Bunnylovr

American drama film From Wikipedia, the free encyclopedia

Bunnylovr is a 2025 American drama film written, directed and starring Katarina Zhu. The film follows a Chinese-American cam girl who navigates a toxic client relationship while reconnecting with her dying father.

Quick Facts Directed by, Screenplay by ...
Bunnylovr
Directed byKatarina Zhu
Screenplay byKatarina Zhu
Produced by
  • Tristan Scott-Behrends
  • Ani Schroeter
  • Rhianon Jones
  • Roger Mancusi
  • Rachel Sennott
Starring
CinematographyDaisy Zhou
Edited byStephania Dulowski
Production
companies
Release date
  • January 25, 2025 (2025-1-25) (Sundance)
Running time
86 minutes
CountryUnited States
LanguageEnglish
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The film premiered at the Sundance Film Festival on January 25, 2025, where it received mixed reviews from critics.

Premise

A drifting Chinese American cam girl struggles to navigate an increasingly toxic relationship with one of her clients while rekindling her relationship with her dying estranged father.[1]

Cast

  • Katarina Zhu as Rebecca
  • Austin Amelio as John, Rebecca's client
  • Perry Yung as William, Rebecca's terminally ill father
  • Rachel Sennott as Bella, an artist and Rebecca's friend
  • Jack Kilmer as Carter, Rebecca's ex-boyfriend
  • Clara Wong as Dr. Karas

Production

In October 2024, it was announced that filming wrapped in New York City.[2]

Release

The film premiered on January 25, 2025, at the 2025 Sundance Film Festival as part of the U.S. Dramatic Competition.[3]

Reception

On the review aggregator website Rotten Tomatoes, 55% of 22 critics' reviews are positive, with an average rating of 5.2/10.[4] Metacritic, which uses a weighted average, assigned the film a score of 53 out of 100, based on 7 critics, indicating "mixed or average" reviews.[5]

Lovia Gyarkye of The Hollywood Reporter wrote, "Bunnylovr's strengths are in its engaging character study of a languid young woman who came of age online. It's not a novel portrait, but Zhu makes it wholly her own. We watch Becca, a Chinese-American woman, float from one interaction to the next, eliding the intimacy of being present."[6] Katie Rife of IndieWire graded the film a B-.[7]

Chase Hutchinson of TheWrap wrote, "It’s a flawed debut feature — there is a fundamental distance between us and the film's main character — but Zhu shows immense promise."[8]

References

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