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American television situation comedy From Wikipedia, the free encyclopedia
Bob is an American sitcom television series created by Bill Steinkellner, Cheri Steinkellner, and Phoef Sutton. It aired on CBS from September 18, 1992, to December 27, 1993, for two seasons. The series was the third starring vehicle sitcom for Bob Newhart, following his previous successful CBS sitcoms The Bob Newhart Show and Newhart.[1]
This article needs additional citations for verification. (June 2013) |
Bob | |
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Genre | Sitcom |
Created by | |
Starring |
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Composer | Lee Holdridge |
Country of origin | United States |
Original language | English |
No. of seasons | 2 |
No. of episodes | 33 (3 unaired) (list of episodes) |
Production | |
Executive producers |
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Camera setup | Multi-camera |
Running time | 30 minutes |
Production companies |
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Original release | |
Network | CBS |
Release | September 18, 1992 – December 27, 1993 |
Newhart portrayed Bob McKay, the creator of the 1950s comic book superhero Mad-Dog. Mad-Dog was a casualty of the Comics Code Authority (CCA), a real-life self-regulation authority formed to assuage concerns over violence and gore in comics in the 1950s. In the wake of the CCA, Bob became a greeting card artist. In the pilot, Mad-Dog is revived when the American-Canadian Trans-Continental Communications Company buys the rights to the series. Complications ensue when Ace Comics head Harlan Stone (John Cygan) insists Mad-Dog should be a bloodthirsty vigilante rather than the hero Bob originally created. Bob initially turns down Harlan's offer to revive the series with the publisher, but after his wife, Kaye (Carlene Watkins), reminds Bob that Mad-Dog would never give up dreams in the face of defeat, he decides to compromise with Harlan on creative direction, and go back to do the revival. In the final episode of the first season, AmCanTranConComCo is sold to a millionaire who hates comic books, and the entire Mad-Dog staff, including Bob, is fired.
During the first season, Bob balances his work life with his personal life. Bob's wife Kaye is loyal and sensible, and a busy career woman herself. Their grown daughter, Trisha (Cynthia Stevenson), frequently bemoans her perpetually single state. At work, Bob has to deal with the more eccentric staff members: klutzy gofer Albie Lutz (Andrew Bilgore); spaced-out cartoon inker Chad Pfefferle (Timothy Fall); and curmudgeonly artist Iris Frankel (Ruth Kobart). Eventually, Bob also hires Trisha onto the Mad-Dog staff, where Chad develops a crush on her; she also moves into an apartment with her best friend, Kathy (Lisa Kudrow), where Albie also joins them temporarily.
When Bob returned in late October 1993, the show was changed completely. All of Bob's co-workers from the previous season disappeared and the show's premise had changed. Sylvia Schmitt (Betty White), the wife of his former boss (who had run off with his dental hygienist), hires Bob as President of Schmitt Greetings. Her son Pete (Jere Burns), the vice-president of Sales who had expected to take over the company and now has to work for Bob, is not happy. Others working at the company are the bookkeeper Chris Szelinski (Megan Cavanagh) and Whitey van der Bunt (Eric Allan Kramer), a member of the production team who adores Bob. Trisha and Kathy remain friends and housemates on a quest for true love.
One character was heard but not seen – Mr. Terhorst (voice of Michael Cumpsty), the president of AmCanTranConComCo who communicates with all his employees anywhere that fiber optics can be installed. Harlan even provides Bob with a cellular phone, which Mr. Terhorst would randomly tap into and begin talking to Bob in his most private, intimate hours. Cryptic yet resourceful, Terhorst is a master mediator in all creative differences in the office, and is determined to make Mad-Dog a cultural phenomenon.
The season one episode "You Can't Win" played upon the series' comic book connection by guest starring comic book artists Bob Kane, Jack Kirby, Mell Lazarus, Jim Lee, Marc Silvestri, Mel Keefer, Paul Power, Art Thibert and Sergio Aragones (co-creator of Groo with "Bob" scripter Mark Evanier.)
