Chen Kaige
Chinese filmmaker From Wikipedia, the free encyclopedia
Chen Kaige (Chinese: 陈凯歌; born 12 August 1952) is a Chinese filmmaker. A leading figure of the fifth generation of Chinese directors, Chen is known for his visual flair and epic storytelling.[1][2] For Farewell My Concubine (1993), Chen became the first Chinese director to win the Palme d'Or at the Cannes Film Festival.[3]
Chen Kaige | |
|---|---|
陈凯歌 | |
.jpg) Chen at the 2013 Tokyo International Film Festival | |
| Born | Chen Aige（陈皑鸽） 12 August 1952 Beijing, China |
| Alma mater | Beijing Film Academy |
| Occupations |
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| Years active | 1984–present |
| Movement | Fifth Generation |
| Spouses | |
| Children | 2, including Arthur Chen |
| Parent(s) | Chen Huai'ai (father) Liu Yanchi (mother) |
| Relatives | Chen He (nephew) |
| Awards | Full list |
Early life
Chen Kaige was born in Beijing, China into a family of Changle, Fuzhou origin, and grew up with fellow Fifth Generation alumnus Tian Zhuangzhuang as a childhood friend. His father Chen Huai'ai was a well-known director in his own right.[1] His mother Liu Yanchi (刘燕驰) was a senior screenwriter. During the Cultural Revolution, Chen joined the Red Guards and denounced his own father, a fateful decision he eventually learned to regret and informs much of his work, notably in the unblinking depictions of the Cultural Revolution in Farewell My Concubine, and in the father-son relationship in Together.[4] In 1969, Chen became a sent-down youth in Xishuangbanna Agricultural Reclamation Bureau before enlisting in the People's Liberation Army (PLA) next year.[5] In 1975, Chen was discharged from the army and returned to Beijing, where he worked as a worker in Beijing Film Printing Factory. In 1978 Chen joined the Beijing Film Academy, where he graduated in 1982.[1]
Career
Summarize
Perspective
Upon graduating, Chen was assigned to the Guangxi Film Studio, along with a fellow graduate, Zhang Yimou.[1] His first movie, Yellow Earth (1984), established itself as one of the most important works of Fifth Generation filmmaking; though simple, its powerful visual imagery, courtesy of cinematography by Zhang, and revolutionary storytelling style marked a sea change in how films were seen and perceived in the People's Republic of China.[1] The film is unique in terms of concept, structure, and style, in line with the "cultural roots seeking" trend that emerged in China in the 1980s. The purpose of filming this film is to attempt to explore the deep cultural heritage of national history and spirit from a cultural perspective.[6] The Big Parade (1986) and King of the Children (1987) expanded on his filmic repertoire. In 1987, he was awarded a fellowship by the Asian Cultural Council and served as a visiting scholar at the New York University Film School.[7] Early in 1989, he did further experiment in a music video for the song "Do You Believe in Shame?" by Duran Duran.[8] Later that year, he made Life on a String, a highly esoteric movie which uses mythical allegory and lush scenery to tell the story of a blind sanxian musician and his student. In the same year, he was a member of the jury at the 39th Berlin International Film Festival.[9]
His most famous film in the West, Farewell My Concubine (1993), follows two Beijing opera stars through decades of change in China during the twentieth century. The film was nominated for two Academy Awards and won the Palme d'Or at 1993 Cannes Film Festival and the 1993 International Federation of Film Critics Award.[3][10] Chen followed up the unprecedented success of Farewell My Concubine with Temptress Moon (1996), another period drama starring Leslie Cheung and Gong Li. Though it was well received by most critics, it did not achieve the accolades that Concubine did, and many were put off by the film's convoluted plot line. Almost as famous is his The Emperor and the Assassin (1999), an epic involving the legendary King of Qin and the reluctant assassin who aims to kill him.
