

They are a type of drumstick, percussion mallet or claves that belongs to the idiophone category. Unlike drumsticks, which are generally used to strike a drum, clapsticks are intended for striking one stick on another.

Origin and nomenclature

In northern Australia, clapsticks would traditionally accompany the didgeridoo, and are called bimli or bilma by the Yolngu people of north-east Arnhem Land in the Northern Territory of Australia.

Boomerang clapsticks

Boomerang clapsticks are similar to regular clapsticks but they can be shaken for a rattling sound or be clapped together.

Technique

The usual technique employed when using clapsticks is to clap the sticks together to create a rhythm that goes along with the song.

See also

• Clapper (musical instrument)
• Clapper stick

References

1. Rare Music Collection, University of Melbourne Library. "Bilma (clapsticks), from the Northern Territory" (PDF). The University of Melbourne. The University of Melbourne. Retrieved 9 April 2024.

External links

• A survey of traditional south-eastern Australian Indigenous music by Barry McDonald (book chapter)
• Moyle, Alice M. (1978). Aboriginal Sound Instruments (PDF). Aboriginal SoundInstrumentsAlice M MoyleCompanion Booklet for a CompaCt DisCAustralian Institute of Aboriginal and Torres Strait Islander Studies. ISBN 9781922059468.
• "Clapsticks". University of Melbourne. 21 June 2017.
• "1788 - Meet Waruwi: Clapping sticks". My Place. Australian Broadcasting Corporation/. 24 December 1999.
• Curkpatrick, Samuel. "Productive Ambiguity: Fleshing out the Bones in Yolŋu Manikay" Song" Performance, and the Australian Art Orchestra’s" Crossing Roper Bar"." Critical Studies in Improvisation/Études critiques en improvisation 9, no. 2 (2013)