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"Bringing Up Buster" is the third episode of the first season of the American television satirical sitcom Arrested Development. It was written by series creator Mitchell Hurwitz and consulting producer Richard Rosenstock, and directed by producer Joe Russo. It originally aired on Fox on November 16, 2003.
| "Bringing Up Buster" | |
|---|---|
| Arrested Development episode | |
| Episode no. | Season 1 Episode 3 |
| Directed by | Joe Russo |
| Written by | Mitchell Hurwitz Richard Rosenstock |
| Cinematography by | James Hawkinson |
| Editing by | Lee Haxall |
| Production code | 1AJD02 |
| Original air date | November 16, 2003 |
| Running time | 22 minutes |
| Guest appearances | |
| |
The series, narrated by Ron Howard, follows the Bluths, a formerly wealthy, dysfunctional family, who made their money from property development. The Bluth family consists of Michael, his twin sister Lindsay, his older brother Gob, his younger brother Buster, their mother Lucille and father George Sr., as well as Michael's son George Michael, and Lindsay and her husband Tobias' daughter Maeby. In the episode, Michael spends a day with Buster, while George Michael auditions for a school play.
In the mid-70s, George Sr. (Jeffrey Tambor) had attempted to market a cornball maker called the "Cornballer", but was unsuccessful, as the machine was made illegal all over the world after multiple people burned themselves while using the device. The Cornballer, however, managed to become popular in Mexico.
In the present, Maeby (Alia Shawkat) auditions for a play at her school, wanting to get closer to her crush, Steve Holt (Justin Grant Wade), who also auditioned. George Michael (Michael Cera), wanting to get closer to his cousin Maeby, also auditioned, but only got the part titled "Stand-in for Steve Holt." Tobias (David Cross), thinking Maeby auditioned so she could be an actress like him, talks to the school and becomes the new stage director, resulting in Meaby quitting the play. After a conversation with Michael (Jason Bateman), Tobias begins to suspect that George Michael has a crush on Steve Holt, which later results in George Michael quitting the play, only to learn Maeby joined the play once again. At the end of the day, George Michael watches as Maeby kisses Steve Holt, unaware Maeby didn't enjoy the kiss.
Because the family funds are frozen, Buster (Tony Hale) has to cancel his yearly summer studies and stays at home with his mother, Lucille (Jessica Walter). She becomes annoyed by his presence and begs Michael to spend time with him. Michael reluctantly agrees and spends the entire day with his brother, though he also finds his presence annoying. At the end of the day, Buster returns with his mom, and Michael and George Michael spend the rest of the day making cornballs on the Cornballer.
On the next Arrested Development...
After reading a negative review about the play, Tobias cries in the shower. Somehow getting on the roof of a building, Buster asks his mom to help get him down.
"Bringing Up Buster" was directed by producer Joe Russo and written by series creator Mitchell Hurwitz and consulting producer Richard Rosenstock.[1] It was Russo's second directing credit, Hurwitz's third writing credit and Rosenstock's first writing credit.[2] It was the second episode of ordered the season to be filmed after the pilot.[3]
Viewers
In the United States, the episode was watched by 5.78 million viewers on its original broadcast. It received a 2.6 percent share among adults between the ages of 18 and 49, meaning that it was seen by 2.6% of all households in that demographic.[4]
Critical reception
The A.V. Club writer Noel Murray praised the episode's main message overall, stating that "A lot of 'Bringing Up Buster' is concerned with the characters’ opinions of each other’s parenting choices, which means a public family squabble suits the theme."[5] Olivia Armstrong from Decider praised the simplicity of the episode, stating that "As far as television writing goes, 'Bringing Up Buster' is as flawless as it gets. Though the subplots become a bit convoluted over the life of the series, this is an episode anyone unfamiliar with Arrested Development can grasp and get to know the dynamics within the Bluth family without having to backtrack."[6] In 2019, Brian Tallerico from Vulture ranked the episode as the twelfth best of the whole series.[7]
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