Yours, Mine and Ours (1968 film)
1968 film by Melville Shavelson From Wikipedia, the free encyclopedia
1968 film by Melville Shavelson From Wikipedia, the free encyclopedia
Yours, Mine and Ours is a 1968 American family comedy drama film directed by Melville Shavelson. The film stars Lucille Ball, Henry Fonda, Van Johnson and Jennifer Leak.
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| Yours, Mine and Ours | |
|---|---|
.jpg) Theatrical release by Frank Frazetta | |
| Directed by | Melville Shavelson |
| Screenplay by | Mort Lachman Melville Shavelson |
| Story by | Bob Carroll Jr. Madelyn Davis |
| Produced by | Robert F. Blumofe |
| Starring | Lucille Ball Henry Fonda Van Johnson Jennifer Leak |
| Cinematography | Charles F. Wheeler |
| Edited by | Stuart Gilmore |
| Music by | Fred Karlin |
Production companies | Desilu Productions Walden Productions |
| Distributed by | United Artists |
Release date |
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Running time | 111 minutes[1] |
| Country | United States |
| Language | English |
| Budget | $2.5 million |
| Box office | $25.9 million[2] |
Yours, Mine and Ours was released in the United States on April 24, 1968, by United Artists. The film received mixed reviews from critics but was commercially successful. A remake was released in 2005.
Frank Beardsley is a Navy Chief Warrant Officer, recently detached from the aircraft carrier USS Enterprise and assigned as project officer for the Fresnel lens glide-slope indicator, or "meatball", that would eventually become standard equipment on all carriers. Helen North is a civilian nurse working in the dispensary at NAS Alameda, the California U.S. Navy base to which Frank is assigned.
Frank meets Helen, first by chance in the commissary on the base and again when Frank brings his distraught teenage daughter for treatment at the dispensary, where Helen informs him that the young lady is simply growing up in a too-crowded house that lacks a mother's guidance. They immediately hit it off and go on a date, all the while shying away from admitting their respective secrets: Frank has ten children and Helen has eight, from previous marriages ended by their spouses' deaths.
When each finally learns the other's secret, they initially resist their mutual attraction. But Chief Warrant Officer Darrell Harrison is determined to bring them together, so he "fixes up" each of them with a sure-to-be-incompatible blind date. Helen's date is an obstetrician who stands a good head shorter than she ("Darrell had a malicious sense of humor", Helen observes in a voice-over); Frank's date is a "hip" girl who is not only young enough to be his daughter but is also far too forward for his taste. As the final touch, Harrison makes sure that both dates take place in the same Japanese restaurant. As Harrison fully expects, Frank and Helen end up leaving the restaurant together in his car, with Frank's date sitting uncomfortably between them as they carry on about their children.
Frank and Helen continue to date regularly, and eventually he invites her to dinner in his home. This nearly turns disastrous when Mike, Rusty and Greg, Frank's three sons, mix hefty doses of gin, scotch and vodka into Helen's drink. As a result, Helen's behavior turns wild and embarrassing, which Frank cannot comprehend until he catches his sons trying to conceal their laughter. "The court of inquiry is now in session!" he declares, and gets the three to own up and apologize. After this, he announces his intention to marry Helen, adding, "And nobody put anything into my drink."
Most of the children oppose the marriage at first, regarding each other and their respective stepparents with suspicion. Eventually, however, the 18 children bond into one large blended family, about to increase—Helen becomes pregnant.
Further tension develops between young Philip North and his teacher at the parochial school that he attends: his teacher insists that he use his "legal" name, which remains North even after his mother marries Beardsley. This prompts Helen and Frank to discuss cross-adopting each other's children, who (except for Philip) are aghast at the notion of "reburying" their deceased biological parents. The subsequent birth of Joseph John Beardsley finally unites the children, who agree unanimously to adoption under a common surname.
The film ends with the eldest sibling, Mike Beardsley, going off to Camp Pendleton to join the United States Marine Corps.
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The Beardsley Children
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The North Children
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Henry Fonda and Lucille Ball take turns providing voice-over narration throughout—and in at least one scene, Van Johnson talks directly to the camera, as does Fonda.
