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Z213: Exit
2009 novel by Dimitris Lyacos / From Wikipedia, the free encyclopedia
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Z213: Exit is a 2009-2018 novel by Greek author Dimitris Lyacos. It is the first installment of the Poena Damni trilogy. Despite being the first of the trilogy in narrative order, the book was the third to be published in the series.[1] The work develops as a sequence of fragmented diary entries[2] recording the solitary experiences of an unnamed, Ulysses-like persona[3] in the course of a train voyage gradually transformed into an inner exploration of the boundaries between self and reality. The voyage is also akin to the experience of a religious quest with a variety of biblical references, mostly from the Old Testament,[4] being embedded into the text which is often fractured and foregoing punctuation.[5][3] Most critics place Z213: Exit in a postmodern context exploring correlations with such writers as Samuel Beckett[6] and Cormac McCarthy[6][3][7] while others underline its modernist affinities[8] and the work's firm foundation on classical and religious texts.[9]
![]() Z213: EXIT, Front Cover of Second Edition | |
Author | Dimitris Lyacos |
---|---|
Original title | Ζ213: ΕΞΟΔΟΣ |
Translator | Shorsha Sullivan |
Cover artist | Dominik Ziller |
Language | Greek |
Series | Poena Damni |
Genre | World Literature, Postmodernism |
Publisher | Shoestring Press |
Publication date | 2009-2018 (2009 First Edition, Greek) |
Publication place | Greece |
Published in English | 2010 (First Edition) |
Pages | 101 (First Edition)/152 (Second Edition) |
ISBN | 9781910323625 |
Preceded by | Until the Victim Becomes our Own |
Followed by | With the People from the Bridge |
Z213: Exit is difficult to classify by genre, and is simultaneously a novella, a poem, and a journal. In contradistinction to "factual report" works such as If This Is a Man by Primo Levi, the work adopts a mode of oneiric realism whereby horror is forced beneath the surface of consciousness only to emerge again in new and increasingly nightmarish forms. Oblique references to tragedies of recent human history are apparent,[10] although, ample Biblical and mythical motives suggest a far broader project. The book can be read as the first volume of a postmodern epic.[11] It is considered as one of the most important anti-utopian works of the 21st century.[12]