Victoria Spivey
American blues singer and songwriter From Wikipedia, the free encyclopedia
Victoria Regina Spivey (October 15, 1906 – October 3, 1976),[1][2] sometimes known as Queen Victoria,[3] was an American blues singer, songwriter, and record company founder. During a recording career that spanned 40 years, from 1926 to the mid-1960s, she worked with Louis Armstrong, King Oliver, Clarence Williams, Luis Russell, Lonnie Johnson, and Bob Dylan.[4] She also performed in vaudeville and clubs, sometimes with her sister Addie "Sweet Peas" (or "Sweet Pease") Spivey (August 22, 1910 – 1943),[5] also known as the Za Zu Girl. Among her compositions are "Black Snake Blues" (1926), "Dope Head Blues" (1927), and "Organ Grinder Blues" (1928). In 1961, she co-founded Spivey Records with one of her husbands, Len Kunstadt.
Born in Houston, Texas,[6] she was the daughter of Grant and Addie (Smith) Spivey. Her father was a part-time musician and a flagman for the railroad; her mother was a nurse.[7] She had three sisters, all three of whom also sang professionally: Leona, Elton "Za Zu", and Addie "Sweet Peas" (or "Sweet Pease") Spivey (August 22, 1910 – 1943),[5][4] who recorded for several major record labels between 1929 and 1937, and Elton Island Spivey Harris (1900–1971).[8][9] She married four times; her husbands included Ruben Floyd, Billy Adams, and Len Kunstadt, with whom she co-founded Spivey Records in 1961.
Spivey's first professional experience was in a family string band led by her father in Houston. After he died, the seven-year-old Victoria played on her own at local parties. In 1918, she was hired to accompany films at the Lincoln Theater in Dallas.[10] As a teenager, she worked in local bars, nightclubs, and buffet flats, mostly alone, but occasionally with singer-guitarists, including Blind Lemon Jefferson.[6] In 1926 she moved to St. Louis, Missouri, where she was signed by Okeh Records. Her first recording, "Black Snake Blues" (1926),[11] sold well, and her association with the label continued. She recorded numerous sides for Okeh in New York City until 1929, when she switched to the Victor label. Between 1931 and 1937, more recordings followed for Vocalion Records and Decca Records,[6] and, working out of New York, she maintained an active performance schedule. Her recorded accompanists included King Oliver, Charles Avery, Louis Armstrong, Lonnie Johnson, and Red Allen.[9]
The Depression did not put an end to Spivey's musical career. She found a new outlet for her talent in 1929, when the film director King Vidor cast her to play Missy Rose in his first sound film, Hallelujah!. Through the 1930s and 1940s Spivey continued to work in musical films and stage shows, including the hit musical Hellzapoppin (1938), often with her husband, the vaudeville dancer Billy Adams.[6]
In 1951, Spivey retired from show business to play the pipe organ and lead a church choir, but she returned to secular music in 1961, when she was reunited with an old singing partner, Lonnie Johnson, to appear on four tracks on his Prestige Bluesville album Idle Hours.
The folk music revival of the 1960s gave her further opportunities to make a comeback. She recorded again for Prestige Bluesville, sharing an album, Songs We Taught Your Mother, with fellow veterans Alberta Hunter and Lucille Hegamin, and began making personal appearances at festivals and clubs, including the 1963 European tour of the American Folk Blues Festival.
In 1961, Spivey and the jazz and blues historian Len Kunstadt launched Spivey Records, a low-budget label dedicated to blues, jazz, and related music, prolifically recording established artists, including Sippie Wallace, Lucille Hegamin, Otis Rush, Otis Spann, Willie Dixon, Roosevelt Sykes, Big Joe Turner, Buddy Tate, and Hannah Sylvester, and also newer artists, including Luther Johnson, Brenda Bell, Washboard Doc, Bill Dicey, Robert Ross, Sugar Blue, Paul Oscher, Danny Russo, and Larry Johnson.[6]
In March 1962, Spivey and Big Joe Williams recorded for Spivey Records, with harmonica accompaniment and backup vocals by Bob Dylan. The recordings were released on Three Kings and the Queen (Spivey LP 1004) and Kings and the Queen Volume Two (Spivey LP 1014). Dylan was listed under his own name on the record covers.[12] A picture of her and Dylan from this period is shown on the back cover of the Dylan album, New Morning. In 1964, Spivey made her only recording with an all-white band, the Connecticut-based Easy Riders Jazz Band, led by the trombonist Big Bill Bissonnette. It was released first on an LP and later re-released on compact disc.
