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Mythical battle of the Reconquista From Wikipedia, the free encyclopedia
The Battle of Clavijo is a mythical battle, believed for centuries to be historical, which became a popular theme of Spanish traditions regarding the Christian expulsion of the Muslims.[1] Stories about the battle first arose centuries after it allegedly occurred; according to these stories, it was fought near Clavijo between Christians led by Ramiro I of Asturias and Muslims led by the Emir of Córdoba.The Diccionario de historia de España (1968) says: "To a serious historian, the existence of the Battle of Clavijo is not even a topic of discussion."[2]
This article needs attention from an expert in Military history. The specific problem is: Separate the synopsis of the legend from the analysis of it. (April 2024) |
The battle allegedly took place in May 23, 844, during the Reconquista period, in the Campo de la Matanza, near Clavijo, La Rioja, Spain. The Christian forces were led by King Ramiro I of Asturias and General Sancho Fernández de Tejada.
Ramiro's Christian troops, led by Sancho de Tejada, went in search of the Muslims commanded by Abderramán II; but upon reaching Nájera and Albelda they would see themselves surrounded by a large Arab army made up of troops from the peninsula and levies from present-day Morocco, with the Christians having to take refuge in the Clavijo castle in Monte Laturce.
The chronicles say that Ramiro I had a dream in which the apostle Santiago (Saint James) appeared, promising victory. The next day, May 23, 844, the armies of Ramiro I, encouraged by the presence of the warrior apostle mounted on a white steed, faced the Muslim army.
After the victory, in honor of Saint James, Ramiro ordered the construction of the Church of the Blessed Santiago and granted Sancho certain privileges in addition to the surname Tejada in memory of the branch of a yew tree that he used as a weapon when his spear was broken in combat.
On May 25 in the city of Calahorra (the year is not specified), Ramiro dictated the vow of Santiago, committing all Christians of the Peninsula to make a pilgrimage to Santiago de Compostela, bringing offerings in gratitude to the Apostle for his intervention and imposing a mandatory tax on the Church.
With this event, the Apostle became a symbol of the fight against Islam, and since then he was recognized as Santiago Matamoros.
The first chronicle that cites the apparition of Saint James was narrated (around 1243) by Rodrigo Jiménez de Rada, archbishop of Toledo.[3]
In the legend, James, son of Zebedee, an Apostle of Jesus, suddenly appears and leads an outnumbered Christian army to gain its victory. He became the patron saint of Spain and is known to Spaniards as Santiago Matamoros ("the Moor-killer"). Aspects of the historical Battle of Monte Laturce (859) were incorporated into this legend, as Claudio Sánchez-Albornoz demonstrated in 1948.[4]
The legend as it survives was first written down about 400 years after the supposed event on a spurious charter. Another item, a forged grant to the Church of Santiago de Compostela by which Ramiro reportedly surrendered a part of the annual tribute owed him by all the Christians of Spain, also dates from the mid-twelfth century. The history of the cult of Saint James is rich in such frauds.[1] Historian Jean Mitchell-Lanham says, "While this event is based on legend, the supposed battle has provided one of the strongest ideological icons in the Spanish national identity."[5]
According to Manuel Gago Mariño, the sculptures at the base of the Maximilian Staircase of the Santiago de Compostela Cathedral, built by Maximilian of Austria are also related to Clavijo.[6]
Tomás Fernández de Medrano was a descendant of Sancho Fernández de Tejada and became the Mayor, Lord and Devisoro of Valdeosera, an ancient noble institution that has its origins in the reconquista of La Rioja and the Battle of Clavijo.[7]
Saint James' appearance at Clavijo has been a major theme in art. Among those artists who portrayed him there are Aniello Falcone, Paolo da San Leocadio, Evaristo Muñoz, Mateo Pérez, Martin Schongauer, Corrado Giaquinto, and Antonio González Ruiz.
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