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American guitarist and arranger From Wikipedia, the free encyclopedia
René Joseph Hall (September 26, 1912 – February 11, 1988)[1] was an American guitarist and arranger. He was among the most important behind-the-scenes figures in early rock and roll, but his career spanned the period from the late 1920s to the late 1980s, and encompassed multiple musical styles.
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Born in Morgan City, Louisiana, René Hall first recorded in 1933 as a banjo player with Joseph Robichaux in New Orleans. He then worked around the country as a member of the Ernie Fields Orchestra, with whom he made his earliest recordings. In the group he was known by the nickname Lightnin' .[2] Later he joined Earl Hines as musical arranger. During the 1940s he built up a considerable reputation as a session musician in New York City. In the late 1940s, he formed his own sextet which recorded for various labels including Jubilee, Decca, and RCA. He also worked as a talent scout for King Records, discovering such acts as Billy Ward and the Dominoes.
In the mid-1950s, Hall moved to Los Angeles, California, and began doing session work with saxophone player, Plas Johnson, and drummer, Earl Palmer. The trio recorded for many of the emerging rock and roll and R&B artists on such labels as Aladdin, Rendezvous, and Specialty Records. In 1958, he pioneered the usage of a Danelectro 6-string bass guitar as a supplement to standup bass on recording sessions with Ritchie Valens and others. This approach was widely imitated by arrangers all over the world.[3]
Hall was a virtual one-man dynasty on the West Coast from the mid-1950s through the early 1970s, organizing such studio concoctions as B. Bumble & The Stingers hit "Nut Rocker", surf-rock group The Marketts ("Surfer's Stomp"), and The Routers of "Let's Go" fame. All featured Hall, Palmer and Johnson, but were then promoted by young white groups who performed the songs on tour. He gave his former employer Ernie Fields an unlikely rock hit with a version of the big band standard, "In The Mood", which reached #4 in Billboard during 1959. When Hall, Palmer, and Johnson did not want to issue it under their own names and tour behind it, they gave it to Fields, who then did join them in the studio for a follow-up hit.
Hall arranged Ike & Tina Turner's 1963 album Don't Play Me Cheap. He also arranged some of Sam Cooke's best-known recordings including the 1964 song, "A Change Is Gonna Come", in which Hall devised a dramatic arrangement with a symphonic overture for strings, kettledrum, and French horn. He prepared arrangements for many successful artists including The Impressions and Marvin Gaye. He also played guitar on Marvin Gaye's "Let's Get It On" and did a lot of work for Bobby Womack.
René Hall died of heart disease in Los Angeles, California at the age of 75.[4]
| Artist | Date | Song title | Peak chart
position |
Hall's role |
|---|---|---|---|---|
| The Dominoes[5] | 1951 | Sixty Minute Man | #17, #1 R&B chart | Guitar, arranger |
| Don and Dewey[6] | 1957 | Sweet Talk "Farmer John" (take 1) Just a Little Lovin' The Letter |
Leader, guitar | |
| Larry Williams[7] | 1957 | Short Fat Fannie | #5 | Guitar |
| Larry Williams[7] | 1957 | Bony Moronie | #14 | Guitar |
| Sam Cooke[8] | 1957 | You Send Me b-side, Summertime |
#1 #81 |
Conductor, arranger |
| Larry Williams[7] | 1957, 1958 |
Iko Iko Lawdy Miss Clawdy, Slow Down, Dizzy Miss Lizzy, Bad Boy |
Guitar | |
| Ritchie Valens | 1958 | La Bamba | #22 | Danelectro, arranger |
| Ritchie Valens | 1958 | Donna | #2 | Lead guitar & solo, arranger |
| Ritchie Valens | 1958 | Come On, Let's Go | Guitar, arranger | |
| Chan Romero[9] | 1959 | Hippy Hippy Shake | Danelectro bass guitar | |
| Sam Cooke[8] | 1957 | (I Love You) For Sentimental Reasons | #17 | Arranger, guitar |
| Sam Cooke | 1957 | Desire Me | #47 | Arranger, guitar |
| Sam Cooke | 1957 | You Were Made For Me | #39 | Arranger, guitar |
| Sam Cooke | 1958 | "Win You Love For Me" | #22 | Arranger, guitar |
| Sam Cooke | 1959 | Only Sixteen | #28 | Arranger, guitar |
| Sam Cooke | 1959 | Everybody Loves to Cha Cha Cha | #31 | Arranger, guitar |
| Sam Cooke | 1959 | God Bless The Child | Arranger, guitar | |
| Sam Cooke | 1959 | Let's Call The Whole Thing Off | Arranger, guitar | |
| Sam Cooke | 1959 | Ain't Nobody's Business If I Do | Arranger, guitar | |
| Sam Cooke | 1961 | Cupid | #17 | Arranger, guitar |
| Sam Cooke | 1962 | Twistin' the Night Away | #9 | Arranger, guitar |
| Sam Cooke | 1962 | Bring It On Home To Me | #13 | Arranger, guitar |
| Sam Cooke | 1962 | Having A Party | #17 | Arranger, guitar |
| Sam Cooke | 1962 | "Nothing Can Change This Love" | #12 | Arranger, guitar |
| The Valentinos[10] | 1962 | ‘'Darling, Come Back Home I'll Make It Alright I've Got a Girl |
"Session leader" | |
| Sam Cooke | 1963 | Another Saturday Night | #10 | Arranger, guitar |
| Sam Cooke | 1963 | Little Red Rooster | #11 | Arranger, guitar |
| Sam Cooke | 1964 | Tennessee Waltz | #35 | Arranger, guitar |
| Sam Cooke | 1964 | A Change Is Gonna Come | Arranger, guitar | |
| Sam Cooke | 1964 | That's Where It's At | #93 | Arranger, guitar |
| Sam Cooke | 1964 | Shake | Arranger, guitar | |
| Marvin Gaye | 1973 | Let's Get It On | #1 | Arranger and conductor |
| Marvin Gaye | 1973 | Please Stay (Once You Go Away) | Arranger and conductor | |
| Marvin Gaye | 1973 | If I Should Die Tonight | Arranger and conductor | |
| Marvin Gaye | 1973 | Keep Gettin' It On | Arranger and conductor | |
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