Beto Quintanilla
Mexican singer (1948–2007) From Wikipedia, the free encyclopedia
Mexican singer (1948–2007) From Wikipedia, the free encyclopedia
Norberto "Beto" Quintanilla Iracheta (May 23, 1948 – March 18, 2007) was a Regional Mexican singer and songwriter. He was known as "El Mero León del Corrido" (The Top Lion of the Corrido)
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Beto Quintanilla | |
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Born | Norberto Quintanilla Iracheta May 23, 1948 General Terán, Nuevo León, Mexico |
Died | March 18, 2007 (age 58) Reynosa, Tamaulipas, Mexico |
Resting place | Panteón Valle De La Paz in Reynosa, Tamaulipas |
Other names |
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Occupation(s) | Singer, songwriter |
Spouse | Blanca Alicia Reyes |
Relatives | Perla Quintanilla (niece) Chuy Quintanilla (brother) |
Beto Quintanilla was originally from General Terán, a small town in Nuevo León. The date of his birth is unknown, but was some time around 1948. As a child, Quintanilla composed poems or odes to his mother, his teacher, his school, and his country. He left school after only a year of secondary education in order to work in fields alongside his father and his five brothers. His extended family also included three male relatives and two women. The farm was not enough to support the entire family and when he was 13 years old, young Beto relocated to Reynosa, Tamaulipas, where he had found a job milking cows. He did this for a year, and then worked with an aunt in a clothing store for several years.
Quintanilla never had any formal musical training. Although he had always written poetry and songs, musical instruments and musical training were scarce, and he knew few musicians. However, at some time during his life on the ranch, he did meet a pair of musicians who played bajo sexto and accordion. He began writing songs for them, and then songs for other groups. Eventually he came to the attention of Ruben Polanco, the artistic director of a record company, and Polanco encouraged him to sing his songs himself. Apparently Quintanilla initially objected that he did not know how to sing and felt out of place when he sang. Polanco told him not to waste time [with excuses], that he (Polanco) wanted to sign artists like Quintanilla, and that he (Quintanilla) had a unique style and presence.
Quintanilla died in Reynosa on March 18, 2007. The cause of death was a heart attack, said to be related to a drug overdose.[1]
Quintanilla recorded mostly narcocorridos, many of which he composed. He recorded more than 20 albums in his lifetime, not including collections of hits. After his death, many of his albums were re-released, and his songs appeared on various collections released by different record companies. Some of these collections have misleading titles: for instance, the album "La Ejecución De Juan" [English: "The Execution of Juan"], released in 2009, apparently does not contain the song "La Ejecución De Juan",[2] which was on the original album, a concept album of the same title. (The album cover shown is another album entirely, making the matter more confusing.) Other posthumous releases or the publicity for them imply that the material on them is new, or even that Quintanilla is still alive. Quintanilla wrote and performed a substantial number of songs, well over 100, but due to all the album releases, some of his songs appear on two, three or four albums, making his discography much larger than the body of work behind it.
In 2006, Beto recorded an album with his look-alike and sound-alike brother, Jesus "Chuy" Quintanilla, called "Frente A Frente" [English: "Face to Face"]. Chuy Quintanilla carried on the family narcocorrido tradition until 2013, when he was murdered near Mission, Texas. Beto's son, Beto Quintanilla Jr., recorded an album of his father's songs, "Homenaje a Mi Padre" [English: "Respects To My Father"] in 2007, soon after his father died.
Beto Quintanilla's famous songs include "El Deportado", "Mi Ultimo Contrabando", "Le Compre La Muerte a Mi Hijo", "Raquenel Villanueva", "El Gordo Paz", "El Sapo", "Los Pilares de la Carcel", "El Calabozo", "La Carga Ladeada", "Un Ratoncito Orejon", and "El Corrido de Los Zetas." These songs remain concert and studio standards for bands that play corridos.
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