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Broker (2022 film)

2022 South Korean film by Hirokazu Kore-eda From Wikipedia, the free encyclopedia

Broker (2022 film)
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Broker (Korean: 브로커, romanized: Beurokeo) is a 2022 South Korean drama film written, directed and edited by Japanese filmmaker Hirokazu Kore-eda, and starring Song Kang-ho, Gang Dong-won, Bae Doona, Lee Ji-eun, and Lee Joo-young. The film revolves around characters associated with baby boxes, which allow infants to be dropped off anonymously to be cared for by others.[4][5] The film was selected to compete for the Palme d'Or at the 2022 Cannes Film Festival, where it was screened on 26 May and won Ecumenical Jury Award and the Best Actor Award for Song Kang-ho. It was released on June 8, 2022, in theaters in South Korea.[6]

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Plot

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Ha Sang-hyeon is the owner of a hand laundry and volunteers at the nearby church, where his friend Dong-soo works. The two run an illegal business together where Sang-hyeon occasionally steals babies from the church's baby box with Dong-soo in order to sell the babies on the adoption black market. So-young, a sex worker, abandons her baby Woo-sung in front of the baby box, leaving him to die, but Detective Soo-jin, who is investigating the brokers along with her partner Lee, puts Woo-sung in the baby box. The police are also after So-young for having murdered one of her clients, Woo-sung's biological dad.

So-young later comes back after having abandoned Woo-sung. Dong-soo reveals his and Sang-hyeon's plan and decides to go with them on a road trip to interview Woo-sung's potential parents. The first couple that tries to buy Woo-sung is put off after So-young lashes out at them. The brokers stop by the nursery that Dong-soo was raised in, revealing that he too was once abandoned. Hae-jin, a child from the nursery, ends up joining the brokers.

Soo-jin and Lee set up a sting operation to capture the brokers, but they catch on, causing Soo-jin to consider using So-young's murder charge to capture them. The dead man's widow calls So-young telling her to give the baby, after she avoided a plan in which So-young would abort the baby in exchange for 5 million won for her mom. The widow employs Tae-ho, a good kid-turned-gangster that Sang-hyeon owes money to, to get Woo-sung back.

The brokers eventually find a good couple, the Yoons, to raise Woo-sung, on the condition that Woo-sung cannot meet with So-young ever again. While on a ferris wheel, Dong-soo discusses the idea of all of them raising Woo-sung together as a found family. However, So-young reveals that she will be arrested for murder, and therefore will not be able to raise Woo-sung. In a cafe, Sang-hyeon meets with his estranged daughter, but she tells him her mother wished for no contact, while Soo-jin eavesdrops on them.

Soo-jin later tells So-young to turn herself in for accidental manslaughter in exchange for only three years of imprisonment and she will be able to see Woo-sung after. Sang-hyeon and Dong-soo guess that So-young has made a deal with the police, deciding to go along with the plan for Woo-sung's sake. However, Tae-ho then confronts Sang-hyeon and he tries to negotiate with Tae-ho. Meanwhile, Dong-soo is arrested by the police, and So-young has surrendered herself. At a transit center, Sang-hyeon watches the news, where it is reported that Tae-ho's dead body and 40 million won in cash was found, with the police investigating it as an accident.

Three years later, Soo-jin is revealed to have adopted Woo-sung. Despite the Yoons being unable to adopt Woo-sung for trying to adopt a child illegally, Soo-jin still lets the couple visit Woo-sung. Soo-jin writes to So-young after her release and says that she will arrange for the found family to meet Woo-sung again in a park, with the exception of Sang-hyeon, who cannot be located. Hae-jin tries to hitchhike to the park, only for an orphanage bus to take him away. Now working at a gas station, So-young looks back on a photo of her found family. At the park, an unseen passenger rolls down the window of the hand laundry van. So-young runs in the park to meet Woo-sung. The van, which is shown to have the same photo as the one So-young has, drives off.

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Cast

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Production

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Development

The idea for Broker was initially conceived by Kore-eda while researching the Japanese adoption system for his 2013 film Like Father, Like Son, discovering in the process its similarities with the South Korean adoption system.[16] He learned about Japan's only baby box, a place where people can anonymously leave children, and the criticism surrounding the system in Japan. It can be found all around the world, including South Korea, where it is much more popular in comparison with Japan.[17] After Kore-eda discussed with Song, Bae, Gang making a film together, he decided to combine the two ideas.[16] Kore-eda had previously become acquainted with Song and Gang at various film festivals, while he met Bae on the set of his 2009 film, Air Doll.[5] Kore-eda has described Broker as being a companion piece to his 2018 film Shoplifters, with the two films sharing a thematic interest in social outcasts who come together to form unconventional families.[16]

The film was announced on August 26, 2020, with Song, Bae, and Gang set to star, under the working title reported to be Baby, Box, Broker or simply Broker.[4][5][18][19] Kore-eda originally used Baby, Box, Broker as the goal of the story was to connect the three elements. However, as he was writing the script he settled on Broker because he "realized that [the film] had this structure where it's the detective's side, Soo-jin's side, that ultimately wants the baby to be sold the most. The 'broker' in the film changes as the story unfolds. And I thought by focusing on the word Broker, the title would become very simple and strong. I really liked this structure where the person wanting to sell the baby inverts as the storytelling progresses."[16]

