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Korean poet (1901–1943) From Wikipedia, the free encyclopedia
Yi Sang-hwa (Korean: 이상화; also Lee Sang-hwa; 1901–1943) was a Korean nationalist poet active in the resistance to Japanese rule.[1]
Yi Sang-hwa | |
---|---|
![]() Korean nationalist poet | |
Born | April 5, 1901 |
Died | April 25, 1943 42) | (aged
Language | Korean |
Korean name | |
Hangul | 이상화 |
Hanja | 李相和 |
Revised Romanization | I Sanghwa |
McCune–Reischauer | Ri Sanghwa |
Yi Sang-hwa, who sometimes published under the names Muryang, Sanghwa, and Baega, was born April 5, 1901, in Daegu, Joseon. He graduated from Jungdong High School in Seoul. He then went to Japan, where he studied French literature. In 1923, he returned to Korea and taught English and French in a Daegu high school.[2] According to Choe Chong-dae, "His reputation grew as a young promising poet after composing the poem entitled 'Does spring come to these stripped lands?' in 1926, which was published in the 70th edition Magazine of Kaebyuk, the contents of which led to the magazine being suspended by the authorities.[3] Yi worked as a teacher for the Kyonam School (now the Daeryun Junior High School) and as a Director of the Daegu Choson Ilbo.[4]
Yi participated in the March 1st Movement of March 1, 1919 in Daegu, which sought to restore Korean sovereignty.[5] In 1921, wishing to study in France, Yi went to Japan to study French language and literature, but ended up returning to Korea in 1923 after the Great Kanto earthquake. In the early twenties, he joined the White Tide (Baekjo) circle along with Hong Sayong, Park Jonghwa, Park Yeonghui, Kim Gijin, and others, and began his career in poetry with the publication of the poems "Joy of the Corrupt Age" (Malseui huitan), "Double Death" (Ijungui samang), and "Toward my bedchamber" (Naui chimsillo) in the journal Torch (Geohwa).[1]
The poet went on to create the literature study group PASKYULA with Kim Gijin and others, and in August 1925 he helped the Korea Artists Proletariat Federation (KAPF; Joseon Peurolletaria Yesulga Dongmaeng). The next year, he became managing editor of the KAPF journal Literary Arts Movement. In 1937 he went to Mangyeong to see his elder brother, General Lee Sangjeong, but was arrested by the Japanese upon his return to Korea and jailed for four months. After his release, he taught at the Gyonam School in Daegu for a time before devoting himself to reading and study in order to produce an English translation of The tale of Chunhyang (Chunhyangjeon).[1]
Yi died of cancer on April 25, 1943.
The Korean Literature Translation Institute summarizes Yi's contributions to poetry as:
- Does spring come to this land no more our own,
- to these forfeited fields?
- Bathed in the sun I go as if in a dream along a lane
- that cuts across paddy-fields like parted hair
- to where the blue sky and the green field meet.
- You mute heaven and silent fields,
- I do not feel I have come here on my own;
- tell me if I am driven by you or by some hidden force.[7]
- ....What am I looking for? Soul,
- my blind soul, endlessly darting
- like children at play by the river,
- answer me: where am I going?
- Filled with the odor of grass, compounded
- of green laughter and green sorrow,
- limping along, I walk all day, as if possessed
- by the spring devil:
- for these are stolen fields, and our spring is stolen.[8]
A monument was erected in memory of the poet in Daegu's Dalseong Park in 1948 and his collected poems were published in 1951. Yi's neglected house was restored and opened in 2005, with memorabilia pertaining to the poet and the resistance.[9]
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