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Chilean-born artist, architect, photographer and filmmaker From Wikipedia, the free encyclopedia
Alfredo Jaar (English: /dʒɑːr/;[2] Spanish: [ˈɟʝaɾ]; born 1956) is a Chilean-born artist, architect, photographer and filmmaker who lives in New York City. He is mostly known as an installation artist, often incorporating photography and covering socio-political issues and war—the best known perhaps being the 6-year-long The Rwanda Project about the 1994 Rwandan genocide. He has also made numerous public intervention works, like The Skoghall Konsthall one-day paper museum in Sweden, an early electronic billboard intervention A Logo For America, and The Cloud, a performance project on both sides of the Mexico-USA border. He has been featured on Art:21.[3] He won the Hasselblad Award for 2020.
Alfredo Jaar | |
|---|---|
.jpg) Jaar in 2009 | |
| Born | 1956 (age 67–68) Santiago de Chile, Chile |
| Known for | Conceptual art, Installation art |
| Notable work | The Rwanda Project, The Skoghall Konsthall, Studies on Happiness[1] |
| Awards | Guggenheim Fellowship (1985), National Prize for Plastic Arts (Chile) (2013), Hasselblad Award (2020) |
| Website | www |
He is the father of musician and composer Nicolas Jaar.
Jaar was born in 1956 in Santiago de Chile. From age 5 to 16, he lived in Martinique before moving back to Chile.[4] In 1982, he moved permanently to New York City.[5]
Jaar art is usually politically motivated, with strategies of representation of real events, the faces of war or the globalized world, and sometimes with a certain level of viewer participation (in the case of many public interventions and performances).
"There's this huge gap between reality and its possible representations. And that gap is impossible to close. So as artists, we must try different strategies for representation. [...] [A] process of identification is fundamental to create empathy, to create solidarity, to create intellectual involvement."[6]
His work has been shown extensively around the world, notably in the Biennales of Venice (1986, 2007), São Paulo (1987, 1989, 2010, 2021), Istanbul (1995), Kwangju (1995, 2000), Johannesburg (1997), Seville (2006), the Whitney Biennial (2022), and Every Sound Is a Shape of Time, Pérez Art Museum Miami (2024).[7]
His work, Park of the Laments was part of the Virginia B. Fairbanks Art & Nature Park: 100 Acres which opened in 2010 at the Indianapolis Museum of Art.[8] For the "Revolution vs Revolution" exhibition held at the Beirut Art Center, he produced a new version of his photographic project 1968.[9]
Important individual exhibitions include the New Museum of Contemporary Art, New York (1992); Whitechapel Gallery, London (1992); Museum of Contemporary Art, Chicago (1992); Moderna Museet, Stockholm (1994); Museum of Contemporary Art of Rome (2005); Fundación Telefónica, Santiago (2006); Musée des Beaux Arts, Lausanne (2007); the South London Gallery in 2008.;[10][11] and Yorkshire Sculpture Park, Wakefield UK (2018).[12]
Jaar represented Chile at the 2013 Venice Biennale.[13]
One of his two solo exhibitions was shown in Hong Kong as part of the "Hong Kong's Migrant Domestic Workers Project" at Para Site in the exhibition "Afterwork." Hundreds of thousands of Vietnamese boat people sought refuge in British Hong Kong after the Vietnam War ended in the late 1970s and continued until the early 1990s.[14]
In 2022, Jaar presented a major video installation titled 06.01.2020 at the Whitney Biennial, New York, commenting on the Black Lives Matter protests in 2020 in Washington DC.[15]
His work can found in the permanent collections of art museums around the Americas, Europe, and Asia, such as the Pérez Art Museum Miami,[16] Centre Georges Pompidou, and the Museum of Modern Art, New York, among others.[17]
Alfredo's son Nicolas Jaar is a musician and composer.
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