In 2002, Chen made his first, and to-date only, English-language film, Killing Me Softly, a thriller starring Heather Graham and Joseph Fiennes, though it proved to be both a critical and popular disappointment.[11] Together (2002) in the same year, which marked the beginning of his wife Chen Hong as his producer, is an intimate film about a young violinist and his father, showing the desire of young people to grow according to their spiritual guidance.[12] In the short "Ten Minutes, Aging", the finale of the collection "Deep in Flowers," which opened the Cannes Film Festival in France in 2002, Chen selects the theme of urban renewal, a nation-wide program across China at the time characterized by large-scale demolition, and tells the story of the mentally ill "Mr. Feng" moving in a seemingly humorous tone.[13] In 2005, he directed The Promise, an all-star fantasy wuxia picture, which saw Chen shifting to a more commercial mindset, regarded by some as a "radical stylistic turn" from his previous works.[8]
In 2006, he was awarded the Lifetime Achievement Award at the 28th Moscow International Film Festival.[14] In 2008, Chen directed Forever Enthralled, a biopic of Peking opera artist Mei Lanfang, followed by Sacrifice (2010), a re-imagining of the Chinese play The Orphan of Zhao.[15] His 2012 film Caught in the Web, a reflection on internet culture—sometimes interpreted as his response to the parody frenzy surrounding The Promise—was selected as the Chinese entry for the Best Foreign Language Oscar at the 85th Academy Awards, but it did not make the final shortlist.[16] His film Monk Comes Down the Mountain (2015), which may have suffered from editing issues due to the drug scandal involving one of its stars, Jaycee Chan, was a critical failure but achieved commercial success. He then directed Legend of the Demon Cat (2017), a big-budget Chinese-Japanese co-production adapted from the novel of the same name by Japanese fantasy novelist Baku Yumemakura.[17]
Since 2019, Chen directed or produced a series of propaganda films that are sometimes commissioned by the Chinese government, including co-directing The Battle at Lake Changjin (2021), China's highest-grossing film of all time.[18]
In addition to directing, Chen has acted in several films, including Bernardo Bertolucci's The Last Emperor (1987) and his own The Emperor and the Assassin and Together.
Personal life
Chen's first wife was Sun Jialin (孙加林), whom he knew while working at the Beijing Film Factory from 1975 to 1978; they married in 1983 and divorced three years later. His second wife was Hong Huang, daughter of Zhang Hanzhi, a diplomat and English teacher of Mao Zedong. Through his second marriage, Chen obtained a US green card.[19] They separated in 1991 and divorced in 1993. From 1991, Chen lived with Ni Ping, a television personality, in a six-year relationship.[20][21] In 1996, Chen married actress Chen Hong, who has been his producer since Together (2002). They have two sons, Chen Yu'ang and "Arthur" Chen Feiyu.[22]
Filmography
| Year | Title | Chinese Title | Director | Writer | Producer | Notes |
|---|---|---|---|---|---|---|
| 1984 | Yellow Earth | 黃土地 |  |
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| 1986 | The Big Parade | 大閱兵 | |
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| 1987 | King of the Children | 孩子王 | |
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[23] |
| 1991 | Life on a String | 邊走邊唱 | |
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| 1993 | Farewell My Concubine | 霸王別姬 | |
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Palme d'Or winner at the 1993 Cannes Film Festival |
| 1996 | Temptress Moon | 風月 | |
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| 1998 | The Emperor and the Assassin | 荊柯刺秦王 | |
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| 2002 | Killing Me Softly | 温柔地杀我 | |
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| 2002 | 100 Flowers Hidden Deep | |
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Segment in the anthology film Ten Minutes Older: The Trumpet | |
| 2002 | Together | 和你在一起 | |
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2002 Silver Seashell for Best Director at the San Sebastián International Film Festival |
| 2005 | The Promise | 無極 | |
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| 2007 | Zhanxiou Village | |
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Vignette in the anthology film To Each His Cinema | |
| 2008 | Forever Enthralled | 梅兰芳 | |
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| 2010 | Sacrifice | 趙氏孤兒 | |
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[24] |
| 2012 | Caught in the Web | 搜索 | |
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Fictional treatment of the human flesh search engine.[25] |
