Captain Kronos – Vampire Hunter
1974 British film by Brian Clemens From Wikipedia, the free encyclopedia
1974 British film by Brian Clemens From Wikipedia, the free encyclopedia
Captain Kronos – Vampire Hunter is a 1974 British swashbuckling action horror film, written and directed by Brian Clemens, produced by Clemens and Albert Fennell for Hammer Film Productions, and starring Horst Janson, John Carson, Shane Briant, and Caroline Munro.[3] The music score was composed by Laurie Johnson, supervised by Philip Martell. Shot in 1972, but belatedly released on 7 April 1974, the film was intended as the first in a series focused on the title character and his companions.[citation needed] Due to the film's violence and sexual subtext, Captain Kronos was rated R in North America. This was Clemens' only film as a director.
| Captain Kronos – Vampire Hunter | |
|---|---|
Theatrical release poster | |
| Directed by | Brian Clemens |
| Written by | Brian Clemens |
| Produced by | Albert Fennell Brian Clemens |
| Starring | Horst Janson John Carson Shane Briant Caroline Munro John Cater Lois Daine |
| Cinematography | Ian Wilson |
| Edited by | James Needs |
| Music by | Laurie Johnson |
Production company | |
| Distributed by | Bruton Films (UK) Paramount Pictures (US) |
Release date |
|
Running time | 91 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | £160,000[1][2] |
Dr. Marcus calls in Captain Kronos, an old friend from his war service, to his village which is plagued by deaths marked by highly accelerated aging. Kronos and his companion, the hunchback Professor Hieronymus Grost, are professional vampire hunters. Grost explains to the initially skeptical Marcus that the dead women are victims of a vampire who drains not blood but youth, and that there are "as many species of vampire as there are beasts of prey". The discovery of another victim confirms Grost's explanation. Along the way, Kronos and Grost take in a local Romani girl, Carla, who was sentenced to the stocks for dancing on the Sabbath. She repays the duo by helping them hunt the vampire and later becomes Kronos's lover.
Grost and Kronos conduct a mystical test that indicates the presence of vampires. Their findings are contradicted by an eyewitness who claims to have seen "someone old, very old", whereas a youth-draining vampire should appear youthful.
Marcus visits the family of his late friend, Lord Hagen Durward, and speaks with Durward's son, Paul, and his sister Sara. He must leave before speaking with the bed-ridden Lady Durward. While riding through the woods, Marcus encounters a cloaked figure that leaves him shaken, and he finds blood on his lips.
At a tavern, Kronos defeats thugs led by Kerro, who were hired by Lady Durward's coachman to murder him. Kronos, Grost, Marcus and Carla set up a network of alarm bells in the woods to announce the passage of vampires. Meanwhile, a bat attacks and kills a young woman. Marcus realises that he has become a vampire and begs Kronos to kill him. After various methods (including impalement with a stake and hanging) fail, Kronos accidentally pierces Marcus's chest with a cross of steel that Marcus had been wearing round his neck.
Having thus determined the vampire's weakness, Kronos and Grost obtain an iron cross from a cemetery. They are accosted by angry villagers, who believe that they murdered Marcus. Grost forges the cross into a sword, while Kronos conducts a knightly vigil. After seeing the Durward carriage flee the scene of a vampire attack, Kronos suspects Sara as the vampire.
Carla seeks refuge at Durward Manor to distract the household while Kronos sneaks inside. The "bedridden" Lady Durward reveals herself as the newly-youthful vampire, and she hypnotises Carla and the Durward siblings. Lady Durward has raised her husband Hagen from the grave. She offers the mesmerised Carla to her husband, but Kronos erupts from hiding. Kronos uses the new sword's mirrored blade to turn Lady Durward's hypnotic gaze against her. He kills Lord Durward in a duel, and then destroys Lady Durward.
The next day, Kronos bids Carla goodbye, before he and Grost ride on to new adventures.
The Monthly Film Bulletin wrote: "Captain Kronos is evidently something of a puzzle for distributors. Neither straightfaced horror nor consistent send-up, it touches on too many conventions – Western, Grand Guignol, comic strip, movie serial – too quickly for the question of exact tone or proper genre ever really to be raised. Stripped of some of its sex and violence, and given a hero who comes on and takes off ... like the Lone Ranger, it would also make ideal fare for children. The film works best when the action is just allowed to barrel along, given the occasional nudge by an absurd line of dialogue. The magnificent introduction of a be the scene-setting for a Z-Western, with the period trappings perversely mismanaged: the military figure on a horse, an ornate 'K' emblazoned on his saddle gear; the urgent ride across country with his hunchbacked assistant, a professor learned in vampire lore bouncing behind in a wagon; and the rescue in a dark forest of a grimy but recognisable heroine, confined in pillory. Considerably more laborious is the build-up of Ian Hendry's cameo appearance as a hired assassin; though the scene eventually pulls itself out of a slump of snarling dialogue and lowering closeups with some nicely choreographed action, disposing of the ruffians quicker than the eye can see. ...The script is often astonishingly at sixes and sevens, with some indiscriminately regurgitated dialogue ... and tossing in odd bits of explanation at inappropriate moments. Visually, the film might have taken its cue from this, being characterised mainly by subjective, something-lurking-in-the-bushes camerawork; its only distinguishing trait otherwise is Clemens' liking for the occasional frame-within-a-frame composition, harking back, perhaps, to the boxed-in spaces he knows so well."[4]
AllMovie called the film "one of the last great Hammer Films productions".[5]
In later years, the film became a cult classic, largely because of its unusual mix of supernatural horror and swashbuckling action.[citation needed] It was supposed to launch a series of new Hammer film productions but, in the 1970s, the studio developed financial issues and closed down.[citation needed]
A novelisation of the film, written by Guy Adams under the title Kronos, was published in 2011 by Arrow Publishing, in association with Hammer and the Random House Group.
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