Spivey married four times; her husbands included Ruben Floyd, Billy Adams, and Len Kunstadt.[1]
Spivey died in New York on October 3, 1976, at the age of 69, from an internal hemorrhage.[4][13]
![[icon]](#/media/File:Wiki_letter_w_cropped.svg){kind=small} | This section needs expansion. You can help by adding to it. (May 2010) |
Albums
- Idle Hours (Bluesville, 1961) with Lonnie Johnson (three tracks)
- Songs We Taught Your Mother (Bluesville, 1962) shared album with Alberta Hunter and Lucille Hegamin (four tracks)
- Woman Blues! (Bluesville, 1962) with Lonnie Johnson
- A Basket of Blues (Spivey, 1962) shared album with Buddy Terry, Lucille Hegamin and Hannah Sylvester
- Victoria and Her Blues (Spivey, 1962)
- Three Kings and the Queen (Spivey, 1964) shared album with Roosevelt Sykes, Big Joe Williams and Lonnie Johnson
- The Queen and Her Knights (Spivey, 1965) shared album with Lonnie Johnson, Little Brother Montgomery, Memphis Slim and Sonny Greer
- Music Down Home: An Introduction to Negro Folk Music, U.S.A. (1965)[14]
- The Blues Is Life (1976)[15]
- Classic Piano Blues from Smithsonian Folkways (2008)[16]
78 rpm singles - Okeh Records
| 8338A | Victoria Spivey | "Black Snake Blues" | May 5, 1926 |
| 8338B | Victoria Spivey | "No More Jelly Bean Blues" | May 11, 1926 |
| 8351A | Victoria Spivey | "Dirty Woman's Blues" | May 5, 1926 |
| 8351B | Victoria Spivey | "Long Gone Blues" | May 5, 1926 |
| 8370A | Victoria Spivey | "Spider Web Blues" | August 12, 1926 |
| 8370B | Victoria Spivey | "Hoodoo Man Blues" | August 11, 1926 |
| 8389A | Victoria Spivey | "Humored and Petted Blues" | August 12, 1926 |
| 8389B | Victoria Spivey | "Blue Valley Blues" | August 16, 1926 |
| 8401A | Victoria Spivey | "Big Houston Blues" | August 13, 1926 |
| 8401B | Victoria Spivey | "Got the Blues So Bad" | August 13, 1926 |
| 8410A | Victoria Spivey | "Its Evil Hearted Me" | August 12, 1926 |
| 8410B | Victoria Spivey | "Santa Fe Blues" | August 12, 1926 |
| 8464 | Victoria Spivey | "Idle Hour Blues" | April 27, 1927 |
| 8464 | Victoria Spivey | "Steady Grind" | April 27, 1927 |
| 8481 | Victoria Spivey | "Arkansas Road Blues" | April 27, 1927 |
| 8481 | Victoria Spivey | "Alligator Pond Went Dry" | April 27, 1927 |
| 8494 | Victoria Spivey | "No. 12 Let Me Roam" | April 27, 1927 |
| 8494 | Victoria Spivey | "T.B Blues (West End Blues)" | April 27, 1927 |
| 8517 | Victoria Spivey | "Christmas Morning Blues" | October 28, 1927 |
| 8517 | Victoria Spivey | "Garter Snake Blues" | October 28, 1927 |
| 8531 | Victoria Spivey with Lonnie Johnson | "Dope Head Blues" | October 28, 1927 |
| 8531 | Victoria Spivey | "Blood Thirsty Blues" | October 31, 1927 |
| 8550 | Victoria Spivey | "Jelly Look What You Done Done" | November 1, 1927 |
| 8550 | Victoria Spivey | "Red Lantern Blues" | October 28, 1927 |
| 8565 | Victoria Spivey | "A Good Man is Hard to Find" | November 1, 1927 |
| 8565 | Victoria Spivey | "Your Worries Ain't Like Mine" | November 1, 1927 |
| 8581 | Victoria Spivey | "Nightmare Blues" | October 31, 1927 |
| 8581 | Victoria Spivey | "Murder in the First Degree" | October 31, 1927 |
| 8615 | Victoria Spivey | "My Handy Man" | September 12, 1928 |
| 8615 | Victoria Spivey | "Organ Grinder Blues" | September 12, 1928 |
| 8626 | Victoria Spivey | "New Black Snake Blues Part 2" | October 13, 1928 |
| 8626 | Victoria Spivey | "New Black Snake Blues" | October 13, 1928 |
| 8634 | Victoria Spivey | "No Papa No" | October 17, 1928 |
| 8634 | Victoria Spivey | "Mosquito Fly and Flea" | October 18, 1928 |
| 8652 | Victoria Spivey/Lonnie Johnson | "Furniture Man #2 Blues" | October 18, 1928 |
| 8652 | Victoria Spivey | "Furniture Man Blues" | October 18, 1928 |
| 8713 | Victoria Spivey | "How Do They Do It That Way" | July 10, 1929 |
| 8713 | Victoria Spivey | "Funny Feathers" | July 10, 1929 |
| 8733 | Victoria Spivey | "You Done Lost Your Good Thing Now" | July 3, 1929 |
| 8744A | Lonnie Johnson/Victoria Spivey | "Toothache Blues" | October 17, 1928 |
| 8744B | Lonnie Johnson/Victoria Spivey | "Toothache Blues #2" | October 18, 1928 |
78 rpm singles - Victor Records
| 23349 | Victoria Spivey | "Baulin Water Blues" | June 26, 1930 |
| 23349 | Victoria Spivey | "Baulin Water Blues" (second version) | June 26, 1930 |
| 38546 | Victoria Spivey | "Moaning the Blues" | October 1, 1929 |
| 38546 | Victoria Spivey | "Telephoning the Blues" | October 1, 1929 |
| 38570 | Victoria Spivey | "Bloodhound Blues" | October 1, 1929 |
| 38570 | Victoria Spivey | "Dirty Tee Be Blues" | October 1, 1929 |
| 38584 | Victoria Spivey | "New York Blues" | February 4, 1930 |
| 38584 | Victoria Spivey | "Showered With the Blues" | February 4, 1930 |
| 38598 | Victoria Spivey | "Haunted by the Blues" | February 4, 1930 |
| 38598 | Victoria Spivey | "Lonesome With the Blues" | February 4, 1930 |
| 38609 | Victoria Spivey | "You've Gotta Have What It Takes" | June 26, 1930 |
| 38609 | Victoria Spivey | "You've Gotta Have What It Takes" (second version) | June 26, 1930 |
Wikiwand in your browser!
Seamless Wikipedia browsing. On steroids.
Every time you click a link to Wikipedia, Wiktionary or Wikiquote in your browser's search results, it will show the modern Wikiwand interface.
Wikiwand extension is a five stars, simple, with minimum permission required to keep your browsing private, safe and transparent.
