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1971 studio album by Woody Shaw From Wikipedia, the free encyclopedia
Blackstone Legacy is the debut album by trumpeter Woody Shaw recorded in 1970 and released on the Contemporary label.[1][2]
Blackstone Legacy | ||||
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Studio album by | ||||
Released | 1971 | |||
Recorded | December 8 & 9, 1970 A & R Studios, New York City | |||
Genre | Post-bop, jazz fusion | |||
Length | 78:17 | |||
Label | Contemporary S 7627/8 | |||
Producer | Lester Koenig | |||
Woody Shaw chronology | ||||
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Moved by the highly charged political sensibilities among creative artists during the latter part of the 1960s and early 1970s, Shaw's message for Blackstone Legacy spoke to the social and political ills of his time. In the liner notes to Blackstone Legacy, Shaw states:
In the liner notes on the original LP release, Shaw told writer Nat Hentoff that the album came about when John Koenig, son of Contemporary Records owner Lester Koenig, saw Shaw playing with Joe Henderson at the Lighthouse Café in late September, 1970, while Henderson was recording his album If You're Not Part of the Solution, You're Part of the Problem. John Koenig encouraged his father to see the Henderson band the following evening, which Lester Koenig did. The label head was impressed by Shaw's playing and offered to record Shaw and give him complete creative control over his backing musicians and music. Shaw, who did not have his own band at the time, recruited two members of the Henderson band who played on If You're Not Part of the Solution, pianist George Cables and drummer Lenny White. To complete the group, Shaw chose three musicians who had worked for Miles Davis in the four years preceding the recording: bassist Ron Carter, and reed players Bennie Maupin and Gary Bartz. Show also hired bassist Clint Houston for the sessions, and four of the six tracks on the album feature both Carter and Houston playing bass. Shaw's album was recorded in New York City on December 8–9, about ten weeks after the Henderson band played its Lighthouse Café residency.
Review scores | |
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Source | Rating |
Allmusic | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The Penguin Guide to Jazz Recordings | [5] |
Michael G. Nastos of Allmusic called the album, "Truly a landmark recording, and a pivot point in the history of post-modern music".[3]
All compositions by Woody Shaw except as indicated
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