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2008 animated short film directed by Nick Park From Wikipedia, the free encyclopedia
Wallace and Gromit: A Matter of Loaf and Death is a 2008 British stop-motion animated short film produced by Aardman Animations and created by Nick Park. It is the fourth short to star his characters Wallace and Gromit,[2] the first one since A Close Shave in 1995.[3]
A Matter of Loaf and Death | |
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![]() North American DVD cover art | |
Genre | Black comedy Mystery Romance |
Created by | Nick Park |
Based on | Wallace and Gromit by Nick Park |
Screenplay by | Nick Park Bob Baker |
Directed by | Nick Park |
Starring | Peter Sallis Ben Whitehead Sally Lindsay |
Composer | Julian Nott |
Country of origin | United Kingdom |
Original language | English |
Production | |
Executive producers | Peter Lord David Sproxton Bob Baker Miles Bullough Nick Park |
Producer | Steve Pegram |
Cinematography | Dave Alex Riddett |
Editor | David McCormick |
Running time | 29 minutes |
Production company | Aardman Animations |
Budget | £3 million |
Original release | |
Network | ABC1 |
Release | 3 December 2008[1] |
Network | BBC One |
Release | 25 December 2008 |
Related | |
A Matter of Loaf and Death is a murder mystery, including a serial killer murdering bakers. Wallace and Gromit operate a bakery business, during which Gromit tries to solve the case before Wallace himself ends up as the killer's latest and final victim.[4] It was the last Wallace and Gromit film before the retirement of Wallace's voice actor Peter Sallis in 2010 preceding his death in 2017. The short was also one of the most watched television specials in the United Kingdom in 2008 and received critical acclaim. It received an Academy Award nomination for Best Animated Short Film at the 82nd Academy Awards, and won a BAFTA and an Annie Award for Best Short Animation and Best Animated Short Subject respectively in 2009.
A serial killer has murdered a total of twelve bakers, the latest being Baker Bob. While on a delivery for their bakery business, Wallace and Gromit save Piella Bakewell, a former pin-up girl for the Bake-O-Lite bread company, and her nervous poodle Fluffles, when the brakes on her bicycle fail. Gromit finds there is no problem with the brakes, but Wallace is smitten. He and Piella begin a whirlwind romance and Gromit is angered when she redecorates their house and his room. Fluffles and Gromit share a sensitive moment when she returns Gromit's possessions, discarded by Piella, before the latter calls for her to go.
Wallace sends Gromit to return Piella's forgotten purse. At Piella's mansion, Gromit discovers numbered mannequins representing each of the murdered bakers and an album containing photographs showing Piella in relationships with each one; it is revealed that she detests bakers after her weight gain ended her career as the Bake-O-Lite Girl and now plots to make Wallace her thirteenth victim, completing a baker's dozen. In the morning, when Gromit tries to show Wallace the evidence, the latter is too distracted with his engagement to Piella to listen and she surreptitiously disposes of the album to ensure that Wallace remains oblivious to her plot.
Determined to protect his owner, Gromit installs security measures in their home, including a metal-detecting security screener. After Piella tricks Wallace into thinking that Gromit bit her, Wallace makes him do dishwashing while muzzled and restrained as a punishment. Gromit then watches helplessly as Piella prepares to push Wallace to his death into the grinder, but he is saved when Piella is struck by a swinging bag of flour. After an angry outburst that nearly exposes her true nature, Piella leaves but later drops by to apologize with a cake. Gromit, upon hearing Fluffles is ill, follows her home, where Piella captures him and detains him in a storeroom with Fluffles.
