Report on the restitution of African cultural heritage
Report on cultural relations between France and Africa south of the Sahara / From Wikipedia, the free encyclopedia
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The Restitution of African Cultural Heritage. Toward a New Relational Ethics (in French: Rapport sur la restitution du patrimoine culturel africain. Vers une nouvelle éthique relationnelle) is a report written by Senegalese academic and writer Felwine Sarr and French art historian Bénédicte Savoy, first published online in November 2018 in a French original version and an authorised English translation.[1]
Author | Felwine Sarr & Bénédicte Savoy |
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Language | French original, English official translation |
Subject | Restitution of African art from French public collections |
Publisher | Philippe Rey/Seuil, Paris |
Publication date | 21 November 2018 |
Media type | open access online document and commercially available book in French |
Pages | 89 in English version as pdf, plus annexes |
ISBN | 284876726X |
OCLC | 1077598452 |
Website | http://restitutionreport2018.com |
Commissioned by the president of France, Emmanuel Macron, the aim of the report was to assess the history and present state of publicly owned French collections of African artworks originating from illicit or otherwise disputed acquisitions, as well as claims and a plan for subsequent steps for eventual restitutions. More specifically, the report also presents recommendations for the preparation of restitutions, such as international cultural cooperation, provenance research, legal frameworks, and ends with a list of the cultural objects involved, as well as ways to present them in the near future in African museums.
The commission of this report marks the first time a French president announced the restitution of African artefacts, and it has since prompted numerous debates and plans for a decolonization of museums in a number of countries.
In 2020, their report and its public response earned Bénédicte Savoy and Felwine Sarr the third place in the annual ranking of the "most influential people in the international art world", established by ArtReview magazine;[2] and Time magazine listed them among the "100 most Influential People of 2021".[3]