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United States historic place From Wikipedia, the free encyclopedia
The Quadrangle Dormitories (commonly referred to as Quad) are a complex of 39 conjoined residence houses at the University of Pennsylvania, in Philadelphia, Pennsylvania, United States. The architectural firm of Cope and Stewardson designed the houses in an exuberant Neo-Jacobean version of the Collegiate Gothic style, and completed most of them between 1894 and 1912. The dormitories stretch from 36th to 38th Streets and from Spruce Street to Hamilton Walk (Pine Street). West of the Memorial Tower at 37th Street, the houses on the north side follow the diagonal of Woodland Avenue (now Woodland Walk) and form a long triangle with the houses on the south side. From 1895 to 1971, the dormitories housed only male students.[4]
Quadrangle Dormitories | |
Location | Bounded by Spruce, 36th, and 38th Sts., Woodland and Hamilton Walks Philadelphia, Pennsylvania |
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Coordinates | 39°57′2.9″N 75°11′50.3″W |
Built | 1894–1930, 1953–59 |
Architect | Cope and Stewardson (1894–1912) Stewardson & Page (1912–29) Trautwein & Howard (1945–59)[1] |
Architectural style | Collegiate Gothic |
Part of | University of Pennsylvania Campus Historic District[2] (ID78002457) |
Designated CP | 21 June 1978[3] |
The Quadrangle Dormitories were listed as a contributing property in the University of Pennsylvania Campus Historic District in 1978.[2]
The Quad is now grouped into 3 college houses: Fisher Hassenfeld College House (west), Ware College House (center), and Riepe College House (east).[5] As "first-year communities," they currently (2017) house approximately 1,445 students.[6]
The Quadrangle was the first major dormitory built by the university.[4] Prior to its construction, the undergraduate components of the College (25 to 50 percent of student body) was populated by many commuters from Philadelphia-area residents; students from elsewhere lived in fraternities, Philadelphia relatives or family friends, or found lodgings in off-campus boarding houses, some of which were owned by Penn.[4] The driving force behind building the dormitory was Charles Custis Harrison, heir to a sugar fortune and university provost, 1894–1910. He removed the unofficial campus architect, Frank Furness, replacing him with Cope & Stewardson, who were making a reputation as practitioners of the fashionable Collegiate Gothic style.[7] Walter Cope and John Stewardson had designed exquisitely detailed historicist buildings for Bryn Mawr College beginning in the late-1880s, but the Quadrangle would be a project at a far larger scale and with a much higher level of ornament.[8]
Provost Harrison took as his model the English college experience of Oxford and Cambridge, where students lived, studied, ate, socialized and worshiped in a single community.[4] Often defraying construction costs with his own funds, Harrison, through Cope & Stewardson, remade the Penn campus with Collegiate Gothic buildings.[9] Built on the former site of the university's athletic fields,[10] fifteen of the Quadrangle's houses had been completed by 1897, and six more were added by 1906.[4]
George Henderson, President of the Class of 1889, wrote a short book that he distributed to his classmates at their 20th reunion in June 1909.[11] Old Penn and Other Universities charted Penn's strong growth in acreage and number of buildings between 1889 and 1909, but also the near-quadrupling in the size of the student body and the surge in out-of-state and foreign students.[11] Henderson argued that the Quadrangle (then 22 buildings) played a vital role in attracting students, and made an impassioned plea for its expansion:
And the new buildings? First of all there is need of greater dormitory room. Did you ever live in the "dorms?" Then you do not know what "dorm" life means for college spirit. Several hundred men who live in the same big family have a feeling of common fellowship. Life in the "dorms" develops what our sociologists call a "Solidarity of Responsibility." Men who live there learn to care for the associations that brought them together, that keep them related. And this college spirit they never lose or forget.
Some parents, living at a distance, do not like to send their sons to live in a general boarding house. But a dormitory, a University institution, appeals to them, and the boys come and live there.
