The year 1608 in music involved some significant events and new musical works.
Quick Facts List of years in music (table) ...
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- Giovanni Francesco Anerio – Second book of madrigals for five and six voices (Venice: Giacomo Vincenti)
- Costanzo Antegnati – L'Antegnata, Op. 16 (Venice: Angelo Gardano e fratelli), a collection of intabulated ricercars for the organ
- Adriano Banchieri – Festino nella sera del giovedi grasso avanti cena, Op. 18 (Venice: Ricciardo Amadino), a madrigal comedy
- Giulio Belli – Missae sacrae for four, five, six, and eight voices with continuo (Venice: Angelo Gardano e fratelli)
- Antonio Cifra – Second book of madrigals for five voices (Venice: Giacomo Vincenti)
- Christoph Demantius – Conviviorum deliciae for six voices and instruments (Nuremberg: Balthasar Scherff for David Kauffmann), a collection of dance music
- Juan Esquivel Barahona
- First book of masses (Salamanca: Arti Taberniel)
- Motecta festorum et dominicarum cum communi sanctorum for four, five, six, and eight voices (Salamanca: Arti Taberniel)
- Melchior Franck
- Geistliche Gesäng und Melodeyen (Sacred Songs and Melodies) for five, six, and eight voices (Coburg: Justus Hauck), mostly setting texts from the Song of Songs
- Neue Musicalische Intraden for various instruments but especially violas, in six parts (Nuremberg: David Kauffmann)
- Cantica gratulatoria for five voices (Coburg: Kaspar Bertsch), a wedding song
- Der CXXI. Psalm for five voices (Coburg: Kaspar Bertsch), a setting of Psalm 121
- Neues Echo for eight voices (Coburg: Justus Hauck)
- Dialogus metricus for seven voices (Coburg: Justus Hauck), a Christmas motet
- Girolamo Frescobaldi
- Il primo libro de' madrigali
- Primo libro delle fantasie
- Marco da Gagliano – Fifth book of madrigals for five voices (Venice: Angelo Gardano e fratelli)
- Bartholomäus Gesius – Dictum ex Psalmo XXXIIII. De excubiis et custodia Angelorum for six voices (Frankfurt an der Oder: Friedrich Hartmann), a wedding motet
- Gioseffo Guami – Second book of motets for choir and instruments (Milan: heirs of Agostino Tradate)
- Pierre Guédron – Airs de cours for four and five voices (Paris: Pierre Ballard)
- Cesario Gussago – Sonatas for four, six, and eight (Venice: Ricciardo Amadino)
- Hans Leo Hassler – Kirchengesäng for four voices (Nuremberg: Paul Kauffmann), a collection of sacred songs
- Sigismondo d'India – First book of villanelle alla napolitana for three voices (Naples: Giovanni Giacomo Carlino & Costantino Vitale)
- Robert Jones – Ultimum vale, with a triplicity of musicke...
- Claude Le Jeune
- Second book of 50 psalms for three voices (Paris: Pierre Ballard), published posthumously
- Airs for three, four, five, and six voices (Paris: Pierre Ballard), published posthumously
- Second book of airs for three, four, five, and six voices (Paris: Pierre Ballard), published posthumously
- Claudio Merulo – Third book of ricercari da cantare for four voices (Venice: Angelo Gardano & fratelli), published posthumously
- Pomponio Nenna – Seventh book of madrigals for five voices (Naples: Giovanni Battista Sotile)
- Asprilio Pacelli – Sacrae cantiones, book 1 (Venice, Angelo Gardano e fratelli)
- Franciscus Pappus – Sacrae cantiones, book 1 (Milan: Simon Tini & Filippo Lomazzo)
- Vincenzo Passerini – Second book of madrigals for five voices (Venice: Ricciardo Amadino)
- Orfeo Vecchi – Cantiones sacrae for five voices (Antwerp: Pierre Phalèse), published posthumously
- Thomas Weelkes – Ayeres Or Phantasticke Spirites for three voices
Chambers, E. K. The Elizabethan Stage. 4 Volumes, Oxford, Clarendon Press, 1923.
Paolo Fabbri Monteverdi, translated by Tim Carter (Cambridge University Press, 1994) p.99