No. overall | No. in season | Title | Directed by | Written by | Original air date | Viewers (millions) |
---|---|---|---|---|---|---|
1 | 1 | "Mad Dog Returns" | Andrew D. Weyman | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | September 18, 1992 | 17.0[2] |
2 | 2 | "Drawing a Blank" | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | September 25, 1992 | 17.9[3] |
3 | 3 | "My Daughter, My Fodder" | Michael Zinberg | Don Seigel & Jerry Perzigian | October 2, 1992 | 15.3[4] |
4 | 4 | "Penny for Your Thoughts" | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | October 16, 1992 | 14.4[5] |
5 | 5 | "Terminate Her" | Dick Martin | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | October 23, 1992 | 14.1[6] |
6 | 6 | "P.C. or Not P.C." | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | October 30, 1992 | 12.1[7] |
7 | 7 | "A Streetcar Named Congress-Douglas" | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | November 6, 1992 | 12.7[8] |
8 | 8 | "Unforgiven" | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | November 13, 1992 | 13.0[9] |
9 | 9 | "Mad Dog on 34th Street" | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | November 20, 1992 | 13.3[10] |
10 | 10 | "Stone in Love" | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | December 4, 1992 | 13.6[11] |
11 | 11 | "The Lost Episode" | Michael Zinberg | Tracy Newman & Jonathan Stark | December 11, 1992 | 10.5[12] |
12 | 12 | "A Christmas Story" | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | December 21, 1992 | 20.1[13] |
13 | 13 | "La Sorpresa" | Michael Zinberg | Don Seigel & Jerry Perzigian | January 8, 1993 | 14.0[14] |
14 | 14 | "Bob and Kaye and Jerry and Patty" | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | January 22, 1993 | 11.7[15] |
15 | 15 | "You Can't Win" | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | January 29, 1993 | N/A |
16 | 16 | "Da Game" | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | February 5, 1993 | 14.2[16] |
17 | 17 | "The Man Who Killed Mad Dog" | Michael Zinberg | Mark Evanier | February 12, 1993 | 14.0[17] |
18 | 18 | "The Phantom of AmCanTranConComCo" | Dick Martin | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | March 5, 1993 | 11.9[18] |
19 | 19 | "The Man Who Broke the Bank at Our Lady of Constant Sorrow" | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | March 12, 1993 | 13.3[19] |
20 | 20 | "I'm Getting Re-Married in the Morning" | Michael Zinberg | Cheri Steinkellner & Bill Steinkellner & Phoef Sutton | April 12, 1993 | 16.8[20] |
21 | 21 | "Tell Them Willy Mammoth Is Here" | Michael Zinberg | Don Seigel & Jerry Perzigian | April 19, 1993 | 14.6[21] |
22 | 22 | "Death of an Underwear Salesman" | Michael Zinberg | Tracy Newman & Jonathan Stark | April 26, 1993 | 13.9[22] |
23 | 23 | "The Entertainer" | Michael Zinberg | Tracy Newman & Jonathan Stark | May 3, 1993 | 15.0[23] |
24 | 24 | "Neighborhood Watch" | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | May 10, 1993 | 13.6[24] |
25 | 25 | "Oh Where, Oh Where Has My Mad-Dog Gone?" | Michael Zinberg | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | May 17, 1993 | 18.3[25] |
No. overall | No. in season | Title | Directed by | Written by | Original air date | Viewers (millions) |
---|---|---|---|---|---|---|
26 | 1 | "Greetings" | Hal Cooper | Bill Steinkellner & Cheri Steinkellner & Phoef Sutton | October 22, 1993 | 10.8[26] |
27 | 2 | "For Pete's Sake" | Hal Cooper | Tracy Newman & Jonathan Stark | October 29, 1993 | 10.0[27] |
28 | 3 | "Whose Card Is It Anyway?" | Hal Cooper | Don Seigel & Jerry Perzigian | November 5, 1993 | 7.6[28] |
29 | 4 | "Speechless in Chicago" | Hal Cooper | Tracy Newman & Jonathan Stark | November 12, 1993 | 8.3[29] |
30 | 5 | "Kiss and Sell" | Dick Martin | Tracy Newman & Jonathan Stark | December 27, 1993 | 17.8[30] |