You would scarcely believe it, but when College opened last fall not only were the dormitory rooms over subscribed, but there was a long list of anxious ones, ready to snap up the room of any unlucky fellow who might miss his examinations, and be forced to spend another year at preparatory school grind. So we need the new dormitories, and although they are going up steadily, they might well go up faster.[11]
By 1912, the Spruce Street row had been extended to 36th Street and turned the corner to the newly completed Provosts' Tower, honoring the recently retired Provost Harrison.[9] That same year, Cope & Stewardson was reorganized as Stewardson & Page. Headed by the late John Stewardson's brother Emlyn, the firm completed the houses enclosing the East and South Quads over the 1910s and 1920s.[12] Plans to add a chapel and a dining hall to the Quadrangle eventually were abandoned.[1] Instead, the dining hall at Houston Hall was expanded in the 1930s.[4] Construction of the Butcher, Speakman and Class of '28 Houses – along the south side of the Upper and Lower Quads (the site formerly reserved for a dining hall) – completed the Quadrangle's perimeter in the 1950s.[12]
In his praise for The Quad, architect Ralph Adams Cram revealed some of the ethnic and cultural implications underlying the Collegiate Gothic:
It was, of course, in the great group of dormitories for the University of Pennsylvania that Cope and Stewardson first came before the entire country as the great exponents of architectural poetry and of the importance of historical continuity and the connotation of scholasticism. These buildings are among the most remarkable yet built in America ...
First of all, let it be said at once that primarily they are what they should be: scholastic in inspiration and effect, and scholastic of the type that is ours by inheritance; of Oxford and Cambridge, not of Padua or Wittenberg or Paris. They are picturesque also, even dramatic; they are altogether wonderful in mass and in composition. If they are not a constant inspiration to those who dwell within their walls or pass through their "quads" or their vaulted archways, it is not their fault but that of the men themselves.
The [War Memorial] tower has been severely criticized as an archaeological abstraction reared to commemorate contemporary American heroism. The criticism seems just to me, though only in a measure. American heroism harks back to English heroism; the blood shed before Manila and on San Juan Hill was the same blood that flowed at Bosworth Field, Flodden, and the Boyne. Therefore the British base of the design is indispensable, for such were the racial foundations.[8]
Fisher Hassenfeld College House encompasses the western section of the Quad. It encloses two sides of the triangular Upper Quad, and includes the westernmost Little Quad. It is named for Jerome and Anne Fisher and Alan G. Hassenfeld, all alumni and trustees of the university, who funded its creation. Fisher Hassenfeld College House consists of 16 individual houses.[13] As of Fall 2016, it housed 456 students, 433 of whom were freshmen.[14]
Ware College House encompasses the central section of the Quad. The H-shaped complex straddles the Upper and Lower Quads, and includes the Memorial Tower and buildings east of 37th Street. It is named for Congressman John H. Ware III, Wharton Class of 1930.[16] Ware College House consists of 11 individual houses.[17] As of Fall 2016, it housed 532 students, 505 of whom were freshmen.[18]
Riepe College House encompasses the eastern section of the Quad. It is named for James and Gail Petty Riepe, who pledged $10 million in 2004 to fund its creation.[20] Riepe College House consists of 12 individual houses grouped around the East and South Quads.[21] As of Fall 2016, it housed 464 students, 436 of whom were freshmen.[22]
The Memorial Tower (1901) – formally, "War Memorial Tower" – honors Penn alumni who died in the Spanish–American War. Its carved limestone ornament was by sculptor Edward Maene. Located at 37th & Spruce Streets, the 6-story tower is the gateway to the Upper Quad.
The Provosts Tower (1912), honors the provosts of the university. It was the gift of the family and friends of Provost Charles Custis Harrison, commemorating his 1910 retirement.[9] Its carved limestone ornament, by sculptor Edward Maene, features plaques honoring each of the first 12 provosts, and twin "headboards" with the Coat of Arms of Pennsylvania at the parapet. Its fifth floor is a 2-story library and lounge.[23] Located at 36th Street just south of Spruce Street, the 7-story tower is the gateway to the Lower Quad.
The Junior Balcony is located at the west end of the Lower Quad between the North and South Steps. Originally called "The Terrace,"[15] it was expanded eastward in the 1950s and McClelland Hall, a lounge and study hall, was built in the space beneath it. McClelland is now the mail room for the entire Quad and features a small dining facility, McClelland Express.[24]
The Little Quad, located in the westernmost part of the Upper Quad, is the smallest of the green spaces. It is enclosed by Foerderer (with its 3-arch cloister), Baldwin, Class of '87 and McKean Houses, along with the iron fence that separates it from Hamilton Walk. It is sometimes called "The Nipple"[26][27]
The dormitories are adorned with a total of 163 limestone gargoyles, bosses (cartoonish grotesques), and other carved elements.[19] The Memorial Tower and the Provosts Tower feature carved limestone plaques and ornament by Edward Maene. The Upper Quad is decorated with 69 limestone bosses, spaced about 8 feet apart along the belt course between the second and third stories.[9][31] These were carved in situ by Maene's crew, working from scaffolding.[32]
Spring Fling is an annual festival of food, music, and student performances. Usually held the weekend before the end of the spring semester, it originated at the Quad in 1973.[33]
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