Adebar

Adebar
Adebar
Directed by	Peter Kubelka
Release date	1957;
Running time	2 minutes
Country	Austria

Adebar is a 1957 Austrian avant-garde short film directed by Peter Kubelka. It is the first entry in Kubelka's trilogy of metrical films, followed by Schwechater and Arnulf Rainer. Adebar is the first film to be edited entirely according to a mathematical rhythmic strategy.^[1]

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Adebar uses footage from only eight unique shots that show dancing silhouettes, arranged in 16 rigidly structured sequences. Each sequence spans 104 film frames and consists of four shots lasting 13, 26, or 52 frames.^[1] The shots always alternate between positive and negative images. Some freeze on the first or last frame of the shot.^[2] The film's soundtrack is a 26-frame loop of Pygmy music.^[1]

Kubelka was commissioned to create a commercial for Café Adebar, a dance bar in Vienna. He filmed dancers against a white wall, using extreme backlighting to create silhouettes.^[3] Compared to the production of his first film Mosaik im Vertauen, Kubelka was less concerned with composition during production. He waited until after filming and selected images that fit what he wanted for use in Adebar.^[4]

Upon Adebar's completion, Café Adebar rejected it as an advertisement.^[2] The film was screened at the second Knokke-Le-Zoute Experimental Film Festival [fr] in April 1958.^[5] Kubelka also exhibited it at the European Forum Alpbach. The film strip had ripped in a projector, so he turned it into a sculpture by cutting it and attaching it to haystack posts so that viewers could examine it and cut off pieces.^[6] Adebar is now part of Anthology Film Archives' Essential Cinema Repertory collection.^[7]

[1]
Tscherkassky, Peter (2012). "The World According to Kubelka". In Tscherkassky, Peter (ed.). Film Unframed: A History of Austrian Avant-garde Cinema. FilmmuseumSynemaPublikation. pp. 65–75. ISBN 978-3-901644-42-9.
[2]
Pinto Simon, Elena (April 1972). "The Films of Peter Kubelka". Artforum. Vol. 10, no. 8. p. 35. Retrieved 23 May 2022.
[3]
Sitney, P. Adams (1974). Visionary Film: The American Avant-Garde, 1943–2000. Oxford University Press. ISBN 978-0-19-514886-2.
[4]
MacDonald, Scott (2004). "His African Journey: An Interview with Peter Kubelka". Film Quarterly. 57 (3): 3–12. doi:10.1525/fq.2004.57.3.2.
[5]
"Program". Film Culture. Vol. 46. October 1968. p. 13.
[6]
Wirth, Maria (2015). Ein Fenster zur Welt: Das Europäische Forum Alpbach 1945–2015 [A Window to the World: The European Forum Alpbach 1945–2015] (in German). StudienVerlag. pp. 87–88. ISBN 978-3-7065-5481-7.
[7]
"Essential Cinema". Anthology Film Archives. Retrieved 23 May 2022.

Adebar at IMDb

[tscherkassky-1] [1]
Tscherkassky, Peter (2012). "The World According to Kubelka". In Tscherkassky, Peter (ed.). Film Unframed: A History of Austrian Avant-garde Cinema. FilmmuseumSynemaPublikation. pp. 65–75. ISBN 978-3-901644-42-9.

[pinto-simon-artforum-2] [2]
Pinto Simon, Elena (April 1972). "The Films of Peter Kubelka". Artforum. Vol. 10, no. 8. p. 35. Retrieved 23 May 2022.

[3] [3]
Sitney, P. Adams (1974). Visionary Film: The American Avant-Garde, 1943–2000. Oxford University Press. ISBN 978-0-19-514886-2.

[4] [4]
MacDonald, Scott (2004). "His African Journey: An Interview with Peter Kubelka". Film Quarterly. 57 (3): 3–12. doi:10.1525/fq.2004.57.3.2.

[5] [5]
"Program". Film Culture. Vol. 46. October 1968. p. 13.

[6] [6]
Wirth, Maria (2015). Ein Fenster zur Welt: Das Europäische Forum Alpbach 1945–2015 [A Window to the World: The European Forum Alpbach 1945–2015] (in German). StudienVerlag. pp. 87–88. ISBN 978-3-7065-5481-7.

[7] [7]
"Essential Cinema". Anthology Film Archives. Retrieved 23 May 2022.

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Adebar

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