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Annette van Dyck-Hemming (born in 1965) is a German musicologist.[1][2]
Possibly born in Wesel, from 1984 to 1993, Dyck-Hemming studied musicology, catholic church history and old German studies at the University of Bochum.[1] She completed this study with a master's degree.[1] From 1996 to 1998, Dyck-Hemming completed further training as CBT software developer.[1][3] Von 1999 bis 2002 promovierte sie an der University of Bonn and finished the dissertation with Diskurse zur Musik Elliott Carters.[1]
From 1998 to 2000, Dyck-Hemming worked as a freelance lecturer in the field of IT and multimedia.[1] From 2002 to 2012 she worked as project coordinator, editor and author in the context of updating the Riemann Musiklexikon.[1] Since 2014, Dyck-Hemming has been a research assistant at the Max-Planck-Institut für empirische Ästhetik in Frankfurt.[1]
Dyck-Hemming's main research interests include the history of musicology, music historiography, music sociology and music aesthetics.[1] She participates in the MPI project "Geschichte der deutschsprachigen Musikwissenschaft".[1]
- Beiträge zur Jahrestagung der Gesellschaft für Musikforschung in Kassel 2017 : Das Populäre in der Musik und das Musikverlagswesen][4] (2019)
- Vom Datum zum historischen Zusammenhang : Möglichkeiten und Grenzen einer fachgeschichtlichen Datenbank.[5]
- Diskurse zur "Musik Elliott Carters" : Versuch einer dekonstruktiven Hermeneutik "Moderner Musik".[6]
- Max-Planck-Institut für empirische Ästheitk. "Vita Annette van Dyck-Hemming" (in German). Retrieved 29 July 2020.
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