Bluebird (2004 film)

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Bluebird (2004 film)

Bluebird is a 2004 Dutch television film directed by Mijke de Jong. It is the first in a trilogy of films made by de Jong about young women becoming adults.[1] The film was selected by the Netherlands as its official Foreign Language Film submission for the 78th Academy Awards, but was disqualified by the Academy of Motion Picture Arts and Sciences because it had been shown on television.

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Bluebird
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Written byHelena van der Meulen
Directed byMijke de Jong
StarringElske Rotteveel
Kees Scholten
Elsie de Brauw
Jaap Spijkers
Bright O'Richards
Theme music composerHarry de Wit
Richard Janssen
Country of originNetherlands
Original languageDutch
Production
ProducersHans de Weers
Hans de Wolf
CinematographyGoert Giltay
EditorDorith Vinken
Running time77 minutes
Production companyCoBo Fonds
Original release
Release10 April 2004 (2004-04-10)
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Plot

Merel (Elske Rotteveel) is a 13 year old girl living in Rotterdam and looking after her younger disabled brother. She is successful at school, but hounded by a group of a classmates. As the bullying intensifies, Merel finds it hard to talk about it and her behaviour changes.

Cast

  • Elske Rotteveel as Merel de Leeuw
  • Kees Scholten as Kasper de Leeuw
  • Elsie de Brauw as Mrs. De Leeuw
  • Jaap Spijkers as Mr. De Leeuw
  • Bright O'Richards as Charles
  • Bente de Vries as Julie
  • Floris Heyne as Peer
  • Carmen Otten as Kim
  • Sharai Voet as Cindy
  • Samir Veen as Martijn
  • Ramon Lieshout as Freek

Accolades

Bluebird won a Crystal Bear award at the Berlin International Film Festival.[2] The film was selected by the Netherlands as its official Foreign Language Film submission for the 78th Academy Awards, but was rejected by the Academy of Motion Picture Arts and Sciences because it had been shown on television.[3] The film also won the Youth Jury Award at the Toronto Sprockets International Film Festival for Children and the Grand prix de Montréal at the Montréal International Children’s Film Festival.[4]

In 2008, VPRO rated it as de Jong's best film and stated it demonstrated her skill as a director.[5]

See also

References

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