Loading AI tools
French illustrator From Wikipedia, the free encyclopedia
Albert Robida (14 May 1848 – 11 October 1926) was a French illustrator, etcher, lithographer, caricaturist, and novelist. He edited and published La Caricature magazine for 12 years. Through the 1880s, he wrote an acclaimed trilogy of futuristic novels. In the 1900s he created 520 illustrations for Pierre Giffard's weekly serial La Guerre Infernale.
Albert Robida | |
---|---|
![]() Robida c.1894 | |
Born | 14 May 1848 Compiègne, France |
Died | 11 October 1926 (aged 78) Neuilly-Sur-Seine, France |
Occupation | Writer, illustrator, etcher, lithographer, caricaturist, novelist, publisher |
Nationality | French |
Genre | Children's Books, Graphic novels |
He was born in Compiègne, France, the son of a carpenter. He studied to become a notary, but was more interested in caricature. In 1866 he joined Journal amusant as an illustrator. In 1880, with Georges Decaux, he founded his own magazine La Caricature, which he edited for 12 years. He illustrated tourist guides, works of popular history, and literary classics. His fame disappeared after World War I.
Robida and his wife Marguerite (née Noiret) had seven children, three of which made contributions to the arts. His elder son Camille became a well-known architect. His youngest son, Henry, had been tabbed to serve as consulting architect to the government of Siam (today Thailand), but his life was cut short by World War I. Daughter Émilie was also an illustrator. In addition to several collaborations with her father, she was published in periodicals such as Le Journal pour tous and La Poupée modèle. Another son, Frédéric, was a president of the Touring Club de France.[1]
École primaire Albert Robida, a school in his native Compiègne, is named in his honor.[2]
Albert Robida was rediscovered thanks to his trilogy of futuristic works:
These works drew comparison with Jules Verne. Unlike Verne, he proposed inventions integrated into everyday life, not creations of mad scientists, and he imagined the social developments that arose from them, often with accuracy: social advancement of women, mass tourism, pollution, etc. His La Guerre au vingtième siècle describes modern warfare, with robotic missiles and poison gas. His Téléphonoscope was a flat screen television display that delivered the latest news 24-hours a day, the latest plays, courses, and teleconferences.
Robida illustrated two works by Pierre Giffard: