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Annette Kelm (born 1975 in Stuttgart, Germany) is a German contemporary artist and photographer who is particularly known as a conceptual artist. Kelm uses medium or large format cameras in her work, creating still life and portraits.[1] She favours using analog photography methods in her work.[2][3]
Kelm graduated from the Hochschule für bildende Künst in Hamburg in 2000, after which she moved to Berlin.[1] She was awarded the Camera Austria Award for Contemporary Photography by the City of Graz in 2015.[4]
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Kelm explores ideas through "baffling narratives" which use typology, patterns and the intersection of design and technology.[5] Her work has been inspired by traditional photography genres such as the still life, landscapes and portraits.[6] The New York Times describes her work as playing with "watered-down semiotics."[7]
- MoMA PS1 (The Gold Standard,[8] 10/29/2006 - 01/15/2007)
- CCA Wattis Institute for Contemporary Art in San Francisco (PASSENGERS: 1.6 ANNETTE KELM,[9] 02/06/2008 - 03/01/2008)
- Kunsthalle Zürich (Annette Kelm,[10] 01/24/2009 - 04/26/2009)
- 54th Venice Biennale[11] (06/04/2011 - 11/27/2011)
- Museum of Modern Art (New Photography 2013,[12] 09/14/2013 - 01/06/2014)
- Whitney Museum of American Art (Collected by Thea Westreich Wagner and Ethan Wagner,[13] 11/20/2015 - 03/06/2016)
- VOX Centre de l'image contemporaine, Montreal, Quebec, Canada (Annette Kelm, 05/11/2016 - 06/25/2016)[14]
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Annette Kelm's work has been collected by the Centre Pompidou, Paris, the Guggenheim Museum, New York, the Kunstmuseum Stuttgart, Germany, and the Museum of Contemporary Art, Los Angeles.
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