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1998 cyberpunk anime television series From Wikipedia, the free encyclopedia
Bubblegum Crisis Tokyo 2040 (バブルガムクライシス TOKYO 2040, Baburugamu Kuraishisu TOKYO 2040) is a 1998 cyberpunk anime television series produced by AIC. It is a reboot of the 1987 OVA series Bubblegum Crisis, which focuses on the Knight Sabers, a rogue vigilante group made up of four women who use powered suits to fight rogue Boomer robots made by the megacorporation Genom.
Bubblegum Crisis Tokyo 2040 | |
バブルガムクライシス TOKYO 2040 (Baburugamu Kuraishisu TOKYO 2040) | |
---|---|
Genre | Cyberpunk, action, mecha |
Created by | AIC |
Anime television series | |
Directed by | Hiroki Hayashi |
Produced by | Shigeaki Komatsu Hiroaki Inoue Shōichi Kumabe |
Written by | Chiaki J. Konaka Sadayuki Murai |
Music by | Kōichi Korenaga |
Studio | AIC |
Licensed by |
|
Original network | TV Tokyo |
English network | |
Original run | October 8, 1998 – March 31, 1999 |
Episodes | 26 |
Related works | |
Bubblegum Crisis Tokyo 2040 premiered on TV Tokyo on October 8, 1998, where it ran until its conclusion on March 31, 1999. Toshiba EMI released the series on VHS and Laserdisc across 13 volumes, each containing two episodes. The first volume was released on January 21, 1999; the final volume was released July 26, 2000.[1] The series was later released on DVD, however the Japanese versions were simply the American DVD releases encoded to play for Region 2.[2]
The series was positively received by critics, with some deeming it an improvement over the original OVA series.
Like its predecessor, Bubblegum Crisis Tokyo 2040 takes place primarily in Tokyo. Much of the manual labor in the city is done by robots called Boomers, which are run by the high-tech mega-corporation Genom.
While spending a night out, Linna Yamazaki, a new employee at the Hugh-Geit Corporation (a Genom subsidiary), observes a Boomer that has “gone rogue”, causing destruction and attacking people. Although the AD Police arrive stop the rogue Boomers, they struggle to restore order. Then, a renegade group called the Knight Sabers dressed in cybernetic, armored Hardsuits appear and save the day. Impressed by their work, Linna decides to join the group, which consists of: Priscilla “Priss” Asagiri, a rock star; Sylia Stingray, a boutique store owner and the group's leader; and Nene Romanova, a computer hacker who also works within the AD Police as a dispatch operator, serving as the group’s mole in that organization.
Over the course of the series, the Knight Sabers go after rogue boomers, which frustrates AD Police officers Leon McNichol and his partner Daley Wong. Genom is also frustrated by their actions as their chairman, Quincy Rosenkreutz, and his advisor Brian J. Mason seek to unlock more boomer technology to defeat and capture the Knight Sabers. Later on, Sylia's younger brother Mackie, who is part-boomer, joins the Knight Sabers as an assistant alongside their lead mechanic, Nigel Kirkland. Leon later pursues Priss with romantic intentions, and despite eventually learning that she is a member of the Knight Sabers, they both confess their feelings for one another anyway.
Mason uncovers and reactivates Galatea, a humanoid based on Sylia's DNA who is able to control all boomers and wipe out the human race. The Knight Sabers’ hardsuits break down as a result of Galatea’s reactivation, and Sylia is forced to get Nigel and Mackie to build new ones based on liquid metal. Mason has Quincy killed and takes over Genom. He then cuts AD Police's funding, resulting in a strike. Galatea's influence causes boomers across Tokyo to go rogue, trapping the Knight Sabers and the AD Police officers inside their own buildings. The Japanese government then orders a complete evacuation of Tokyo, the AD Police are shut down, and the Knight Sabers are forced to use Nigel's workshop as their new base of operations. Mackie later malfunctions and is presumed dead due to Galatea's influence. Galatea then becomes too powerful for even Genom to control, as she subsumes Genom Tower and kills Mason. The Knight Sabers arrive to try to stop Galatea, but they are unsuccessful and Sylia suffers severe injuries from fighting her.