Escaping in Piella's old Bake-O-Lite hot air balloon, Gromit and Fluffles arrive at Wallace's house as he lights the candle. After a struggle, the cake falls, revealing it to be a bomb. The duo are then intercepted by Piella, but before she is about to dispatch Wallace with a wrench, she is attacked by a fed-up Fluffles operating their forklift. In the chaos, the bomb ends up in Wallace's trousers; Gromit and Fluffles neutralize the explosion by filling the trousers with dough while Piella leaps onto her balloon to escape, vowing to continue her assault against Wallace. However, Piella's weight lowers the balloon into the local zoo's crocodile enclosure where she is devoured off screen. Distraught over her owner's death, even though she is offered to stay with the duo, Fluffles decides to leave, leaving Gromit devastated. Wallace and Gromit soon decide to take their mind off of everything with a delivery. Outside, they find Fluffles, who had changed her mind, and Gromit opens the door for her and she joins them as they happily start their delivery.
In October 2007, it was announced that Wallace and Gromit were to return to television after an absence of ten years with a new short film titled Wallace and Gromit: Trouble At' Mill.[5][6] Filming began in January 2008; creator Nick Park commented that the production period for the short was significantly quicker than that of the feature-length films Chicken Run and The Curse of the Were-Rabbit, which each took five years to complete.[3][7] A Matter of Loaf and Death was the first Aardman film to be made using the software Stop-Motion Pro. Five models were created for Gromit alone, with scenes being shot simultaneously on thirteen sets.[8]
Commenting on the fact that the short would be made directly for a British audience, Nick Park said: "I don't feel like I'm making a film for a kid in some suburb of America — and being told they're not going to understand a joke, or a northern saying."[3] Regardless, Park changed the title from Trouble at Mill as he thought it was too obscure a Northern England colloquialism. As well as a final title that references A Matter of Life and Death, the film also references Batman, Aliens and Ghost.[9]
Park said in an interview with the Radio Times, "The BBC hardly gave a single note or instruction on the whole thing", and Park goes on to remark how it was better than his previous work with DreamWorks, Curse of the Were-Rabbit, where they kept on receiving calls to change critical things.[8]
Park cast Sally Lindsay after hearing her on the Radcliffe and Maconie Show on BBC Radio 2 whilst driving from Preston.[10] Although unfamiliar with her role as Shelly Unwin in Coronation Street, Park said "Sally has a lot of fun in her voice, flamboyant almost, and I was also looking for someone who could be quite charming too, but with a slightly posh northern accent. Piella needed to at times sound well to do, and then at others sound quite gritty".[10]
The short had its debut in Australia, on the Australian Broadcasting Corporation's ABC1 on 3 December 2008, and was repeated again the following day on ABC2.[1]
In the United Kingdom, it debuted on Christmas Day at 20:30 on BBC One with over 14 million people watching, although it had been readily available on The Pirate Bay since 3 December 2008.[9][11] On 19 December 2008, Aardman Animations revealed they had "no idea" of how clips were leaked onto YouTube, ahead of its screening in the United Kingdom.[12]
In France, A Matter of Loaf and Death (Sacré pétrin in French) was shown – dubbed into French – on Christmas Eve 2008, on M6. In Germany, one version, entitled Auf Leben und Brot was broadcast on the Super RTL network, the title is a play on Auf Leben und Tod meaning a matter of life and death.
In a similar style to A Close Shave, Wallace and Gromit became the theme for BBC One's Christmas idents for 2008, to promote the showing of A Matter of Loaf and Death.[13][14] These idents led Russell T Davies to request similar idents for Doctor Who the following year.[15]
The programme was watched by the most viewers of any programme on Christmas Day 2008 in the United Kingdom and secured the largest Christmas Day audience in five years. It was also the most watched programme in the United Kingdom in 2008,[16] with a peak average audience of 14.4 million.[17] The programme had a share of 53.3%, peaking with 58.1% and 15.88 million at the end of the programme.[18]
The repeat showing on New Year's Day 2009 even managed 7.2 million, beating ITV's Emmerdale in the ratings.[citation needed] The short was shown on British television for the third time on Good Friday 2009, pulling in 3.4 million viewers. In BARB's official ratings published on 8 January 2009, it showed that A Matter of Loaf and Death had 16.15 million, making it the highest rated programme of 2008, and the highest rated non-sporting event in the United Kingdom since 2004, when an episode of Coronation Street garnered 16.3 million.
A positive review came from USA Today, which gave the film four stars.[19]
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