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Italian-British librarian (1797–1879) From Wikipedia, the free encyclopedia
Sir Antonio Genesio Maria Panizzi (16 September 1797 – 8 April 1879), better known as Anthony Panizzi, was a naturalised British citizen of Italian birth, and an Italian patriot. He was a librarian, becoming the Principal Librarian (i.e. head) of the British Museum from 1856 to 1866.[1]
Anthony Panizzi | |
---|---|
Born | Antonio Genesio Maria Panizzi 16 September 1797 |
Died | 8 April 1879 81) | (aged
Nationality | Naturalised British of Italian descent |
Alma mater | University of Parma |
Awards | Knight Commander of the Order of the Bath |
Scientific career | |
Fields | Library science |
Institutions | British Museum Library |
Panizzi was born at Brescello in the Duchy of Modena and Reggio (now the province of Reggio Emilia), Italy, on 16 September 1797.[2] He studied at the Lyceum of Reggio, then obtained a degree in law from the University of Parma in 1818. He was appointed as Inspector of Public Schools at Brescello. It was during this time that a charge was brought against Panizzi that he was a Carbonaro, that is, a member of a secret society that opposed the political regime of that time. The evidence would suggest that the accusation was true.[3]
In October 1822, amid political upheaval in Italy, Panizzi was tipped off that he faced arrest and trial as a subversive. The risk was one faced by many Carbonari while Metternich was orchestrating, from Vienna, the repressive policies of puppet regimes in north-eastern and central Italy.[4] Making his way across Italy, Panizzi eventually arrived in Ticino (Switzerland).[5] Here, in 1823, he wrote and published a book decrying the repressive regime and trials against citizens of the Duchy of Modena, Dei Processi e delle Sentenze contra gli imputati di Lesa Maestà e di aderenza alle Sette proscritte negli Stati di Modena.[3] Following the book's publication, he was indicted, tried, and condemned to death in absentia in Modena, and pressure was brought to have him expelled from Switzerland.[2]
In May 1823, Panizzi moved to England, becoming a British subject in 1832. Upon his arrival in London, Italian poet in exile Ugo Foscolo gave him a letter of introduction to Liverpool banker William Roscoe and he moved to that city, where he made a meagre living teaching Italian. In 1826 Panizzi met lawyer and political figure Henry Brougham and helped him in a difficult abduction case; when Brougham became Lord Chancellor of England, he obtained for Panizzi the Professorship of Italian at the newly founded London University (now University College London).[6] He then held the post of "Extra-Assistant-Keeper" at the British Museum Library.[2] Panizzi held a string of posts there: first Assistant Librarian (1831–1837), then Keeper of Printed Books (1837–1856) and finally Principal Librarian (1856–1866). For his extraordinary services as a librarian, in 1869 he was knighted by Queen Victoria, becoming a Knight Commander of the Order of the Bath.[7]
The British Museum library was the national library of the United Kingdom in all but name. During Panizzi's tenure as Keeper of Printed Books its holdings increased from 235,000 to 540,000 volumes, making it the largest library in the world at the time. Its famous circular Reading Room was designed and built by architect Sydney Smirke from a sketch drawn by Panizzi. The new reading room opened in 1857. The British Museum library formed the bulk of what became the British Library in 1973 and the "Round" Reading Room was in use until 1997 when the Library moved to its current site at St. Pancras.
During his tenure at the Library, Panizzi was embroiled in many controversies. His appointment as Keeper of Printed Books was met with criticism due to Panizzi's Italian origin: some felt an Englishman should be in charge of the national institution. Other sources state it was because he had been "seen in the streets of London selling white mice."[8]
Panizzi also had a long-term dispute with historian Thomas Carlyle. While Carlyle worked on his history of the French Revolution, he had complained in a magazine article that "a certain sub-librarian" had not been very helpful to him, restricting access to uncatalogued documents held by the British Museum. Panizzi never forgot the slight and when Carlyle, now working on the biography of Cromwell, requested the use of a private room at the library for his researches, the request was denied. Despite high-level complaints, Carlyle lost the argument; and he and his supporters opened their own independent subscription library, the London Library.
In 1835-1836 Panizzi recognized that the new Select Committee of the House of Commons on the British Museum would be seeking accountability as to procedures. To prepare with comparative data he visited the main libraries of Western Europe, Italy and the Austrian Empire.[9]
While at the library, Panizzi undertook the creation of a new catalogue, based on the "Ninety-One Cataloguing Rules" (1841)[10] which he devised with his assistants.[11][12] These rules served as the basis for all subsequent catalogue rules of the 19th and 20th centuries. [13][14] They are at the origins of the ISBD and of digital cataloguing elements such as Dublin Core.[citation needed] Panizzi had to give up his concept of "corporate main entry" to have his 91 Rules code approved. Panizzi's idea of corporate authorship later came to public attention through Charles C. Jewett's code for the catalog of the Smithsonian Institution in 1850.[8]
Panizzi was also influential in enforcing the Copyright Act of 1842, which required British publishers to deposit with the library a copy of every book printed in Britain.
Panizzi was a strong advocate of free and equal access to learning, evident in the quote below:
I want a poor student to have the same means of indulging his learned curiosity, of following his rational pursuits, of consulting the same authorities, of fathoming the most intricate inquiry as the richest man in the kingdom, as far as books go, and I contend that the Government is bound to give him the most liberal and unlimited assistance in this respect.[15]
Panizzi is credited with the invention of the "Panizzi pin", a shelf-support pin which prevents wooden shelves from "wobbling".[16]
Panizzi was a personal friend of British Prime ministers Lord Palmerston and William Ewart Gladstone, conducted an active correspondence with Sardinian, and later Italian Prime Minister Count Camillo Benso di Cavour, and through French archaeologist and writer Prosper Mérimée, was well acquainted with French Emperor Napoleon III and Empress Eugénie. In 1844, Panizzi also assisted Giuseppe Mazzini, then in exile in London, by publishing an influential article denouncing the practice ordered by the Home Secretary of ordering Mazzini's private letters opened by the Post Office and giving copies of their contents to the Austrian Embassy. He also orchestrated a visit of Giuseppe Garibaldi to England, and convinced Gladstone to travel to Naples to view personally the inhumane conditions in which political prisoners were kept. When his efforts to have these prisoners released failed, he raised money to buy a ship and mounted an expedition to rescue the prisoners from the island fortress of Santo Stefano in the Gulf of Gaeta. Unfortunately, the ship sank in a storm shortly after leaving England. In 1859, the prisoners were released by Neapolitan King Ferdinand II of the Two Sicilies and put on a ship bound for New York. Panizzi helped to ensure that the ship made port in England instead, where the former prisoners received asylum and were assured support.
In addition to his English knighthood, Panizzi was given an honorary degree by Oxford University, the Légion d'Honneur from France, various chivalric honours from the Italian Government and Crown, and in 1868 was appointed as a senator in the Italian Parliament. He never took his seat there.
Panizzi died in London on 8 April 1879 and was buried in the Kensal Green Catholic Cemetery, not far from the resting places of William Makepeace Thackeray and Anthony Trollope.
Panizzi also prepared and published editions of Matteo Maria Boiardo's Orlando Innamorato and Ludovico Ariosto's Orlando Furioso.
The Panizzi Lectures are an annual series of bibliography lectures, hosted by the British Library since 1985. There is also a staff meeting room at the British Library called the Panizzi Room in his honour.
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