The Six of Calais

The Six of Calais is a one-act play by George Bernard Shaw. It was inspired by Auguste Rodin's sculpture The Burghers of Calais. It is a historical comedy about the conflict between Edward III of England and his wife Philippa of Hainault over his plans to punish the leading citizens of Calais for resisting the 1346 siege.^{[citation needed]}

The Six of Calais
Rodin's The Burghers of Calais, which inspired the play
Written by	George Bernard Shaw
Date premiered	1934
Place premiered	Open Air theatre
Original language	English
Subject	Edward III plans to hang the Burghers of Calais
Genre	history play comedy
Setting	Medieval Calais

Conception

Shaw had had a long friendship with the sculptor Auguste Rodin, who had made a portrait bust of the playwright, and had long admired his sculpture of The Burghers of Calais.^[1] Rodin himself had once said of Shaw that his obsession with "cold" reason was "modified to vapour by his temperamental shyness and his Irish sense of humor".^[2] The struggle between anger, reason and humour is one of the themes of the play.

Plot

King Edward III of England intends to hang six leading citizens of Calais for resisting his siege of the town, but he must keep his plans from his wife Philippa, whose forgiving nature is such that she will plead for their lives. Peter Hardmouth, the leading burgher is unrepentant, and berates Edward for his warmongering. Philippa finds out about Edward's plan and uses all her wiles to persuade him to change his mind, clinching her case by saying that the brutality could adversely affect their unborn child. He eventually gives in, but decides he will use Hardmouth to get back at her. He brings in Hardmouth, who proceeds to berate the queen mercilessly. Furious, she insists that Hardmouth be punished, but now the king says she must be as forgiving as he was. The king warms to Hardmouth when he learns that he comes from Champagne, like the king's grandmother. The two bond and start playing a game which involves pretending to be dogs. The queen is not amused. She is further outraged when Edward says that he hopes some of Harmouth's spirit will enter their unborn child. He kisses her and everyone laughs.

Preface

The play was published along with The Simpleton of the Unexpected Isles and The Millionairess in 1936. In the preface Shaw justified the apparently lightweight character of the piece, by arguing that the purpose of a play is to create elegant order from chaotic experience.^[3]

Production and reception

The play was produced at the Open Air theatre in 1934.

John Anthony Bertolini describes the play as a self-referential work in which the characters all performing roles. He considers it the most "fully realized" example of Shaw's conception of comic form.^[4]

References

1. Hare, Marion J., "Rodin, Shaw and the Six of Calais", Shaw Festival Programme, 1995.
2. Tehan, Arline Boucher, The Gates of Hell, 2010.
3. Elsie Bonita Adam, Bernard Shaw and the Aesthetes, Ohio State University Press, 1971, p155.
4. Bertolini, John A., The Playwrighting Self of Bernard Shaw, SIU Press, 1991, p.63-4.