Writing

After meeting with the three South Korean actors, Kore-eda started working on the script.[20] Kore-eda said the first image that came to his mind was "of Song Kang-ho, wearing a priest's outfit and holding a baby, smiling at the baby and then selling the baby."[21][22] After the casting of actress Lee Ji-eun, who is also a renowned singer in South Korea, Kore-eda chose to add a scene where Lee sings a lullaby.[23] Even though he had written an initial draft, Kore-eda struggled with the ending of Broker and he ended up rewriting it many times during the shooting with the help of Song.[16]

Casting

Kore-eda said Song was the South Korean actor he wanted to collaborate with the most and the first person who came to his mind for the role of Sang-hyeon. Gang and Bae came to the director's attention after he saw their performances in Secret Reunion and Air Doll respectively, with the latter being directed by Kore-eda himself.[24] In February 2021, Lee Ji-eun was announced to have joined the cast.[25] Kore-eda chose to cast Lee after having seen numerous Korean dramas while in quarantine, including the 2018 television series My Mister starring Lee, where her performance impressed him.[26] Lee said she accepted because she was looking forward to playing a mother when Kore-eda offered her the role.[23] While preparing for the role, she researched how society views single mothers and the hardships they go through.[27] In March 2021, it was reported that Lee Joo-young had joined the cast.[28] She was picked by Kore-eda after he saw her performance in Itaewon Class and A Quiet Dream.[24]

Filming

Principal photography took place from April 14 to June 22, 2021.[29] The director of photography is Hong Kyung-pyo.[1] Notable filming locations include Pohang, Uljin and Samcheok.[30]

Music

Quick Facts Soundtrack album by Jung Jae-il, Released ...

The score was written by South Korean composer Jung Jae-il. It was digitally released on June 15, 2022.[31]

More information No., Title ...

Songs not featured on the official soundtrack:[a]

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Release

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Cast and director at VIP premiere in June 2022.

In May 2022, prior to the film's Cannes premiere, Neon acquired the US distribution rights.[33] Picturehouse Entertainment acquired the UK and Ireland distribution rights.[34] The film's rights were also pre-sold to Metropolitan Filmexport (France), Gaga Corporation (Japan), Koch Films (Germany and Italy), Triart Film (Scandinavia), September Films (Benelux), Edko Film (Hong Kong and Macao) and Madman Entertainment (Australia and New Zealand).[35] According to CJ E&M, the film has been sold to 171 countries ahead of its premiere in competition at 75th Cannes Film Festival.[36] The number of countries then rose to 188.[37]

Broker was released in Hong Kong and Singapore on June 23 and in Japan on June 24. It was selected as the closing film of the 69th Sydney Film Festival and was screened on June 19.[38] The Canadian premiere was held at the 2022 Toronto International Film Festival in September.[39] It was released in the United States on December 26, 2022.[40] It also was released in France in the same month.[35]

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Reception

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Box office

Broker was released on June 8, 2022, on 1,594 screens.[41] It opened with 146,221 admissions and topped the South Korean box office.[42] The film crossed 1 million cumulative admissions in 11 days of release, by recording 1,040,709 cumulative viewers.[43] It became the first film directed by Kore-eda to surpass 1 million admissions in South Korea.[44]

As of September 10, 2022, it is at 11th place among all the Korean films released in the year 2022 with gross of US$9,672,172 and 1,260,740 admissions.[3] Its largest international market is Japan, with gross of US$4,470,263.[2]

Critical response

Broker was screened at the Lumière Theater, the main theater of the Cannes International Film Festival, on May 26, 2022. After the film finished, there was a standing ovation for 12 minutes.[45] On review aggregator website Rotten Tomatoes, 94% of 149 reviews are positive for the film, with an average rating of 7.60/10. The site's critics consensus reads: "Broker skirts the edges of sentimentality, but is consistently grounded by Kore-eda Hirokazu's warm, tenderly melancholic approach."[46] Metacritic assigned the film a weighted average score of 76 out of 100, based on 20 critics, indicating "generally favorable reviews".[47]

Ella Kemp of IndieWire graded the film as A− and wrote, "The execution of this premise is, somehow, miraculous in its sensitivity, asking questions about issues of ethics, of choice, of money, and murder, and family, and how to find love in all this sorry mess."[48]

Writing for The Hollywood Reporter, David Rooney praised the actors' performances and Kore-eda's direction, saying, "much of this might have been formulaic in less artful hands, but Kore-eda has an unfaltering lightness of touch, a way of injecting emotional veracity and spontaneity into every moment."[1]

Nicholas Barber of the BBC rated the film five stars out of five and called it "one of the year's most delightful films."[49]

Tim Robey of The Telegraph rated the film two stars out of five and stated, "Anaemic and maudlin by turns, this may be the Cannes competition's biggest disappointment."[50]

Accolades

Broker was selected to compete for Palme d'Or and won the Ecumenical Jury Award at the 2022 Cannes Film Festival.[51][52] Song Kang-ho became the first South Korean actor to win Best Actor in the Cannes Film Festival history.[53] The film was selected in CineMasters competition section at Munich Film Festival, where it won the Best International Film award.[54]

More information Award, Date of ceremony ...
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Notes

    1. The songs were listed in the closing credits of the film.
    2. Tess bro refers to the greek philosopher Socrates.

    References

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