That Lucille Ball would portray Helen Beardsley was never in doubt. But a long line of distinguished actors came under consideration, at one time or another, for the role of Frank Beardsley. They included Desi Arnaz, James Stewart, Fred MacMurray, Jackie Gleason, Art Carney, and John Wayne. Henry Fonda finally accepted, and indeed asked for, the role in a telephone conversation with Robert F. Blumofe in 1967. Ball, who had worked with Fonda before in the 1942 release The Big Street, readily agreed to the casting.[3]
One account[which?] says that Ball recalled in 1961 that Desilu Productions first bought the rights to the Beardsley-North story in 1959, even before Helen Beardsley published her biography, but this is highly unlikely because Frank and Helen Beardsley married on September 6, 1961, and their first spouses were both alive in 1959. More likely is the story that Bob Carroll and his wife brought the story of the Beardsley family to Ball's attention after reading it in a local newspaper.[4] However, Mr. Carroll is said to recall his wife mentioning the story in 1960—again, a full year before the Beardsleys were married and probably when Dick North was still alive. In any event, Desilu Productions did secure the rights early on, and Mr. Carroll and Madelyn Pugh began instantly to write a script.
Production suffered multiple interruptions for several reasons. It began in December 1962 after Ball's abortive attempt at a career on the Broadway stage. In 1963, production was halted after the box-office failure of her comedy effort Critic's Choice (with Bob Hope). Later, she was unhappy with the script presented by Madelyn Pugh (then known as Madelyn Pugh Martin) and Bob Carroll, precisely because their script overly resembled an I Love Lucy television episode, and commissioned another writer (Leonard Spigelgass) to rewrite the script.[citation needed] Mr. Spigelgass does not seem to have succeeded in breaking free of Lucy's television work, so producer Robert Blumofe hired yet two more writers (Mickey Rudin and Bernie Weitzman) to make an attempt.[citation needed] When this failed, Blumofe hired Melville Shavelson, who eventually directed. All further rewrite efforts came to an abrupt end at the insistence of United Artists, the film's eventual distributor.[citation needed]
At this point in the production cycle, Helen Beardsley's book Who Gets the Drumstick? was actually released in 1965. Like many film adaptations, exactly how much the book informed the final shooting script is impossible to determine.
Production began in 1967 with Henry Fonda definitely signed on to portray Frank. Mort Lachman, who had been one of Bob Hope's writers, joined the writing team at the recommendation of Shavelson.[citation needed] Leonard Spigelgass received no on-screen writing credit for his efforts in this film.
Filming was done largely on-location in Alameda and San Francisco, California with Mike's high-school graduation being filmed at Grant High School in southern California (Frank Beardsley's home, into which the blended family eventually moved, was in Carmel). The total budget is estimated at $2.5 million (equivalent to $21.9 million in 2023),[5] including $1,700,000 for actual filming and post-production.
The film received lukewarm critical reviews. The film holds a 50% approval rating with 12 reviews from critics on Rotten Tomatoes.[6] Roger Ebert gave the film 3.5 out of 4 stars and praised the performances of Ball and Fonda.[7]
It was a massive commercial success, earning nearly $26 million ($182 Million adjusted for inflation) at the box office (on a tight budget of $2.5 million) and earning over $11 million in rentals.[8]
Frank Beardsley commented that his family enjoyed the film as general entertainment, and acknowledged that perhaps the scriptwriters felt that their screenplay was "a better story" than the truth.[9]
Yours, Mine and Ours was released on VHS by MGM/UA Home Video in 1989, 1994, and 1998. A Laserdisc version was released in 1994, featuring noise reduction applied to the film soundtrack.
It was released to DVD on March 6, 2001. While the DVD was released in full frame, the original film was a widescreen release in the 1.78:1 aspect ratio; this, therefore, constitutes an open matte presentation.
It was released on Blu-ray on September 13, 2016 through Olive Films (under license from MGM and 20th Century Fox Home Entertainment). The sole special feature is the original movie trailer.
| Award | Category | Nominee(s) | Result |
|---|---|---|---|
| Golden Globe Awards[10] | Best Motion Picture – Musical or Comedy | Nominated | |
| Best Actress in a Motion Picture – Musical or Comedy | Lucille Ball | Nominated | |
| Laurel Awards | Top General Entertainment | Won | |
| Top Male Comedy Performance | Henry Fonda | 3rd Place | |
| Top Female Comedy Performance | Lucille Ball | Won | |
| Writers Guild of America Awards[11] | Best Written American Comedy | Melville Shavelson and Mort Lachman; Bob Carroll Jr. and Madelyn Davis |
Nominated |