31 | 6 | "Michiana Moon" | Peter Baldwin | Don Seigel & Jerry Perzigian | Unaired | N/A |
32 | 7 | "Have Yourself a Married Little Christmas" | Peter Baldwin | Don Seigel & Jerry Perzigian | Unaired | N/A |
33 | 8 | "Better to Have Loved and Flossed" | Dick Martin | David Lloyd | Unaired | N/A |
In a rarity for TV sitcoms of the time, Bob was filmed with a video assist for the directors and producers to monitor the show during filming.[31] All the artwork in season one was done by storyboard artist Paul Power, who also appears as an extra in most of the comics studio scenes.[31]
The series' theme music was originally a full orchestral piece featuring a heavy horns and woodwinds sound, an arrangement very much in style of the Superman and Batman movies.[citation needed] The opening sequence that accompanied it featured Bob McKay at his artist's desk drawing, inking, then coloring a Mad-Dog comic as the credits appeared. (In reality, inked comic art is not colored directly; the colors are added to the engraving plates before printing) The show's title appeared in a thin, 3-D rendition of Helvetica font in the pilot episode; after, it was redesigned to be a bolder capital font, but with the same yellow base and red shadowing color. The opening credits appeared in a bold comic-style font. In the second season, as part of the show's revamping, a short opening credits sequence, just featuring the title, was used. The theme music also changed to a soft classical tune, featuring a flute.
In addition to the change in Bob's career setting in the second season, the set of Bob and Kaye's house significantly changed as well. There were no references in the scripts to suggest that the McKays had moved, however.
Shortly after the cancellation of Bob, Lisa Kudrow was cast in the role of Phoebe Buffay on the sitcom Friends. Cynthia Stevenson would later be cast by Bob producers Bob and Cheri Steinkellner as one of the leads for their sitcom Hope & Gloria.
Bob was one of four sitcoms CBS assembled on Friday nights in an effort to challenge the dominance of TGIF, the family sitcom block that aired on ABC, in fall 1992. Joining Bob as one of the two new efforts was The Golden Palace, a continuation/spin-off of the NBC hit The Golden Girls that CBS outbid NBC for the broadcast rights.
The lineup was supplemented by two of CBS’ top ten sitcom hits, the long running Designing Women and the moderate hit Major Dad. Although Bob was heavily promoted by TV Guide, which featured it on the cover twice during its freshman season, the entire Friday night lineup underperformed as a whole; none of the sitcoms finished the season in the top 60 in the ratings.
When the season ended, the other three Friday night sitcoms were cancelled and Bob underwent a retooling, saved from the axe by a relocation to Mondays and a subsequent ratings boost. However, the show was moved back to Fridays for the new season and again saw ratings trouble. The series was canceled after a one-off Monday broadcast on December 27. Three remaining episodes finally aired during TV Land reruns in the late 1990s.
As part of the promotion of this series, Marvel Comics published a six-issue "Mad Dog" limited series. The title was presented "flip-book" style, with a Silver Age style story by Ty Templeton on one side and a Modern Age style tale on the other side with work by Evan Dorkin and Gordon Purcell.[32] Dorkin has referred to the series as one of the worst things he has ever written, while Templeton holds his time on the series as one of his favorite professional experiences.[33]
On April 3, 2012, CBS DVD (distributed by Paramount) released Bob: The Complete Series on DVD in Region 1.[34]
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