Akash Banerjee

Indian YouTuber and journalist From Wikipedia, the free encyclopedia

Akash Banerjee

Akash Banerjee (born 31 March 1980) is an Indian YouTuber, journalist, radio jockey and political satirist. He is known for his YouTube channel "The Deshbhakt" a satirical show focusing on social, political and environmental issues and his caricature "Bhakt Banerjee". As of September 2024, he has over 4 million regular viewers and over 5 million subscribers,[2] with The Washington Post calling Deshbhakt "one of the biggest YouTube channels in India".[3]

Quick Facts Born, Nationality ...
Akash Banerjee
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Born (1980-03-31) 31 March 1980 (age 45)
NationalityIndian
Alma mater
Occupations
  • Journalist
  • Radio jockey
  • YouTuber
  • Political satirist
Years active2002–present
Known forCaricature Bhakt Banerji
YouTube information
Channel
Genres
  • Politics
  • Satire
  • Interviews
Subscribers5.22 million[1]
Views855 million[1]
Silver Play Button100,000 subscribers
Gold Play Button1,000,000 subscribers

Last updated: 8 December 2024
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Career

Initially working in Radio Mirchi and Times Now, Banerjee started working in India Today as a senior correspondent covering stories like the 2008 Mumbai terror attacks and the Naxal insurgency. Disillusioned by TV journalism he moved back to Radio Mirchi where he worked till 2018.[4]

While working in radio; Banerjee was inspired to start his YouTube channel as a satirical show mixing humour with political commentary.[5] One of Banarjee's popular caricatures is Bhakt Banarjee who is portrayed as a fervid supporter of the BJP government and often berates the opposition and people critical of the government.[6] Bhakt Banarjee is often seen interviewing journalists like Ravish Kumar, politicians and other YouTubers like Dhruv Rathee.[7][8]

He has also authored the book "Tales from Shining India and Sinking India" in 2013 about events that took place in recent India and the inner-workings of broadcast television in India.[9] In a review, the Sunday Guardian described it as "lacking substance" and "self-aggrandizement",[10] while Rekhta described it as a "realistic and detailed account on how broadcast media works in the country".[11]

Bibliography

  • Tales from Shining India and Sinking India (2013)[12]

See also

References

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