After retreating, Sylia retires from being an active member and sends Priss, Linna, and Nene to a Genom space station orbiting Earth to stop Galatea using the Motoslave that Nigel developed. As Galatea subsumes the space station, Linna and Nene are overwhelmed and are forced to retreat back to Earth, crash-landing on a deserted island. Priss then confronts Galatea, but Galatea’s influence causes her hardsuit to badly malfunction and transform into a boomer. Galatea then subjects Priss to extreme torture. However, Priss overcomes Galatea’s mental influence over her and summons the Motoslave, destroying Galatea, however she falls out into space afterwards. Galatea then uses the last of her strength to save Priss and send her back to Earth as a showing of respect.
After Galatea's defeat, Mackie is revived and reconciles with Sylia and Nigel. Linna and Nene are seen trapped on a deserted island without any clothes and both wonder if they'll ever be rescued. Priss lands in a vast desert, and sings a song she had planned to perform with her band.
Many of the characters are similar to those in the OVA series.
Hardsuits are powered battle armour developed by Sylia Stingray and Nigel Kirkland. Initially they are suits of armour that the four Knight Sabers step into while wearing body stockings as close contact with skin and "plumbing" connections are required. Sylia states that the reason there are no male Knight Sabers is because it was easier to find women who shared a similar shape to her than to redesign hardsuits for a different anatomy. After the original suits were lost, the replacement suits are instead applied to the naked women as a viscous liquid silver-coloured 'biometal' that morphs into the coloured hardsuit. The new hardsuits and the Motoslave are revealed late in the series to be a form of Boomer, and the very first set of suits (not seen in the series) were all lost due to their wearers not being well suited for their use and that Sylia had to find people like her whose consciousness could meld with the Boomers' nascent consciousness (itself based on Sylia's consciousness due to her father's development process) in order to optimize their function. This requirement is revealed when the Knight Sabers receive psychic messages from Galatea and at times the four women are sometimes able to communicate telepathically. Sylia notes that the highly limited power supply of the hardsuits was to prevent them going rogue.
Priss's Hardsuit is specifically designed for the alley-style, hit and run fighting tactics she prefers. Her red-accented dark blue suit's main weapon is a set of "knuckle bombs". These are essentially shaped-charge explosive devices on the knuckles of her gauntlets, with which she beats against a Boomer until she can tear inside where its "core" (its heart) resides and destroy it from the inside out. Until Linna's arrival, Priss was the primary combatant of the team and it is her suit that is used in Linna's first test simulation.
Linna's hardsuit is a green color accented with orange trim, and is extremely maneuverable. As the newest suit of the group, it has some of the most advanced features, including a pair of long, ribbon-like cutters with nanometer-thick mono-molecular edges that can slice through almost anything. This newness is a double-edged sword however, for it fails on its first mission with almost tragic consequences for its owner. Linna's suit also has heavily armored gauntlets, but she does not carry the knuckle bombs that Priss's suit has.
Designed more for field support and data acquisition than for combat, Nene's hardsuit is a reddish-pink and purple. Her weaponry includes a railgun that can shoot high sectional density armor-piercing metal spikes into her opponents, armored gauntlets, and an incredibly powerful computer system and scanner array that lets her handle almost any field intelligence operations required of her. Nene tries to prove herself as a fighter several times but overestimates her physical prowess and endangers herself and others. Eventually her suit is upgraded with several automatic functions that greatly increase her ability as a fighter.
Sylia's Hardsuit is not often seen in the series, as Sylia does not engage in actual combat as often as the other Knight Sabers due to her health. However, when she does, her hardsuit is equipped with a retractable Katar (कटार) style sword blade that she uses to inflict fatal damage to any Boomer, and her combat style is even more savage and brutal than Priss'. Her suit is primarily a silver/white color with teal and pink accents. It also sports active stealth systems, and she is known to carry remote-detonating explosive charges.
Each episode was named after an album or song by a rock/punk band. Many songs were also the title tracks of their respective albums and thus shared the same name as the album. The songs were never played in the episodes themselves. Two pieces of theme music are used for the series. The opening and ending themes, respectively titled "y'know" and "Waiting for YOU", are performed by Akira Sudou.
The twenty-six episode anime series is directed by Hiroki Hayashi and features character designs by Hidenori Matsubara and Masaki Yamada. It premiered in Japan on October 7, 1998, and aired weekly until December 23, 1998. The remaining twelve episodes premiered on January 13, 1999, with new episodes airing weekly until the series concluded on March 31, 1999. Episodes 25 and 26 were unaired and instead along with the original video animations (OVAs), were released directly to VHS and laserdisc. The series was licensed for English-language broadcast and distribution in English by AD Vision[3] and premiered their English dubbed version of the series on August 24, 1999.
