Call Northside 777
1948 film by Henry Hathaway From Wikipedia, the free encyclopedia
1948 film by Henry Hathaway From Wikipedia, the free encyclopedia
Call Northside 777 is a 1948 American drama film directed by Henry Hathaway. The film parallels the true story of a Chicago newspaper reporter who proved that a man jailed for murder 11 years previously was wrongly convicted. James Stewart stars as the persistent journalist and Richard Conte plays the imprisoned Frank Wiecek. Wiecek is based on Joseph Majczek, who was wrongly convicted of the murder of a Chicago policeman in 1932, one of the worst years of organized crime during Prohibition.
| Call Northside 777 | |
|---|---|
Theatrical release poster | |
| Directed by | Henry Hathaway |
| Screenplay by | Jerome Cady Jay Dratler Leonard Hoffman (adaptation) Quentin Reynolds (adaptation) |
| Based on | 1944 Chicago Daily Times articles by James P. McGuire Jack McPhaul -- writer |
| Produced by | Otto Lang |
| Starring | James Stewart Richard Conte Lee J. Cobb Helen Walker |
| Narrated by | Truman Bradley |
| Cinematography | Joseph MacDonald |
| Edited by | J. Watson Webb Jr. |
| Music by | Alfred Newman |
| Distributed by | 20th Century-Fox |
Release date |
|
Running time | 111 minutes |
| Country | United States |
| Language | English |
| Box office | $2.7 million (US rentals)[1] |
In Chicago in 1932, during Prohibition, a policeman is murdered inside a speakeasy. Frank Wiecek and another man are quickly arrested, and, in November 1933, are each convicted and sentenced to serve 99 years imprisonment for the killing.
Eleven years later, Wiecek's mother puts a classified ad in the Chicago Times offering a $5,000 reward for information about the true killers of the police officer. City editor Brian Kelly assigns reporter P. J. McNeal to look more closely into the case. McNeal is skeptical at first, believing Wiecek to be guilty. But he starts to change his mind, and meets increased resistance from the police and the state's attorney's office, who are unwilling to be proven wrong. This is quickly followed by pressure from politicos at the state capital anxious to end a story that might prove embarrassing to the current administration.
Wiecek is finally confirmed innocent by the enlarging of a photograph showing the date on a newspaper that proves that a key witness lied.
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20th Century-Fox reported on January 24, 1947 that Call Northside 777 would be filmed in the documentary manner.[citation needed] Fox had obtained the necessary legal clearances from the persons involved in the story and had dispatched producer Otto Lang and writer Leonard Hoffman to gather material for the film in Chicago. Eventually Quentin Reynolds and Jay Dratler joined Hoffman in writing the script.
According to a March 7 report in The New York Times, Fox had named Henry Fonda to play the lead in Call Northside 777, which would precede Chicken Every Sunday and Lone Star Preacher on Fonda's schedule. However, a month later Fonda was cast as the star of Daisy Kenyon. Two months afterward Fox replaced Fonda in Call Northside 777 with Jimmy Stewart. Lloyd Nolan was originally tabbed to play the role of Brian Kelly, but Lee J. Cobb ended up in the role. Leopoldine Konstantin was originally considered to play the wrongly convicted man's mother, but the part went to Kasia Orzazewski.
Call Northside 777 was shot extensively in Chicago. Views of the Merchandise Mart as well as Holy Trinity Polish Mission can be seen throughout the film.
Aside from Chicago, locations for Call Northside 777 included Santa Monica and also the Illinois Stateville Prison "Roundhouse" annex,[2][3] which was closed in 2016 but briefly reopened in 2020 for COVID-19 housing.[4] (The prison "Roundhouse" was a panopticon cellblock, built according to ideas originated by English philosopher Jeremy Bentham).[5]
Screenwriters on Call Northside 777 took liberties in a number of areas to make what they believed would be a more compelling story for a theater audience. Among them was that Wiecek’s innocence was determined not by enlarging a newspaper headline to catch a key witness lying about a minor point, but that the prosecution had suppressed the fact she had initially declared that she could not identify the two men involved in the police shooting.[6]
The film opened at the New Theatre in Baltimore in the week ending 18 February 1948 and opened at the Roxy theatre in New York City on 18 February.[7]
The film received mostly positive reviews when it was first released, and again when it was released on DVD in 2004.
"Calls for three cheers from every working newspaper man and, for that matter, for at least two from every moviegoer."---CREELMAN, N.Y Sun
"By far the best documentary-style movie yet... Hands down the most expert, informative, gripping, and develops the most substantial audience rooting interest of them all"---AGER, PM.[clarification needed]
In 2005, the Onion AV Club Review argued that the film may not be a true film noir, but is good nonetheless: "Outstanding location shooting and Stewart's driven performance turn a sober film into a vibrant, exciting one, even though the hero and the jailbird he champions are really too noble for noir."[8]
The website DVD Verdict made the case in 2006 that the lead actor may be the best reason to see the film: "Its value exists mainly in Stewart's finely drawn characterization of a cynical man with a nagging conscience."[9]
Call Northside 777 reached number one at the US box office in its third week of release with a gross of $500,000 from 17 cities.[10]
Wins
Nominations
The film was nominated by American Film Institute for its list:
For an episode of CBS Radio's Hollywood Sound Stage, broadcast December 27, 1951, Harry Kronman adapted and directed a condensed 30-minute version of the film, casting Dana Andrews and Thomas Gomez in the leads. Tony Barrett, Bob Sweeney, Betty Lou Gerson, and Frank Nelson played supporting roles.
The April 17, 1951, audition episode of the radio program Defense Attorney (then titled Defense Rests) starring Mercedes McCambridge was based on the same plot, with some modifications.
Indian Hindi film Post Box 999 (1958) directed by Ravindra Dave was inspired by this film.[12]
Has been shown on the Turner Classic Movies show 'Noir Alley' with Eddie Muller.
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