| 2015 | Monk Comes Down the Mountain | 道士下山 | |
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[26] |
| 2017 | Legend of the Demon Cat | 妖猫传 | |
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[27] |
| 2019 | My People, My Country | 我和我的祖国 | |
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[28] |
| 2021 | The Battle at Lake Changjin | 长津湖 | |
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[29][30] |
| 2022 | The Battle at Lake Changjin II | 长津湖之水门桥 | |
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| 2023 | Flowers Bloom in the Ashes | 尘埃里开花 | |
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[31] |
| The Volunteers: To the War | 志愿军：雄兵出击 | |
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[32][33] | |
| 2024 | The Volunteers: The Battle of Life and Death | 志愿军：存亡之战 | |
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| TBA | Swan Song | |
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[34] |
Television (as director)
Executive producer
Actor
| Year | English Title | Chinese Title | Role | Notes |
|---|---|---|---|---|
| 1987 | The Last Emperor | 末代皇帝 | Captain of Imperial Guard | |
| 1999 | The Emperor and the Assassin | 荊柯刺秦王 | Lü Buwei | |
| 2001 | The Grand Mansion Gate | 大宅门 | An official | guest |
| 2002 | Together | 和你在一起 | Yu Shifeng | |
| 2009 | The Founding of a Republic | 建國大業 | Feng Yuxiang | |
| 2012 | The Monkey King 3D: Uproar in Heaven | 大闹天宫3D | Dragon King of the East China Sea | Voice role |
Awards and nominations
International
| Year | Nominated work | Award | Result | Notes | |
|---|---|---|---|---|---|
| Cannes Film Festival | |||||
| 1988 (41st) | King of the Children | Palme d'Or | Nominated | ||
| 1991 (44th) | Life on a String | Nominated | |||
| 1993 (46th) | Farewell My Concubine | Won | |||
| FIPRESCI Prize | Won | ||||
| 1996 (49th) | Temptress Moon | Palme d'Or | Nominated | ||
| 1999 (52nd) | The Emperor and the Assassin | Nominated | |||
| Berlin International Film Festival | |||||
| 2009 (59th) | Forever Enthralled | Golden Bear | Nominated | ||
| Academy Awards | |||||
| 1994 (66th) | Farewell My Concubine | Best International Feature Film | Nominated | ||
| Golden Globe Awards | |||||
| 1994 (51st) | Farewell My Concubine | Best Foreign Language Film | Won | ||
| 2006 (63rd) | The Promise | Nominated | |||
| César Awards | |||||
| 1994 (19th) | Farewell My Concubine | Best Foreign Film | Nominated | ||
| Tokyo International Film Festival | |||||
| 2008 | Akira Kurosawa Award | Won | |||
| Montreal World Film Festival | |||||
| 1987 (11th) | The Big Parade | Jury Grand Prize | Won | ||
| Locarno Festival | |||||
| 1985 (38th) | Yellow Earth | Silver Leopard Award | Won | ||
| Prize of the Ecumenical Jury | Won | ||||
| Thessaloniki International Film Festival | |||||
| 2006 (47th) | Lifetime Achievement Award | Won | |||
Domestic
| Year | Nominated work | Award | Result | Notes | |
|---|---|---|---|---|---|
| Golden Rooster Awards | |||||
| 2004 (22nd) | Together | Best Director | Won | ||
| Best Picture | Nominated | ||||
| 2009 (27th) | Forever Enthralled | Best Picture | Won | ||
| Best Director | Nominated | ||||
| 2020 (33rd) | My People, My Country | Nominated | |||
| 2022 (35th) | The Battle at Lake Changjin | Won | |||
| Hundred Flowers Awards | |||||
| 2020 (35th) | My People, My Country | Best Director | Nominated | ||
| Huabiao Awards | |||||
| 2009 (13th) | Forever Enthralled | Outstanding Director | Won | ||
| Outstanding Film | Won | ||||
| 2011 (14th) | Sacrifice | Outstanding Film | Won | ||
| China Film Directors Association | |||||
| 2018 (9th) | Legend of the Demon Cat | Film of the Year | Nominated | ||
| Director of the Year | Nominated | ||||
| Chinese Film Media Awards | |||||
| 2003 (3rd) | Together | Best Director | Nominated | ||
| 2011 (11th) | Sacrifice | Filmmaker of the Year | Won | ||
| Huading Awards | |||||
| 2020 (27th) | My People, My Country | Best Film Director Award | Nominated | ||
| Shanghai International Film Festival | |||||
| 2010 (13th) | Chinese-language Film Outstanding Contribution Award | Won | |||
| Beijing College Student Film Festival | |||||
| 2009 (16th) | Forever Enthralled | Best Director | Won | ||
| Best Film | Won | ||||
| 2018 (25th) | Legend of the Demon Cat | Best Director | Nominated | ||
| Best Viewing Effect Award | Won | ||||
| Hong Kong Film Award | |||||
| 2004 (23rd) | Together | Best Asian Film Award | Nominated | ||
| 2009 (28th) | Forever Enthralled | Nominated | |||
| Macau International Movie Festival | |||||
| 2018 (10th) | Legend of the Demon Cat | Best Picture | Nominated | ||
| Best Director | Nominated | ||||
See also
Notes
External links
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