As of November 3, 2010, the series has been re-licensed by Funimation, currently known as Crunchyroll.[4]
No. | Title | Directed by | Written by | Original airdate |
---|---|---|---|---|
01 | "Can't Buy a Thrill" | Akihiko Nishiyama | Chiaki J. Konaka | October 7, 1998 |
02 | "FRagiLE" | Takehiro Nakayama | Chiaki J. Konaka | October 14, 1998 |
03 | "Keep Me Hanging On" | Kenichi Yatani | Chiaki J. Konaka | October 21, 1998 |
04 | "Machine HeaD" | Hideaki Hisashi | Chiaki J. Konaka | October 28, 1998 |
05 | "Rough and Ready" | Kenichi Yatani | Chiaki J. Konaka | November 4, 1998 |
06 | "Get it On" | Hayato Date | Chiaki J. Konaka | November 11, 1998 |
07 | "Look at Yourself" | Sanbi Mujou | Chiaki J. Konaka | November 18, 1998 |
08 | "Fire Ball" | Takeyuki Yanase | Chiaki J. Konaka | November 25, 1998 |
09 | "My Nation Underground" | Kazunori Tanahashi | Sadayuki Murai | December 2, 1998 |
10 | "Woke Up with A MONSTER" | Shigeki Awai | Sadayuki Murai | December 9, 1998 |
11 | "SHEER HEART ATTACK" | Kaoru Suzuki | Chiaki J. Konaka | December 16, 1998 |
12 | "Made In Japan" | Tadashi Oda | Chiaki J. Konaka | December 23, 1998 |
13 | "Atom Heart Mother" | Satoshi Saga | Sadayuki Murai | January 13, 1999 |
14 | "Shock Treatment" | Hidetoshi Yoshida | Sadayuki Murai | January 20, 1999 |
15 | "Minute by Minute" | Kaoru Suzuki | Chiaki J. Konaka | January 27, 1999 |
16 | "I SuRRendeR" | Kazunori Tanahashi | Chiaki J. Konaka | February 3, 1999 |
17 | "Moving Waves" | Masahiro Hosoda | Sadayuki Murai | February 10, 1999 |
18 | "We Built This City" | Satoshi Saga | Sadayuki Murai | February 17, 1999 |
19 | "Are YOU ExperienceD?" | Hayato Date | Chiaki J. Konaka | February 24, 1999 |
20 | "One of thesE Night" | Yukihiro Shino | Chiaki J. Konaka | March 3, 1999 |
21 | "Close to the Edge" | Tōru Yoshida | Sadayuki Murai | March 10, 1999 |
22 | "Physical Graffiti" | Minoru Nakagawa | Sadayuki Murai | March 17, 1999 |
23 | "Hydra" | Makoto Fuchigami | Chiaki J. Konaka | March 24, 1999 |
24 | "Light My Fire" | Hayato Date | Chiaki J. Konaka | March 31, 1999 |
25 | "Walking On The Moon" | Yukihiro Shino | Chiaki J. Konaka | Unaired |
26 | "Still Alive And Well" | Yasuhiro Geshi | Chiaki J. Konaka | Unaired |
Critical reception of Bubblegum Crisis Tokyo 2040 has been generally positive, with some deeming it an improvement over the original OVA series.
Jason Bustard of THEM Anime Reviews gave the series a rating of 4 out of 5 stars, calling it a fitting tribute to the original Bubblegum Crisis. He praised the story, music, and character designs, deeming them an improvement upon the original series. He also praised the character development, stating that "lots of detail went into humanizing the various cast members. From Nene's snack habits, to Priss's icy mercenary attitude, to Linna (best known from the original for her acrobatic green hardsuit) tripping all over herself the first time she tries on her suit, the characters shine with personality; a big improvement over the somewhat distant characters of the OVA."[5]
Tim Henderson and Theron Martin of Anime News Network praised the series, with Henderson giving the series a B− rating, and stating that "Bubblegum Crisis Tokyo 2040 is a difficult beast to heartily recommend, but it's hardly a show to ward potential viewers away from either." Henderson praised the character designs, animation, and story, but criticized the opening episodes for being slow, and the ending for not being very original.[6] Martin gave the series a higher rating of B+, praising the story, character designs, character development, soundtrack, and the English dub, but criticized the ending, stating that "the pseudo-philosophizing which is especially prevalent near the end gets to be a little much."[7]
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